Kabir and Robert Bly (1977). The Kabir Book: Forty-Four of the Ecstatic Poems of Kabir. Boston, Beacon Press.
"Kabir's poems give off a marvelous radiant intensity. . . . Bly's versions . . . have exactly the luminous depth that permits and invites many rereadings, many studyings-even then they remain as fresh as ever." - NYT Book Review
Kael, Pauline (2011). The Age of Movies: Selected Writings of Pauline Kael. New York, NY, Literary Classics of the United States.
"Film criticism is exciting just because there is no formula to apply,Pauline Kael once observed, "just because you must use everything you are and everything you know." Between 1968 and 1991, as regular film reviewer for The New Yorker, Kael used those formidable tools to shape the tastes of a generation, enthralling readers with her gift for capturing, with force and fluency, the essence of an actor's gesture or the full implication of a cinematic image. Kael called movies "the most total and encompassing art form we have," and she made her reviews a platform for considering both film and the worlds it engages, crafting in the process a prose style of extraordinary wit, precision, and improvisatory grace. To read The Age of Movies, the first new selection in more than a generation, is to be swept up into an endlessly revealing and entertaining dialogue with Kael at her witty, exhilarating, and opinionated best. Her ability to evoke the essence of a great artist-an Orson Welles or a Robert Altman-or to celebrate the way even seeming trash could tap deeply into our emotions was matched by her unwavering eye for the scams and self-deceptions of a corrupt movie industry. Here in this career spanning collection are her appraisals of the films that defined an era-among them Breathless, Bonnie and Clyde, The Leopard, The Godfather, Last Tango in Paris, Nashville - along with many others, some awaiting rediscovery, all providing the occasion for masterpieces of observation and insight, alive on every page.
Kafka, Franz, Willa Muir, et al. (1996). Amerika. New York, Schocken Books.
Michael Hofmann's superb new translation of Franz Kafka's epic work. Franz Kafka's Amerika at last has the translator it deserves. Michael Hofmann's startlingly visceral and immediate translation revives Kafka's great comedy, and captures a new Kafka, free from Prague and loose in the new world, a Kafka shot through with light in this highly charged and enormously nuanced translation.
Kafka began the first of his three novels in 1911, but like the others, Amerika remained unfinished, and perhaps, as Klaus Mann suggested, "necessarily endless." Karl Rossman, the youthful hero of the novel, "a poor boy of seventeen," has been banished by his parents to America, following a scandal. There, with unquenchable optimism, he throws himself into adventure after misadventure, and experiences multiply as he makes his way into the heart of the country, to The Great Nature Theater of Oklahoma.
In creating this new translation, Hofmann, as he explains in his introduction, returned to the manuscript version of the book, restoring matters of substance and detail. Fragments which have never before been presented in English are now reinstated - including the book's original "ending."
Kafka, Franz, Willa Muir, et al. (1995). The Castle. New York, NY, Schocken Books.
Upon his death in 1924, Kafka instructed his literary executor, Max Brod, to destroy all his manuscripts. Wisely refusing his friend's last wishes, Brod edited the uncompleted Castle, along with other unfinished works, ordering the fragments into a coherent whole, and had them published. Brod's interpretation of the work as a novel of personal salvation was accepted and strengthened by Willa and Edward Muir, who translated it into English in 1930. Recent scholarship, less willing to accept Brod's version, has led to a new critical edition of the novel, which was published in German in 1982 and which purports to be closer to Kafka's intentions. Harman's translation represents this edition's first appearance in English. Harman's stated goal as translator is to reproduce as closely as possible Kafka's style, which results in an English that is stranger and denser than the Muirs' elegant work. A necessary acquisition for anyone interested in Kafka. - Michael O'Pecko, Towson State Univ., Md.
Kafka, Franz and Nahum Norbert Glatzer (1988). The Complete Stories. New York, Schocken Books: Distributed by Pantheon Books.
The only available collection that brings together all of Kafka's stories--those published during his lifetime and those released after his death.
Kafka, Franz and Max Brod (1988). The Diaries, 1910-1923. New York, Schocken Books.
Though Franz Kafka is one of the greatest and most widely read and discussed authors of the twentieth century, and continues to be a tremendous influence on artists of our time, he remains an elusive figure, his life and work open to endless interpretation.
These diaries reveal the essential Kafka behind the enigmatic artist. Covering the period from 1910 to 1923, the year before Kafka's death at the age of forty, they provide a penetrating look into Kafka's world -- notes on life in Prague, accounts of his dreams, his feelings for the father he worshipped and for the woman he could not bring himself to marry, his sense of guilt and of being an outcast, and his struggles and triumphs in expressing himself as a writer.
Now, for the first time in this country, the complete diaries of Franz Kafka are available in one volume. They are not only indispensable to an understanding of Kafka the man and the artist, but are a compulsively readable, haunting account of a life of almost unbearable intensity.
Kafka, Franz and Stanley Appelbaum (1996). The Metamorphosis and Other Stories. New York, Dover Publications.
Superb collection by modern master explores the complexity, anxiety and futility of modern life. Excellent new English translations of the title story (considered by many critics Kafka's most perfect work), plus "The Judgment," "In the Penal Colony," "A Country Doctor" and "A Report to an Academy."
Kahlo, Frida and Sarah M. Lowe (2005)). The Diary of Frida Kahlo: An Intimate Self-Portrait. New York, Harry N. Abrams.
Published in its entirety, Frida Kahlo's amazing illustrated journal documents the last ten years of her turbulent life. These passionate, often surprising, intimate records, kept under lock and key for some 40 years in Mexico, reveal many new dimensions in the complex personal life of this remarkable Mexican artist. The 170-page journal contains the artist's thoughts, poems, and dreams--many reflecting her stormy relationship with her husband, artist Diego Rivera--along with 70 mesmerizing watercolor illustrations. The text entries, written in Frida's round, full script in brightly colored inks, make the journal as captivating to look at as it is to read. Her writing reveals the artist's political sensibilities, recollections of her childhood, and her enormous courage in the face of more than 35 operations to correct injuries she had sustained in an accident at the age of 18.
Kahn, David (1996). The Codebreakers: The Story of Secret Writing. New York, Scribner.
The magnificent, unrivaled history of codes and ciphers -- how they're made, how they're broken, and the many and fascinating roles they've played since the dawn of civilization in war, business, diplomacy, and espionage -- updated with a new chapter on computer cryptography and the Ultra secret.
Man has created codes to keep secrets and has broken codes to learn those secrets since the time of the Pharaohs. For 4,000 years, fierce battles have been waged between codemakers and codebreakers, and the story of these battles is civilization's secret history, the hidden account of how wars were won and lost, diplomatic intrigues foiled, business secrets stolen, governments ruined, computers hacked. From the XYZ Affair to the Dreyfus Affair, from the Gallic War to the Persian Gulf, from Druidic runes and the kaballah to outer space, from the Zimmermann telegram to Enigma to the Manhattan Project, codebreaking has shaped the course of human events to an extent beyond any easy reckoning. Once a government monopoly, cryptology today touches everybody. It secures the Internet, keeps e-mail private, maintains the integrity of cash machine transactions, and scrambles TV signals on unpaid-for channels. David Kahn's The Codebreakers takes the measure of what codes and codebreaking have meant in human history in a single comprehensive account, astonishing in its scope and enthralling in its execution. Hailed upon first publication as a book likely to become the definitive work of its kind, The Codebreakers has more than lived up to that prediction: it remains unsurpassed. With a brilliant new chapter that makes use of previously classified documents to bring the book thoroughly up to date, and to explore the myriad ways computer codes and their hackers are changing all of our lives, The Codebreakers is the skeleton key to a thousand thrilling true stories of intrigue, mystery, and adventure. It is a masterpiece of the historian's art.
Kaku, Michio (2008). Physics of the Impossible: A Scientific Exploration into the World of Phasers, Force Fields, Teleportation, and Time Travel. New York, Doubleday.
A fascinating exploration of the science of the impossible - from death rays and force fields to invisibility cloaks - revealing to what extent such technologies might be achievable decades or millennia into the future.
One hundred years ago, scientists would have said that lasers, televisions, and the atomic bomb were beyond the realm of physical possibility. In Physics of the Impossible, the renowned physicist Michio Kaku explores to what extent the technologies and devices of science fiction that are deemed equally impossible today might well become commonplace in the future.
From teleportation to telekinesis, Kaku uses the world of science fiction to explore the fundamentals - and the limits - of the laws of physics as we know them today. He ranks the impossible technologies by categories - Class I, II, and III, depending on when they might be achieved, within the next century, millennia, or perhaps never.
Kaku uses his discussion of each technology as a jumping-off point to explain the science behind it. An extraordinary scientific adventure, Physics of the Impossible takes readers on an unforgettable, mesmerizing journey into the world of science that both enlightens and entertains.
Kallir, Jane (2012). Egon Schiele's Women. New York, Prestel USA.
During his brief yet prolific career, Egon Schiele created hundreds of drawings, watercolors, and oil paintings of the women in his life. His work is generally regarded as expressionistic, emotional, intense, autobiographical, and highly sexual. In this elegant and beautifully illustrated book, Jane Kallir examines Schiele's depictions of women to argue that there is more to these images than we realize.
Drawing from the latest research as well as her own exhaustive familiarity with Schiele's entire oeuvre, Kallir explores four distinct periods, each characterized by a single figure or series of women: the artist's mother and sisters; the often anonymous models of the 'breakthrough' years, 1910-11; his lover, Wally Neuzil; and his wife, Edith, and her sister, Adele. Weaving together historical context, biographical information, and observations of the works, Kallir demonstrates how these women relate not only to Schiele's development but to the larger issue of feminine representation.
Kals, W. S. and Sierra Club. (1983). Land Navigation Handbook: The Sierra Club Guide to Map and Compass. San Francisco, Sierra Club Books.
In Land Navigation Handbook an expert navigator combines his map-and-compass skills with a special concern for the needs of the wilderness wanderer to create a comprehensive primer for the beginning pathfinder and the veteran hiker.
Kandinsky, Wassily, Kenneth Clement Lindsay, et al. (1994). Kandinsky: Complete Writings on Art. New York, Da Capo Press.
Editors Kenneth C. Lindsay and Peter Vergo have taken their translations directly from Kandinsky's original texts, and have included selected interviews, lecture notes, and newly discovered items along with his more formal writings.
Kant, Marion, ed. (2007). The Cambridge Companion to Ballet. Cambridge; New York, Cambridge University Press.
Traces the evolution of ballet as a theatrical art from the fifteenth to the end of the twentieth century. Its essays reveal the conception, intent and underlying meaning of ballets and recreate the historical reality in which they emerged. The reader will find new and unexpected aspects of ballet, its history and its aesthetics, the evolution of plot and narrative, new insights into the reality of training, the choice of costume and the transformation of an old art in a modern world.
Kantor, Michael and Laurence Maslon (2004). Broadway: The American Musical. New York, Bulfinch Press.
If you enjoyed the PBS series Broadway: The American Musical but wanted a bit more detail and substance, try curling up with the companion book to the series. Expanded from Michael Kantor's script by Laurence Maslon, it follows the same six-part structure but its 470 pages give it more space to stretch out with the history of key musicals and the historical context behind them, or add significant trends such as revivals. What makes the book easy to pick up from the coffee table are the many subheads, the photographs (e.g., Julie Andrews in My Fair Lady) and poster art, and the sidebars and supplemental features. Occupying a page or two, the sidebars delve into such topics as original cast albums or shows that were glossed over or ignored in the series, such as Gypsy and 1776. A particularly effective use of the text is reprinting the lyrics of certain songs, examining the structure of "Soliloquy," providing historical annotations for "You're the Top," and illustrating "Broadway Baby" with pictures of Ethel Schulte on stage in Follies and 50 years earlier. Archive sections offer vintage essays from key figures (Sondheim on Kern, Hart on Rodgers), and Who's Who blurbs spotlight performers or creators (Fanny Brice, Barbara Cook, Bernadette Peters, Audra McDonald). While Broadway: The American Musical can't compete with more encyclopedic work on the subject, it's an enjoyable and worthwhile reference overall, and it does provide a year-by-year list of significant shows, a selected bibliography, and maps of the theater district ca. 1928 and 2001. --David Horiuchi.
Kantor, Sybil Gordon (2002). Alfred H. Barr, Jr., and the Intellectual Origins of the Museum of Modern Art. Cambridge, Mass., MIT Press.
Growing up with the twentieth century, Alfred Barr (1902-1981), founding director of the Museum of Modern Art, harnessed the cataclysm that was modernism. In this book -- part intellectual biography, part institutional history -- Sybil Gordon Kantor tells the story of the rise of modern art in America and of the man responsible for its triumph. Following the trajectory of Barr's career from the 1920s through the 1940s, Kantor penetrates the myths, both positive and negative, that surround Barr and his achievements.
Barr fervently believed in an aesthetic based on the intrinsic traits of a work of art and the materials and techniques involved in its creation. Kantor shows how this formalist approach was expressed in the organizational structure of the multidepartmental museum itself, whose collections, exhibitions, and publications all expressed Barr's vision. At the same time, she shows how Barr's ability to reconcile classical objectivity and mythic irrationality allowed him to perceive modernism as an open-ended phenomenon that expanded beyond purist abstract modernism to include surrealist, nationalist, realist, and expressionist art.
Drawing on interviews with Barr's contemporaries as well as on Barr's extensive correspondence, Kantor also paints vivid portraits of, among others, Jere Abbott, Katherine Dreier, Henry-Russell Hitchcock, Philip Johnson, Lincoln Kirstein, Agnes Mongan, J. B. Neumann, and Paul Sachs.
Kapoor, Nisha (2018). Deport, Deprive, Extradite: 21st Century State Extremism.. New York, Verso.
Nisha Kapoor has written a searing indictment of the expansive securitizing state and the racially driven authoritarianism out of which it grows and which it reinforces. A book that more than any other details the crippling impacts of politicized extradition on all those directly subjected to it as well as on social justice more generally. A must-read for all concerned about the secretive erosion of civil liberties and democratic life being carried out in the name of the 'War on Terror.'
Kapuscinski, Ryszard (2001). Another Day of Life.. New York, Vintage Books.
In 1975, Angola was tumbling into pandemonium; everyone who could was packing crates, desperate to abandon the beleaguered colony. With his trademark bravura, Ryszard Kapuscinski went the other way, begging his way from Lisbon and comfort to Luanda-once famed as Africa's Rio de Janeiro-and chaos. Angola, a slave colony later given over to mining and plantations, was a promised land for generations of poor Portuguese. It had belonged to Portugal since before there were English-speakers in North America. After the collapse of the fascist dictatorship in Portugal in 1974, Angola was brusquely cut loose, spurring the catastrophe of a still-ongoing civil war. Kapuscinski plunged right into the middle of the drama, driving past thousands of haphazardly placed check-points, where using the wrong shibboleth was a matter of life and death; recording his imporessions of the young soldiers-from Cuba, Angola, South Africa, Portugal-fighting a nebulous war with global repercussions; and examining the peculiar brutality of a country surprised and divided by its newfound freedom.
Kapuscinski, Ryszard (1984). The Emperor: Downfall of an Autocrat. New York, Vintage Books.
Haile Selassie, King of Kings, Elect of God, Lion of Judah, His Most Puissant Majesty and Distinguished Highness the Emperor of Ethiopia, reigned from 1930 until he was overthrown by the army in 1974. While the fighting still raged, Ryszard Kapuscinski, Poland's leading foreign correspondent, traveled to Ethiopia to seek out and interview Selassie's servants and closest associates on how the Emperor had ruled and why he fell. This "sensitive, powerful history" (The New York Review of Books) is Kapuscinski's rendition of their accounts-humorous, frightening, sad, groteque-of a man living amidst nearly unimaginable pomp and luxury while his people teetered netween hunger and starvation.
Kapuscinski, Ryszard (1995). Imperium. New York, Vintage Books.
The Polish journalist whose The Soccer War and The Emperor are counted as classics of contemporary reportage now bears witness in Imperium to the disintegration of the Soviet Union. This magisterial book combines childhood memory with unblinking journalism, a radar for the truth with a keen appreciation of the absurd.
Imperium begins with Ryszard Kapuscinski's account of the Soviet occupation of his town in eastern Poland in 1939. It culminates fifty years later, with a forty-thousand-mile journey that takes him from the haunted corridors of the Kremlin to the abandoned gulag of Kolyma, from a miners' strike in the arctic circle to a panic-stricken bus ride through the war-torn Caucasus.
Out of passivity and paranoia, ethnic hatred and religious fanaticism that have riven two generations of Eastern Europeans, Kapuscinski has composed a symphony for a collapsing empire-a work that translates history into the hopes and sufferings of the human beings condemned to live it.
Kapuscinski, Ryszard (2002). The Shadow of the Sun. New York, Vintage Books.
In 1957, Ryszard Kapuscinski arrived in Africa to witness the beginning of the end of colonial rule as the first African correspondent of Poland's state newspaper. From the early days of independence in Ghana to the ongoing ethnic genocide in Rwanda, Kapuscinski has crisscrossed vast distances pursuing the swift, and often violent, events that followed liberation. Kapuscinski hitchhikes with caravans, wanders the Sahara with nomads, and lives in the poverty-stricken slums of Nigeria. He wrestles a king cobra to the death and suffers through a bout of malaria. What emerges is an extraordinary depiction of Africa--not as a group of nations or geographic locations--but as a vibrant and frequently joyous montage of peoples, cultures, and encounters. Kapuscinski's trenchant observations, wry analysis and overwhelming humanity paint a remarkable portrait of the continent and its people. His unorthodox approach and profound respect for the people he meets challenge conventional understandings of the modern problems faced by Africa at the dawn of the twenty-first century.
Kapuscinski, Ryszard (1986). Shah of Shahs. New York, Vintage Books.
In Shah of Shahs Kapuscinski brings a mythographer's perspective and a novelist's virtuosity to bear on the overthrow of the last Shah of Iran, one of the most infamous of the United States' client-dictators, who resolved to transform his country into "a second America in a generation," only to be toppled virtually overnight. From his vantage point at the break-up of the old regime, Kapuscinski gives us a compelling history of conspiracy, repression, fanatacism, and revolution.Translated from the Polish by William R. Brand and Katarzyna Mroczkowska-Brand.
Kapuscinski, Ryszard (1992). The Soccer War. New York, Vintage Books.
Part diary and part reportage, The Soccer War is a remarkable chronicle of war in the late twentieth century. Between 1958 and 1980, working primarily for the Polish Press Agency, Kapuscinski covered twenty-seven revolutions and coups in Africa, Latin America, and the Middle East. Here, with characteristic cogency and emotional immediacy, he recounts the stories behind his official press dispatches-searing firsthand accounts of the frightening, grotesque, and comically absurd aspects of life during war. The Soccer War is a singular work of journalism.
Kapuscinski, Ryszard (2008). Travels with Herodotus. New York, Vintage.
From the renowned journalist comes this intimate account of his years in the field, traveling for the first time beyond the Iron Curtain to India, China, Ethiopia, and other exotic locales.
In the 1950s, Ryszard Kapuscinski finished university in Poland and became a foreign correspondent, hoping to go abroad - perhaps to Czechoslovakia. Instead, he was sent to India - the first stop on a decades-long tour of the world that took Kapuscinski from Iran to El Salvador, from Angola to Armenia. Revisiting his memories of traveling the globe with a copy of Herodotus' Histories in tow, Kapuscinski describes his awakening to the intricacies and idiosyncrasies of new environments, and how the words of the Greek historiographer helped shape his own view of an increasingly globalized world. Written with supreme eloquence and a constant eye to the global undercurrents that have shaped the last half-century, Travels with Herodotus is an exceptional chronicle of one man's journey across continents.
Kardish, Laurence (2010). Weimar Cinema, 1919-1933: Daydreams and Nightmares. New York, NY, Museum of Modern Art.
Published in conjunction with The Museum of Modern Art's presentation of 75 feature-length films from the Weimar era, many only recently restored, Weimar Cinema reconsiders the broad spectrum of influential films made in Germany between the World Wars. German and American films competed on the world market, and the stylistic accomplishments of the many German film artists who emigrated to Hollywood before Hitler took power deeply affected American cinema. Weimar Cinema is the first comprehensive survey of this period to include popular films--musicals, comedies, the "daydreams" of the working class--along with the nightmarish classics such as Fritz Lang's Dr. Mabuse der Spieler and M; F.W. Murnau's Nosferatu, eine Symphonie des Grauens; and G.W. Pabst's Pandora's Box. Richly illustrated with film stills, the book examines how and why our understanding of these films has changed in the last half century, and investigates important themes in films from this period, including the portrayal of women and the role of sound. Supplementing the essays is a detailed illustrated filmography of the 75 films featured in the exhibition; each film is accompanied by a brief description and excerpts from contemporaneous reviews.
Karp, Josh (2015). Orson Welles's Last Movie: The Making of the Other Side of the Wind. New York, St. Martin's Press.
In the summer of 1970 legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. Coincidentally it was the story of a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn't autobiographical. The Other Side of the Wind was supposed to take place during a single day, and Welles planned to shoot it in eight weeks. It took twelve years and remains unreleased and largely unseen. Orson Welles' Last Movie by Josh Karp is a fast-paced, behind-the-scenes account of the bizarre, hilarious and remarkable making of what has been called "the greatest home movie that no one has ever seen."
Katz, Ephraim and Ronald Dean Nolen (2012). The Film Encyclopedia: the Complete Guide to Film and the Film Industry, 7th Edition. New York, Collins Reference.
Ephraim Katz's The Film Encyclopedia is the most comprehensive single-volume encyclopedia on film and is considered the undisputed bible of the film industry. Completely revised and updated, this seventh edition features more than 7,500 A-Z entries on the artistic, technical, and commercial aspects of moviemaking.
Katz, Jonathan (2013). The Big Truck That Went By: How the World Came to Save Haiti and Left Behind a Disaster. New York, Palgrave Macmillan.
Katz's blow-by-blow reportage of the quake and its immediate aftermath is riveting. The book's deeper structure offers a concise and accurate history of Haiti from its revolutionary origins to the present day, and a clear and cogent analysis of how and why the massive, expensive effort to rebuild the country after the quake has, for the most part, failed.
Katzen, Mollie and Moosewood Restaurant. (1992). The Moosewood Cookbook. Berkeley, Calif., Ten Speed Press.
Since its original publication in 1977, this influential and enormously popular cookbook has been at the forefront of the revolution in American eating habits. Moosewood was listed by the New York Times as one of the top ten best-selling cookbooks of all time, and no wonder. With her sophisticated, easy-to-prepare vegetarian recipes, charming pen-and-ink drawings, hand lettering, and conversational tone, Mollie introduced millions to a more healthful, natural way of cooking. This edition preserves the major revisions and additions that Mollie made in 1992, adding 5 new recipes from Mollie's current repertoire and 16 pages of beautiful color food photography.
Kaufmann, Walter Arnold (1974). Nietzsche, Philosopher, Psychologist, Antichrist. Princeton, N.J., Princeton University Press.
This classic is the benchmark against which all modern books about Nietzsche are measured. When Walter Kaufmann wrote it in the immediate aftermath of World War II, most scholars outside Germany viewed Nietzsche as part madman, part proto-Nazi, and almost wholly unphilosophical. Kaufmann rehabilitated Nietzsche nearly single-handedly, presenting his works as one of the great achievements of Western philosophy.
Responding to the powerful myths and countermyths that had sprung up around Nietzsche, Kaufmann offered a patient, evenhanded account of his life and works, and of the uses and abuses to which subsequent generations had put his ideas. Without ignoring or downplaying the ugliness of many of Nietzsche's proclamations, he set them in the context of his work as a whole and of the counterexamples yielded by a responsible reading of his books. More positively, he presented Nietzsche's ideas about power as one of the great accomplishments of modern philosophy, arguing that his conception of the "will to power" was not a crude apology for ruthless self-assertion but must be linked to Nietzsche's equally profound ideas about sublimation. He also presented Nietzsche as a pioneer of modern psychology and argued that a key to understanding his overall philosophy is to see it as a reaction against Christianity.
Many scholars in the past half century have taken issue with some of Kaufmann's interpretations, but the book ranks as one of the most influential accounts ever written of any major Western thinker.
Kaufman, Will (2011). Woody Guthrie, American Radical. Urbana, University of Illinois Press.
Drawing on previously unseen letters, song lyrics, essays, and interviews with family and friends, Kaufman traces Guthrie's involvement in the workers' movement and his development of protest songs. He portrays Guthrie as a committed and flawed human immersed in political complexity and harrowing personal struggle.
Kawin, Bruce F. (1992). How Movies Work. Berkeley, University of California Press. How Movies Work, offers the filmgoer an engaging and informative guide to the appreciation and evaluation of films. It provides a comprehensive consideration of movies from idea to script, casting, financing, shooting and distribution. Bruce Kawin addresses the book not just to students of film but to any filmgoer curious to know more about the process of the conception and creation of our favorite entertainment and art form.
Kaye, Harvey J. and Keith McClelland (1990). E.P. Thompson: Critical Perspectives. Philadelphia, Temple University Press.
For over thirty years, the work of E. P. Thompson as historian, socialist, and peace activist has been enormously influential. Yet attempts to assess the impact of his work as a whole have been rare. This book brings together a wide range of authors who, in original essays, discuss the historical, theoretical, and political problems that have been central to Thompson's work. The contributors assess the limits and achievements of his writings, and add to the discussion of issues that remain important for both intellectual and political work.
Kazan, Elia (1997). Elia Kazan: A Life. New York, Da Capo Press.
Noted director Kazan has written a candid account of his amazing life. After years of struggle to be an actor, Kazan found his theatrical forte in directing. In the 1940s he was the toast of both Broadway and Hollywood, with such productions as A Streetcar Named Desire and Death of a Salesman, and films such as East of Eden. The 1950s brought problems with the House Un-American Activities Committee, with which he cooperated (in a controversial decision) after much soul-searching. Kazan is frank about his constant extramarital affairs. Most fascinating are the characterizations of friends such as Arthur Miller, Tennessee Williams, etc. Overlong, perhaps, but always interesting, this is an important addition to collections.
Kazantzakis, Nikos (2001). Christ Recrucified, a Novel. London, Faber and Faber.
The inhabitants of a Greek village, ruled by the Turks, plan to enact the life of Christ in a mystery play but are overwhelmed by their task. A group of refugees, fleeing from the ruins of their plundered homes, arrive asking for protection - and suddenly the drama of the Passion becomes reality.
Kazin, Alfred (1996). An American Procession. Cambridge, Mass., Harvard University Press.
Kazin writes about what he calls the crucial century of American Literature from 1850 to 1930: Emerson, Thoreau, Hawthorne, Poe, Whitman, Lincoln, Melville, Twain, James, Dreiser, Adams, Crane, Eliot, Pound, Faulkner and Hemingway.
Kearns, George and Ezra Pound (1980). Guide to Ezra Pound's Selected Cantos. New Brunswick, N.J., Rutgers University Press. The Cantos by Ezra Pound is a long, incomplete poem in 120 sections, each of which is a canto. Most of it was written between 1915 and 1962, although much of the early work was abandoned and the early cantos, as finally published, date from 1922 onwards. It is a book-length work, widely considered to present formidable difficulties to the reader. Strong claims have been made for it as one of the most significant works of modernist poetry of the twentieth century. As in Pound's prose writing, the themes of economics, governance, and culture are integral to its content.
The most striking feature of the text, to a casual browser, is the inclusion of Chinese characters as well as quotations in European languages other than English. Recourse to scholarly commentaries is almost inevitable for a close reader. The range of allusion to historical events is very broad, and abrupt changes occur with the minimum of stage directions.
There is also a wide geographical spread; Pound added to his earlier interests in the classical Mediterranean culture and East Asia selective topics from medieval and early modern Italy and Provence, the beginnings of the United States, England of the seventeenth century, and details from Africa he had obtained from Leo Frobenius. References left without explanation abound.
Keats, John (2001). Complete Poems and Selected Letters of John Keats. New York, Modern Library.
'I think I shall be among the English Poets after my death,' John Keats soberly prophesied in 1818 as he started writing the blankverse epic Hyperion. Today he endures as the archetypal Romantic genius who explored the limits of the imagination and celebrated the pleasures of the senses but suffered a tragic early death. Edmund Wilson counted him as 'one of the half dozen greatest English writers,' and T. S. Eliot has paid tribute to the Shakespearean quality of Keats's greatness. Indeed, his work has survived better than that of any of his contemporaries the devaluation of Romantic poetry that began early in this century. This Modern Library edition contains all of Keats's magnificent verse: 'Lamia,' 'Isabella,' and 'The Eve of St. Agnes'; his sonnets and odes; the allegorical romance Endymion; and the five-act poetic tragedy Otho the Great. Presented as well are the famous posthumous and fugitive poems, including the fragmentary 'The Eve of Saint Mark' and the great 'La Belle Dame sans Merci,' perhaps the most distinguished literary ballad in the language. 'No one else in English poetry, save Shakespeare, has in expression quite the fascinating felicity of Keats, his perception of loveliness,' said Matthew Arnold. 'In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare.'
Keddie, Nikki R., Yann Richard, et al. (2003). Modern Iran: Roots and Results of Revolution. New Haven, Conn., Yale University Press.
In this substantially revised and expanded version of Nikki Keddie's classic work Roots of Revolution, the author brings the story of modern Iran to the present day, exploring the political, cultural, and social changes of the past quarter century. Keddie provides insightful commentary on the Iran-Iraq war, the Persian Gulf War, and the effects of 9/11 and Iran's strategic relationship with the U.S. She also discusses developments in education, health care, the arts, and the role of women.
"For three decades, Nikki Keddie has been one of the most perceptive, sensitive, and insightful analysts of Iran. Providing information about a region where instant experts are the norm, Keddie's work has always been profoundly important and has had a major impact on the way Iranians think about themselves." - Ahmed Rashid, author of Jihad: The Rise of Militant Islam in Central Asia and Taliban
Keene, Donald and Keizo Kaneko (1990). No and Bunraku: Two Forms of Japanese Theatre. New York, Columbia University Press.
Donald Keene combines informative works on two forms of classical Japanese theater into a single volume. The No text looks at all aspects of this traditional theater form including its history, its stage and props, the use of music and dance in its performances, the plays as literature, and the aesthetics of No. Also discussed are Kyogen, the comic farces that are typically interspersed with the solemn No dramas.
Kehr, Dave (2011). When Movies Mattered: Reviews from a Transformative Decade. Chicago, University of Chicago Press.
Presents a wide-ranging and illuminating selection of Kehr's criticism from the Chicago Reader - most of which is reprinted here for the first time - including insightful discussions of film history and his controversial Top Ten lists. Long heralded by his peers for both his deep knowledge and incisive style, Kehr developed his approach to writing about film from the auteur criticism popular in the '70s. Though Kehr's criticism has never lost its intellectual edge, it's still easily accessible to anyone who truly cares about movies. Never watered down and always razor sharp, it goes beyond wry observations to an acute examination of the particular stylistic qualities that define the work of individual directors and determine the meaning of individual films.
Keller, Nora Okja (1997). Comfort Woman. New York, Viking.
In her first novel, Keller draws on the distinct voices of Beccah, an obituary writer, and her mother, Akiko, a spirit medium, to illustrate the the unconquerable love between mother and daughter. Beccah is lost on the path of life, unsure where her future lies, while her mother is lost in the past, her life caught up in the spirits of the dead, who have haunted her since her escape from the camps where she was a sex slave during the Japanese occupation of Korea in World War II. The story is told from these two women's points of view as each grapples with the terrors, real and imaginary, that dominate their lives. Beccah knows little of her mother's past, and when her mother dies, she is forced to confront the truth. Despite the atrocities recounted and the suffering endured, a fierce love binds these two spirits together, even in death.
Keller, Nora Okja (2002). Fox Girl. New York, Viking.
The brutal candor and moving empathy that distinguished Keller's first novel about Korea, Comfort Woman, is again evident in this stark, disturbing portrait of that country's outcast children in the wake of the American occupation. Hyun Jin, the adolescent who narrates this absorbing story, is best friends with Sookie, doubly a "throwaway" child because her father was an American GI and her mother, Duk Hee, is a prostitute. Hyun Jin also carries a double burden: her face is disfigured by a large birthmark, and her mother treats her with hateful scorn. A third teenager, Lobetto, is the son of a black GI whose departure doomed Lobetto to a life scrounging as a pimp and a supplier for the whores of Chollak, a village near an army base outside of Pusan. Keller spares no sensibilities in depicting the bleakness and poverty of even ordinary civilian life in the postwar economy and the more desperate conditions of the despised women euphemistically described as "bar girls" at the GI clubs. Yet she sensitively reflects the naevete with which Hyun Jin views the horrifying circumstances of Sookie's life and her slide into prostitution, and the way Hyun Jin succumbs when she is disowned by her father. Hyun Jin's terrible coming-of-age encompasses more than her fall from grace; it's also a poignant story of a baby that she, Sookie and Lobetto share, and of the true bonds of motherhood. Unsentimental in portraying the callousness of human nature that's been degraded by violence and deprivation, Keller achieves eloquence in describing the pureness of spirit to which even the most bitter victim can rise. This rare, honest picture of a marginal society unfamiliar to most American readers is a signal contribution to Asian-American understanding.
Kelley, Robin D. G. (2002). Freedom Dreams: The Black Radical Imagination. Boston, Beacon Press.
Kelley, a history professor and a writer with a progressive political slant, analyzes the black radical tradition within the context of a higher consciousness that imagines how society should and could be and lets that dream dictate action. This pursuit of freedom and equality underlies, if not justifies, the basis of measuring the success of black radical movements. He takes the reader on a survey of black radical movements--Back to Africa, the Garvey movement, associations with communism and Marxism, local protests, Third World consciousness and identification, reparation, and black feminism--finding a common core centered on the dream of freedom. In one section, Kelley connects the black radical tradition with surrealism, focusing on freedom as a concept that initiates in the mind and has a nontraditional manner of self-manifestation. Kelley sees such mindscapes as the counterbalance to what many perceive as the failure of certain movements. However, Kelley's capacity to integrate these imaginative mindscapes into the freedom quest allows the reader to perceive the continuity and ultimate success of these freedom movements.
Kelley, Robin D.G. (1990). Hammer and Hoe: Alabama Communists During the Great Depression. Chapel Hill, University of North Carolina Press.
A groundbreaking contribution to the history of the long Civil Rights movement, Hammer and Hoe tells the story of how, during the 1930s and 40s, Communists took on Alabama's repressive, racist police state to fight for economic justice, civil and political rights, and racial equality. After discussing the book's origins and impact in a new preface written for this twenty-fifth-anniversary edition, Kelley reflects on what a militantly antiracist, radical movement in the heart of Dixie might teach contemporary social movements confronting rampant inequality, police violence, mass incarceration, and neoliberalism.
Kelley, Robin D.G. (2009). Thelonious Monk: the Life and Times of an American Original. New York, Free Press.
His angular melodies and dissonant harmonies shook the jazz world to its foundations, ushering in the birth of "bebop" and establishing Monk as one of America's greatest composers. Yet throughout much of his life, his musical contribution took a backseat to tales of his reputed behavior. Writers tended to obsess over Monk's hats or his proclivity to dance on stage. To his fans, he was the ultimate hipster; to his detractors, he was temperamental, eccentric, taciturn, or childlike. Now, historian Robin D.G. Kelley brings to light a startlingly different Thelonious Monk--witty, intelligent, generous, politically engaged, brutally honest, and a devoted father and husband. This is the saga of an artist's struggle to "make it" without compromising his musical vision; a story that, like its subject, reflects the tidal ebbs and flows of American history in the twentieth century.
Kemp, Peter Kemp (1988). The Oxford Companion to Ships and the Sea. Oxford [Oxfordshire] ; New York, Oxford University Press.
An essential for questions about the oceans and seagoing vessels, this A-Z encyclopedia compiles 2,600 scholarly entries that reflect sailing history from 3000 B.C. to the present. In addition to diagrams of -clipper-ship rigging, data on the battle against scurvy, sketches of sailor's knots, a drawing of a hornpipe dance, and names of sea battles and their participants, the updated companion offers information on environmental issues, a chart of the Beaufort scale, the global thermohaline conveyor, a map of Magellan's voyage across the Pacific, and methods of preserving archaeological finds. A 25-page cross-referencing index ties the obscure to the commonplace; for example, the reader looking up 'cutter cranks' is referred to the entry achting, and saxitoxin is cross-referenced to hale.
The writing style suits the researcher as well as the sampler who likes browsing among fascinating sea lore, details, and courageous deeds. There are entries covering sea songs, the evolution of sails, and the 1836 rescue of a ship's crew by Grace Darling, a lighthouse-keeper's daughter. For readers of Moby Dick, A Night to Remember, The Sea Wolf, or the novels of Patrick O'Brian (who has an entry), the text answers questions about shrouds and bells, mooring and lading, and more.
Kempton, Arthur (2003). Boogaloo: The Quintessence of American Popular Music. New York, Pantheon Books.
In 1965, the boogaloo, a dance akin to the jitterbug as well as the title of a record by a Chicago soul group, leapt out of the communities of black America and swept across America. Since then, insiders in the music industry have used the word boogaloo to describe rhythm and blues, or soul music. Musicologist Kempton traces the genealogy of boogaloo in this grand and sweeping survey of the history of soul music in America. He masterfully narrates the careers of several musicians who played key roles in establishing the legacy of boogaloo. Sam Cooke, for example, molded his sweet and seductive style in his early days with the traveling gospel group, the Soul Stirrers. When Cooke discovered that he could make soul music by simply changing the words of many of the gospel tunes he was crooning, his career took a new and lucrative turn. Kempton also focuses on the ways that boogaloo captured the hearts not only of black Americans but also of white teenagers, driving men like Berry Gordy and the founders of Stax Records to find singers who could capitalize on this crossover appeal. In addition to profiles of Cooke and Gordy, Kempton offers detailed portraits of two other men-gospel great Thomas Dorsey and Parliament Funkadelic's leader, George Clinton-instrumental in making boogaloo the soul of American music. In a brilliant sketch of the history of rap music, Kempton anoints Tupac Shakur, Dr. Dre and other rappers as heirs to these R&B musicians, arguing elegantly that hip-hop is modern boogaloo. - Publishers Weekly
Kempton, Murray (2004). Part of Our Time: Some Ruins and Monuments of the Thirties. New York, New York Review Books.
Master journalist Murray Kempton re-creates an era when many believed that the only hope for America's future lay in violent revolution. Writing as both a radical and a skeptic, Kempton looks back - from the vantage of the very un-revolutionary 1950s - on the tangled affairs of Alger Hiss and Whittaker Chambers, The Hollywood Ten, and Paul Robeson, considering overly idealistic revolutionaries and others who were all too willing to switch sides. A historical investigation with contemporary resonance, Part of Our Time makes it clear that meaningful and lasting resistance to power begins with distrust of one's best intentions.
Kempton, Murray (1994). Rebellions, Perversities, and Main Events. New York, Times Books.
A 30-year treasury of columns, essays, reviews, and reports from Pulitzer Prize-winner Kempton, a New York Newsday columnist and New York Review of Books contributor who richly deserves wide notice. In pieces from the above-mentioned publications as well as Harper's, Esquire, and the pre-Murdoch New York Post, among others, Kempton presents an archive of observed history. His inimitable, almost classical, style, grounded in humanism, is elegantly precise, dispatching subjects in a phrase. He calls Elia Kazan's apologies before McCarthy's witch hunt ''an acceptance of humiliation for the sake of survival in a confiscatory tax bracket.'' On lost 1960s radical Jane Alpert: ''She did not so much rise to the challenge of her time as yield to infection by its vagrant air.'' On El Salvadoran President Alfredo Cristiani's views: ''about as far from the center as a statesman can get without reinvoking the Fugitive Slave Act.'' Kempton knows history, and tragedy, and literature, finding Joseph Conrad his best guide to Central America and Anton Chekhov his cicerone to the Soviets. He brings us Paul Robeson, Martin Luther King Jr., and Huey Newton; Machiavelli, the Mafia, and Michael Milken; Roy Cohn, Ronald Reagan, and Richard Nixon. His columns from New York present Gotham's indignities and ironies: public indifference to gay- bashing; the demise of a junkie ''incautious with gossip''; an auction of Marilyn Monroe's memorabilia. For anyone interested in journalism, politics, and history, or in the observations of a clear and skeptical eye, nearly every piece has its delights.
Kendi, Ibram X. (2016). Stamped from the Beginning: The Definitive History of Racist Ideas in America. New York, Nation Books.
In this deeply researched and fast-moving narrative, Kendi chronicles the entire story of anti-Black racist ideas and their staggering power over the course of American history. Stamped from the Beginning uses the life stories of five major American intellectuals to offer a window into the contentious debates between assimilationists and segregationists and between racists and antiracists. From Puritan minister Cotton Mather to Thomas Jefferson, from fiery abolitionist William Lloyd Garrison to brilliant scholar W.E.B. Du Bois to legendary anti-prison activist Angela Davis, Kendi shows how and why some of our leading proslavery and pro-civil rights thinkers have challenged or helped cement racist ideas in America.
Contrary to popular conceptions, racist ideas did not arise from ignorance or hatred. Instead, they were devised and honed by some of the most brilliant minds of each era. These intellectuals used their brilliance to justify and rationalize deeply entrenched discriminatory policies and the nation's racial disparities in everything from wealth to health. And while racist ideas are easily produced and easily consumed, they can also be discredited. In shedding much-needed light on the murky history of racist ideas, Stamped from the Beginning offers us the tools we need to expose them--and in the process, gives us reason to hope.
Kennedy, Dennis (2001). Looking at Shakespeare: A Visual History of Twentieth-Century Performance. Cambridge [England] ; New York, Cambridge University Press.
'Looking at Shakespeare is brilliant. Kennedy's analytic skills, his visual perceptiveness and ability to recreate the dynamic of performance from the static evidence of photographs mean the book moves seamlessly between productions seen and unseen. His 170 photographs, almost uniformly intriguing, include many unfamiliar pictures even of familiar productions. Justifiably confident in his broad sweep of European and American production. Kennedy is that rarest of guides, the reliable kind.' - Peter Holland, The Times Literary Supplement
Kennedy, George Alexander (1994). A New History of Classical Rhetoric. Princeton, N.J., Princeton University Press.
George Kennedy's three volumes on classical rhetoric have long been regarded as authoritative treatments of the subject. This new volume, an extensive revision and abridgment of The Art of Persuasion in Greece, The Art of Rhetoric in the Roman World, and Greek Rhetoric under Christian Emperors, provides a comprehensive history of classical rhetoric, one that is sure to become a standard for its time.
Kennedy begins by identifying the rhetorical features of early Greek literature that anticipated the formulation of "metarhetoric," or a theory of rhetoric, in the fifth and fourth centuries b.c.e. and then traces the development of that theory through the Greco-Roman period. He gives an account of the teaching of literary and oral composition in schools, and of Greek and Latin oratory as the primary rhetorical genre. He also discusses the overlapping disciplines of ancient philosophy and religion and their interaction with rhetoric. The result is a broad and engaging history of classical rhetoric that will prove especially useful for students and for others who want an overview of classical rhetoric in condensed form.
Kenner, Hugh (1987). Dublin's Joyce. New York, Columbia University Press.
Mr. Kenner, who specializes in the symbolic aspect of Joyce's work, writes brilliantly, opening many avenues of thought.
Kenner, Hugh (1978). Joyce's Voices. Berkeley, University of California Press.
Essays on James Joyce's "Ulysses."
Kenner, Hugh (1971). The Pound Era. Berkeley, University of California Press.
"Hugh Kenner's The Pound Era could as well be known as the Kenner era, for there is no critic who has more firmly established his claim to valuable literary property than has Kenner to the first three decades of the 20th century in England. Author of pervious studies of Joyce, T.S. Eliot, Wyndham Lewis and Pound (to name a few), Kenner bestrides modern literature if not like a colossus then at least a presence of formidable proportions. A new book by him is certainly an event. A demanding, enticing book that glitters at the same time it antagonizes."The Pound Era presents us with an idiosyncratic but sharply etched skeletal view of our immediate literary heritage."--The New York Times
"It is notoriously difficult to recognize degrees of pre-eminence among one's near-contemporaries. We talk now of the age of Donne, a label that would have seemed bizarre to Ben Johnson. Will The Pound Era seem an appropriate designation, 50 or 100 years hence, for the epoch we think of as 'modern'? Mr. Kenner's brilliantly written book establishes an excellent case for supposing the answer to be 'Yes.' " - The Economist
"Mr. Kenner's study is not so much a book as a library, or better, a new kind of book in which biography, history, and the analysis of literature are so harmoniously articulated that every page has a narrative sense. The Pound Era is a book to be read and reread and studied. For the student of modern letters it is a treasure, for the general reader it is one of the most interesting books he will ever pick up in a lifetime of reading." - National Review
Kerman, Joseph, Gary Tomlinson, et al. (2008). Listen. Boston, Bedford/St. Martin's.
With its superb recording package and innovative listening charts, this landmark text teaches students how to listen to music better than any other. Listen makes music approachable by placing it in its cultural context with lavish illustrations, timelines, and maps.
Kerouac, Jack (1992). Big Sur. New York, Penguin Books. Big Sur's a humane, precise account of the extraordinary ravages of alcohol delirium tremens on Kerouac, a superior novelist who had strength to complete his poetic narrative, a task few scribes so afflicted have accomplishedothers crack up. Here we meet San Francisco's poets and recognize hero Dean Moriarty ten years after On the Road. Jack Kerouac was a 'writer,' as his great peer W.S. Burroughs says, and here at the peak of his suffering humorous genius he wrote through his misery to end with 'Sea,' a brilliant poem appended, on the hallucinatory sounds of the Pacific Ocean at Big Sur.
Kerouac, Jack (2001). Book of Dreams. San Francisco, City Lights Books.
This new edition of the primary beat's private dream diaries presents the whole of Kerouac's original manuscript, including some 200-odd dreams not published in the initial selection (1961). More or less liberated from the requirements of the Beat swagger, Kerouac's writing is at times blissfully uncool, evoking an almost na ve and sentimental sensibility:" this kitty was an angel, and spoke the truth "; "nobody loves me 'cause there's no me." Correspondences between some dream characters and their counterparts in the novels are not accidental, and are correlated in a prologue (and by poet Robert Creeley, in an insightful introduction). But many facets of Kerouac's oeuvre appear here much less polished, and more naked and powerful:" My mother and I are arm in arm on the floor, I'm crying afraid to die, she's blissful and has one leg in pink sexually out between me, and I'm thinking 'Even on the verge of death women think of love & snaky affection' Women? who's dreaming this?" Lost love, madness, castration, cats that speak, cats in danger of their lives, people giving birth to cats, grade school classrooms, Mel Torme, Zsa Zsa Gabor, Tolstoy and Genet all make repeated appearances, lending the collection a repetitive, nonprogrammatic logic and exposing an unfamiliar sort of vulnerable beauty in Kerouac's iconic persona. One only wonders, in the end, whether anyone, even Jack Kerouac, really has such fantastic dreams. - Publishers Weekly
Kerouac, Jack (1995). Desolation Angels. New York, Riverhead Books.
The first section of Kerouac's ongoing fictional autobiography treats time spent as a fire lookout on a mountain in Washington; the second half describes his travels in Mexico and Morocco and across the United States.
"Desolation Angels explains even better than the other Kerouac novels what the place of religion may have been in the Beat mystique." - Nelson Algren
Kerouac, Jack (1990). The Dharma Bums. New York, N.Y., U.S.A., Penguin Books.
Two ebullient young men are engaged in a passionate search for dharma, or truth. Their major adventure is the pursuit of the Zen way, which takes them climbing into the high Sierras to seek the lesson of solitude, a lesson that has a hard time surviving their forays into the pagan groves of San Francisco's Bohemia with its marathon wine-drinking bouts, poetry jam sessions, experiments in "yabyum," and similar nonascetic pastimes.
Kerouac, Jack (1987). Doctor Sax: Faust Part Three. New York, Grove Press.
In this haunting novel of intensely felt adolescence, Jack Kerouac tells the story of Jack Duluoz, a French-Canadian boy growing up, as Kerouac himself did, in the dingy factory town of Lowell, Massachusetts. Dr. Sax, with his flowing cape, slouch hat, and insinuating leer, is chief among the many ghosts and demons that populate Jack's fantasy world. Deftly mingling memory and dream, Kerouac captures the accents and texture of his boyhood in Lowell as he relates Jack's adventures with this cryptic, apocalyptic hipster phantom.
Kerouac, Jack (1977). Heaven & Other Poems. Bolinas, Calif. / Berkeley, Calif., Grey Fox Press ; distributed by Bookpeople.
Kerouac, Jack (1960). Lonesome Traveler. New York, McGraw-Hill.
"Creative non-fiction" is a come lately term but it fits Jack Kerouac's 1960 account of his real life travels and experiences. The spontaneous, experimental style that marks his fiction is in high use in Lonesome Traveler, particularly in the chapter devoted to the railroad. In that piece, language becomes a mimic of the sounds and rhythms of the environment in which he works, the Southern Pacific runs between San Francisco and San Jose in the early 1950's. Forget words and structure as you know it, but don't worry about getting lost in the prose. If you trust Kerouac, he won't let you get lost, he brings you home in the end. As he visits Mexico, the shipping lanes, the streets of New York, a lone fire look-out on Desolation Peak in Washington State, and Europe, he speaks openly of what drives him. The last chapter is an ode to the vanishing hobo whose ethic he has embraced; as this was written, our changing society was transforming hobos into vagrant criminals and the homeless problem, extinguishing their culture with suspicion and policing. Kerouac is both Thoreau and the hobo, the fine or wide line depending upon how you look at it being his education and pursuit of spirituality.
Kerouac, Jack (1993). Maggie Cassidy. New York, Penguin Books.
Written in 1953, published in 1959 (after the 1957 publication of Kerouac's On the Road made him famous overnight) and long out of print, this touching novel of adolescent love in a New England mill town is one of Kerouac's most accessible works.
Kerouac, Jack (1959). Mexico City Blues. New York, Grove Press: distributed by Random House.
The Beat Generation authors were integral to the importation of Buddhism into mainstream American thought. Literary critics and Beat commentators, however, often couple Buddhism with other general non- conformist trends in Beat literature or disregard it all together.
Contrary to these dismissals, a thorough examination of Jack Kerouac's "Mexico City Blues" displays his earnest practice and understanding of Mahayana Buddhism. The two hundred and forty-two choruses of the work reveal Kerouac's conscious turning away from Catholicism to Buddhist belief, his earnest practice of meditation and resultant enlightenment, and his understanding of complex doctrines of Mahayana Buddhism.
Throughout the choruses, Kerouac's references to his personal religious background, Catholicism, serve to illuminate his belief in the superiority of the Buddhist faith. Kerouac makes his Catholic upbringing evident through numerous references to aspects of the Christian faith. Allusions to the Virgin Mary. Moses), grace, and the hope of salvation intimate the poet's Catholic background and world view, yet he frequently reveals his disdain for Catholicism.
Kerouac, Jack (1997). On the Road. New York, Viking. On The Road, the most famous of Jack Kerouac's works, is not only the soul of the Beat movement and literature, but one of the most important novels of the century. Like nearly all of Kerouac's writing, On The Road is thinly fictionalized autobiography, filled with a cast made of Kerouac's real life friends, lovers, and fellow travelers. Narrated by Sal Paradise, one of Kerouac's alter-egos, On the Road is a cross-country bohemian odyssey that not only influenced writing in the years since its 1957 publication but penetrated into the deepest levels of American thought and culture.
Kerouac, Jack (1988). Satori in Paris; and, Pic: Two Novels. New York, Grove Press. Satori in Paris and Pic, two of Jack Kerouac's last novels, showcase the remarkable range and versatility of his mature talent. Satori in Paris is a rollicking autobiographical account of Kerouac's search for his heritage in France, and lands the author in his familiar milieu of seedy bars and all-night conversations. Pic is Kerouac's final novel and one of his most unusual. Narrated by ten-year-old Pictorial review Jackson in a North Carolina vernacular, the novel charts the adventures of Pic and his brother Slim as they travel from the rural South to Harlem in the 1940s.
Kerouac, Jack and Ann Charters (1999). Selected Letters, 1957-1969. New York, Viking.
The peripatetic urgency, Buddhist catchphrases and casual prose of On the Road (1957) and Dharma Bums (1958) made Jack Kerouac (1922-1969) the star of the Beat generation. Kerouac's "craft of spontaneous prose" (in Charters's words) let him use his letters as rough drafts for some of his autobiographical fiction. Devotees of those novels can troll for their favorite episodes among Kerouac's complaints, requests, loans, repayments, reports, retorts, rebukes and resolutions."[W]hen I write a book it's just a chapter in the whole story," a 1960 missive to Neal Cassady explains, "but there wd be no literature in the world safe to say i would rather read than my own remembrance of things." Editor Charters (also Kerouac's biographer) uses her annotations and commentary to make the sometimes hasty, expressive missives cohere as an account of the novelist's life. A first volume of letters appeared in 1995; this second starts with the publication of On the Road and continues almost to the day Kerouac died. The years 1957-1960, the height of Kerouac's career, occupy more than half the volume. Later letters record his struggle to care for his ailing mother, his efforts to finish his later books and his troubles with money and health: "I drink more than ever, my hands tremble, I can't type." Frequent addressees and subjects include Gary Snyder, Philip Whalen, Lawrence Ferlinghetti, William Burroughs and Allen Ginsberg ("I still think he's a false prophet, sheep's clothing and ravening wolf"). By turns witty, slovenly and empathetic, the letters provide a look into Kerouac's psyche and into the exhilarating, frustrating, ramshackle milieu he helped create.
Kesey, Ken (1987). Demon Box. New York, NY, Penguin Books.
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. - Publishers Weekly
Kesey, Ken (1996). One Flew over the Cuckoo's Nest. New York, Penguin Books.
Boisterous, ribald, and ultimately shattering, Ken Kesey's One Flew Over the Cuckoo's Nest is the seminal novel of the 1960s that has left an indelible mark on the literature of our time. Here is the unforgettable story of a mental ward and its inhabitants, especially the tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her. We see the struggle through the eyes of Chief Bromden, the seemingly mute half-Indian patient who witnesses and understands McMurphy's heroic attempt to do battle with the awesome powers that keep them all imprisoned.
Kesey, Ken (1992). Sailor Song. New York, N.Y., U.S.A., Viking.
Kesey (One Flew Over the Cuckoo's Nest; Sometimes a Great Notion) sets his latest grand, cosmic adventure early in the 21st century, complete with celefones, cardkeys, Mylar pumpsuits and scoot, the artificial stimulant of choice. Ike Sallas, "mental activist" and Backatcha Bandit of the ' 90s, lives in a trailer in the "neo retro" Alaskan fishing village of Kuniak with his fishing partner, Rastafarian Emil Greer. Kuniak is invaded by legendary film director Gerhardt Steubins, minions Clark Bstet no period Clark and Nicholas Levertov, and troops with plans to film the Eskimo legend The Sea Lion (a Kesey children's book). This "unstained cartoon caricature of mythic native life" contrasts with the "dirt and despair and perversion" of "real native life," according to Alice Carmody, matriarch of Kuinak DEAPs (Descendants of Early Aboriginal Peoples). His baroque humor in top form, Kesey skewers religious cults, organized lodges and land developers as the madcap adventures culminate in the phantasmogorical conclusion on the open seas when Ike is caught in a maelstrom. This is a gargantuan novel of epic dimensions that feeds on the need for love and heroes at a time when "the hero business ain't so hot."
Khair, Tabish (2003). Amitav Ghosh: A Critical Companion. Delhi, Permanent Black.
This book examines Ghosh’s fiction through separate critical essays by reputed scholars in six countries. It includes a study of the early novels, as well as essays on In an Antique Land, The Shadow Lines, The Calcutta Chromosome, and The Glass Palace. These thoughtful, incisive and highly readable essays are grounded in the interests that infuse Ghosh’s fiction: history, science, discovery, travel, nationalism, subalternity, agency. A bibliography on Ghosh’s works is also provided.
Khalidi, Rashid (2004). Resurrecting Empire: Western Footprints and America's Perilous Path in the Middle East. Boston, Beacon Press.
Begun as the United States moved its armed forces into Iraq, Rashid Khalidi's powerful and thoughtful new book examines the record of Western involvement in the region and analyzes the likely outcome of our most recent Middle East incursions. Drawing on his encyclopedic knowledge of the political and cultural history of the entire region as well as interviews and documents, Khalidi paints a chilling scenario of our present situation and yet offers a tangible alternative that can help us find the path to peace rather than Empire. We all know that those who refuse to learn history are doomed to repeat it. Sadly, as Khalidi reveals with clarity and surety, America's leaders seem blindly committed to an ahistorical path of conflict, occupation, and colonial rule. Our current policies ignore rather than incorporate the lessons of experience. This cogent and highly accessible book should help U.S. citizens to recognize better solutions.
Khalili, Laleh (2007). Heroes and Martyrs of Palestine: The Politics of National Commemoration. Cambridge, UK ; New York, Cambridge University Press. Heroes and Martyrs of Palestine tells the story of how dispossessed Palestinians have commemorated their past, and how through their dynamic everyday narrations, their nation has been made even without the institutional memory-making of a state. Bringing ethnography to political science, Khalili invites us to see Palestinian nationalism in its proper international context and traces its affinities with Third Worldist movements of its time, while tapping a rich and oft-ignored seam of Palestinian voices, histories, and memories.
Khalili, Laleh (2013). Time in the Shadows: Confinement in Counterinsurgencies. Stanford, California, Stanford University Press.
Detention and confinement—of both combatants and large groups of civilians—have become fixtures of asymmetric wars over the course of the last century. Counterinsurgency theoreticians and practitioners explain this dizzying rise of detention camps, internment centers, and enclavisation by arguing that such actions "protect" populations. In this book, Laleh Khalili counters these arguments, telling the story of how this proliferation of concentration camps, strategic hamlets, "security walls," and offshore prisons has come to be.
Time in the Shadows investigates the two major liberal counterinsurgencies of our day: Israeli occupation of Palestine and the U.S. War on Terror. In rich detail, the book investigates Abu Ghraib, Guantánamo Bay, CIA black sites, the Khiam Prison, and Gaza, among others, and links them to a history of colonial counterinsurgencies from the Boer War and the U.S. Indian wars, to Vietnam, the British small wars in Malaya, Kenya, Aden and Cyprus, and the French pacification of Indochina and Algeria.
Khalili deftly demonstrates that whatever the form of incarceration—visible or invisible, offshore or inland, containing combatants or civilians—liberal states have consistently acted illiberally in their counterinsurgency confinements. As our tactics of war have shifted beyond slaughter to elaborate systems of detention, liberal states have warmed to the pursuit of asymmetric wars. Ultimately, Khalili confirms that as tactics of counterinsurgency have been rendered more "humane," they have also increasingly encouraged policymakers to willingly choose to wage wars.
Kharms, Daniil, Aleksandr Ivanovich Vvedensky, et al. (1997). The Man with the Black Coat: Russia's Literature of the Absurd. Evanston, Ill., Northwestern University Press.
Philosophic and absurdist short stories.
Khoury, Elias and Humphrey Davies (2006). Gate of the Sun. New York, Archipelago Books.
First published in 1998 in Arabic by a Beirut publisher, and then translated into Hebrew and French, this book was Le Monde Diplomatique's Book of the Year in 2002; Khoury's ambitious, provocative, and insightful novel now arrives in the U.S. Well researched, deeply imagined, expressively written and overtly nostalgic, the book uses the lyrical flashback style of 1001 Arabian Nights to tell stories of Palestine. At a makeshift hospital in the Shatila refugee camp on the outskirts of Beirut, Dr. Khalil sits by the bed of his gravely ill, unconscious friend and patient, Yunes, a Palestinian fighter, and reminisces about their lives in an attempt to bring him back to consciousness. The collage of stories that emerges, ranging from the war of 1948 to the present, doesn't have a clear beginning or end, but narrows the dizzying scope of the Israeli-Palestinian conflict to comprehensible names and faces, including sympathetically tough and pragmatic women. Davies has translated Naguib Mahfouz and does a nice job with the lyrical, outsized text.
Khrushchev, Nikita Sergeevich (2004). Memoirs of Nikita Khrushchev: Commissar [Volume 1, 1918-1945]. University Park, PA, Pennsylvania State University Press.
This is the first volume of three in what will be the only complete and fully reliable version of the memoirs available in English. In this volume, Khrushchev recounts how he became politically active as a young worker in Ukraine, how he climbed the ladder of power under Stalin to occupy leading positions in Ukraine and then Moscow, and how as a military commissar he experienced the war against the Nazi invaders. He vividly portrays life in Stalin's inner circle and among the generals who commanded the Soviet armies.
Khrushchev, Nikita Sergeevich (2006). Memoirs of Nikita Khrushchev: Reformer [Volume 2, 1945-1964]. University Park, PA, Pennsylvania State University Press.
This is the second volume of three in what will be the only complete and fully reliable version of the memoirs available in English. In the first volume, published in 2004, Khrushchev takes his story up to the close of World War II. In the first section of this second volume, he covers the period from 1945 to 1956, from the famine and devastation of the immediate aftermath of the war to Stalin's death, the subsequent power struggle, and the Twentieth Party Congress. The remaining sections are devoted to Khrushchev's recollections and thoughts about various domestic and international problems. In the second and third sections, he recalls the virgin lands and other agricultural campaigns and his dealings with nuclear scientists and weapons designers. He also considers other sectors of the economy, specifically construction and the provision of consumer goods, administrative reform, and questions of war, peace, and disarmament. In the last section, he discusses the relations between the party leadership and the intelligentsia. Included among the appendixes are the notebooks of Nina Petrovna Kukharchuk, Khrushchev's wife.
Khrushchev, Nikita Sergeevich (2007). Memoirs of Nikita Khrushchev: Statesman [Volume 3, 1953-1964]. University Park, PA, Pennsylvania State University Press.
This is the third and last volume of the only complete and fully reliable English-language version of the memoirs of the Soviet leader Nikita Khrushchev. This volume is devoted to international affairs. Khrushchev describes his dealings with foreign statesmen and his state visits to Britain, the United States, France, Scandinavia, India, Afghanistan, Burma, Egypt, and Indonesia. In the first part, Khrushchev talks about relations between the Soviet Union and the Western powers. Of particular interest is his perspective on the Berlin, U-2, and Cuban missile crises. The second part focuses on the Communist world-above all, the deterioration of relations with China and the tensions in Eastern Europe, including relations with Tito's Yugoslavia, Gomulka's Poland, and the 1956 Soviet intervention in Hungary. In the third part, Khrushchev discusses the search for allies in the Third World. The Appendixes contain biographies, a bibliography, and a chronology, as well as the reminiscences of Khrushchev's chief bodyguard about the visit to the United Nations in 1960 at which the famous "shoe-banging" incident occurred-or, perhaps, did not occur.
Kiberd, Declan (1996). Inventing Ireland. Cambridge, Mass., Harvard University Press.
Declan Kiberd offers a vivid account of the personalities and texts - English and Irish - that reinvented Ireland after centuries of colonialism.
Kidd, Chip and Charles M. Schulz (2015). Only What's Necessary: Charles M. Schulz and the Art of Peanuts. New York, NY, Abrams ComicArts.
Charles M. Schulz (1922-2000) believed that the key to cartooning was to take out the extraneous details and leave in "only what's necessary." For fifty years, from October 2, 1950, to February 13, 2000, Schulz wrote and illustrated Peanuts, the single most popular and influential comic strip in the world. In all, 17,897 strips were published, making it "arguably the longest story ever told by one human being," according to Robert Thompson, professor of popular culture at Syracuse University. For Only What's Necessary: Charles M. Schulz and the Art of Peanuts, renowned designer Chip Kidd was granted unprecedented access to the extraordinary archives of the Charles M. Schulz Museum and Research Center in Santa Rosa, California. Reproducing the best of the Peanuts newspaper strip, all shot from the original art by award-winning photographer Geoff Spear, Only What's Necessary also features exclusive, rare, and unpublished original art and developmental work--much of which has never been seen before. This glorious tome is equal parts museum and monument, a masterwork of curatorial rigor and an affectionate homage.
Kidd, Chip and Dave Taylor (2012). Batman: Death by Design. New York, DC Comics.
A fantastic period piece about architecture, politics, and murder. In this graphic novel from writer/designer Chip Kidd and artist Dave Taylor, Gotham City is undergoing one of the most expansive construction booms in its history. The most prestigious architects from across the globe have buildings in various phases of completion all over town. As chairman of the Gotham Landmarks Commission, Bruce Wayne has been a key part of this boom, which signals a golden age of architectural ingenuity for the city. And then, the explosions begin. All manner of design-related malfunctions - faulty crane calculations, sturdy materials suddently collapsing, software glitches, walkways giving way and much more - cause casualties across the city. This bizarre string of seemingly random, unconnected catastrophes threaten to bring the whole construction industry down. Fingers are pointed as Batman must somehow solve the problem and find whoever is behind it all.
Kiioni-Sadiki, Dequi and Matt Meyer (2017). Look for Me in the Whirlwind: From the Panther 21 to 21st-Century Revolutions. Oakland, CA, PM Press.
In 1969, 21 members of the militant New York branch of the Black Panther Party were rounded up and indicted on multiple charges of violent acts and conspiracies. The membership of the NY 21, which includes the mother of Tupac Shakur, is largely forgotten and unknown. Their legacy, however—reflected upon here in this special edition—provides essential truths which have remained largely hidden.
Kilmartin, Terence and Marcel Proust (1984). A Reader's Guide to Remembrance of Things Past. New York, Vintage Books.
Kim, Elaine H. and Eui-Young Yu (1996). East to America: Korean American Life Stories. New York, New Press: Distributed by W.W. Norton.
This diverse series of interviews with Korean-Americans grew out of the editors' reaction to the media portrayal of "inarticulate aliens'' during the 1992 Los Angeles riots. Kim (Asian-American Studies/Univ. of California, Berkeley) and Yu (Sociology/Calif. State Univ., Los Angeles) successfully offer a "glimpse of some Korean American perspectives on history, identity, and community.'' As with all immigrant groups, the editors note, some Koreans see America as "a promised land''; to others "it is purgatory.'' James Park found a sanctuary here. He describes a miserable childhood in the 1940s and '50s, spanning the Japanese occupation of Korea and the North-South conflict, during which his mother died "because of my father's neglect.'' In 1969 he left for the US as a foreign-exchange student; today he is a prominent Los Angeles importer-exporter. Dong Hwan Ku (a pseudonym) has a different perspective. He came to this country in 1984 and owns a small sundries store near an unnamed college campus."I am scared everyday,'' he says, recalling how he fired warning shots during the 1992 looting. He sees no solution to the violence and animosity between local black residents and the Korean business community. He wants to go home. Others, such as Kyong-A Price, have found answers and peace. A "troubled woman'' who attempted suicide several times, Buddhist Price felt spiritually at odds with her Anglo-Christian husband. Then, like many Korean-Americans, Price became born-again and "accepted Jesus Christ.'' As Kim and Yu note, there are 3,000 Korean Christian churches in the US but only 650 Buddhist temples. The church has become the single most important community organization. A window into a little-known community and a wide variety of people--a gay activist, a rapper, a monk--along with an excellent overview of Korean and Korean-American history. - Kirkus Reviews
Kimbrell, Andrew (1997). The Human Body Shop: The Cloning, Engineering, and Marketing of Life. Washington, D.C.; Lanham, MD, Regnery Pub.; Distributed to the trade by National Book Network.
This is the most disturbing and damning report to date on the biotechnology revolution and its ethical and social consequences and risks. Kimbrell, policy director of the Foundation of Economic Trends in Washington, D.C., first looks at a new multibillion-dollar industry involving the manipulation and marketing of blood, organs and fetal parts. He then moves on to the patenting of genetically engineered animals and even of human "products" (e.g., cells and genes) and the selling of human reproductive materials. He condemns surrogate motherhood as a form of "bioslavery," and warns of the high ethical price of the new eugenics. Extrapolating from current trends, Kimbrell ominously predicts the genetic engineering of workers to enhance productive traits and the cloning of humans in the coming decades. His sane prescriptions for restricting the engineering and marketing of life cap his scary, Orwellian glimpse into a new biofuture. - Publishers Weekly
Kinder, Hermann and Werner Hilgemann (2003). The Penguin Atlas of World History: Volume 1 from Prehistory to the Eve of the French Revolution. Harmondsworth, Eng., Penguin Books.
This wide-ranging, chronological summary of the main cultural, scientific, religious, and political events from the beginning of world history to the eve of the French Revolution is accompanied by detailed maps that clarify complex historical situations and make this an essential reference book for students and for the home.
Kinder, Hermann and Werner Hilgemann (2003). The Penguin Atlas of World History: Volume 2 from the French Revolution to the Present. Harmondsworth, Eng., Penguin Books.
This second volume of The Penguin Atlas of World History covers events from the French Revolution to the present day. Numerous maps help clarify a detailed chronological summary of the main events of the period throughout the world. This volume has now been updated to include such recent events as the aftermath of the fall of the Berlin Wall and the terrorist attacks of September 11, 2001. By working from a global viewpoint, the authors achieve an invaluable perspective on world developments.
King, David (2010). Red Star Over Russia: A Visual History of the Soviet Union from 1917 to the Death of Stalin. London, Tate Publishing.
A breathtaking visual history of the Soviet Union, from 1917 to the death of Stalin. Its urgent, cinema-verite style plunges the reader into the centre of the shattering events that brought hope, chaos, heroism and horror to the citizens of the world's first worker's state. Revolutionary upheaval turns into Civil War and famine; Stalin's Great Terror of the 1930's is followed by the brutal onslaught of Nazi invasion. The story ends with the intrigue surrounding the dictator's gruesome death in 1953. More than 550 posters, photographs and graphics are reproduced to the highest quality, accompanied by insightful and informative texts.
King, Dean and John B. Hattendorf (2000). Harbors and High Seas: An Atlas and Geographical Guide to the Complete Aubrey-Maturin Novels of Patrick O'Brian. New York, Henry Holt.
This atlas tracks the routes taken and summarizes the plots of all 17 of O'Brian's Napoleonic sea sagas. Featuring a redoubtable pair of British buddies, the series recounts their nautical adventures in the course of fighting the dastardly French or bumptious Americans. As Aubrey and Maturin direct their good ship Surprise around the globe at the admiralty's beck and call, the authors present original maps that pinpoint the novels' pursuits and battles, and they spice the graphics with contemporary drawings of significant ports and forts (like Gibraltar) that were printed in the Royal Navy's official yearbook of those times.
King, Dean, John B. Hattendorf, et al. (2000). A Sea of Words: A Lexicon and Companion for Patrick O'Brian's Seafaring Tales. New York, Henry Holt & Co.
This comprehensive lexicon provides definitions of nautical terms, historical entries describing the people and political events that shaped the period, and detailed explanations of the scientific, medical, and biblical references that appear in the novels.
King, Gilbert (2012). Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America. New York, Harper Perennial.
A thoroughgoing study of one of the most important civil-rights cases argued by Thurgood Marshall in dismantling Jim Crow strictures. Deeply researched and superbly composed.
King, Mary (1987). Freedom Song: A Personal Story of the 1960s Civil Rights Movement. New York, Quill.
This is a deeply felt insider's account of the Student Nonviolent Coordinating Committee (SNCC), in which the authorwhite and a woman in her early 20sheld a key communications post at the height of the civil rights movement. While overlong, her book conveys the passionate commitment to social justice that drew her to SNCC and the all-encompassing role that the radical group played in her own life and that of other young college graduates. Tracing SNCC's work (from direct action to voter registration to political organizing) in the Deep South from 1962 to 1965, King brings to life the daily realities of civil rights activism while reflecting on self-discoveries that led her to question the status of women in the movement. There are sharp observations on SNCC figures (Julian Bond, Robert Moses, etc.), on the group's use of news media to gain credibility and on the factors that led to splits and confusion among its staff. The SNCC's main contribution to civil rightspolitical organizinghas yet to be recognized by historians, asserts King.
King, Martin Luther and James Melvin Washington (1991). A Testament of Hope: The Essential Writings and Speeches of Martin Luther King, Jr. San Francisco, HarperSanFrancisco.
"We've got some difficult days ahead," civil rights activist Martin Luther King, Jr., told a crowd gathered at Memphis's Clayborn Temple on April 3, 1968."But it really doesn't matter to me now because I've been to the mountaintop. . . . And I've seen the promised land. I may not get there with you. But I want you to know tonight that we as a people will get to the promised land."
These prohetic words, uttered the day before his assassination, challenged those he left behind to see that his "promised land" of racial equality became a reality; a reality to which King devoted the last twelve years of his life.
These words and other are commemorated here in the only major one-volume collection of this seminal twentieth-century American prophet's writings, speeches, interviews, and autobiographical reflections. A Testament of Hope contains Martin Luther King, Jr.'s essential thoughts on nonviolence, social policy, integration, black nationalism, the ethics of love and hope, and more.
Kinoy, Arthur, et al. (1971). Conspiracy on Appeal: Appellate Brief on Behalf of the Chicago Eight. New York, Center for Constitutional Rights.
Appellate brief in the United States Court of Appeals for the Seventh Circuit, no. 18295: United States of America, appellee, vs. David T. Dellinger, et al., appellants.
Kinzer, Stephen (2003). All the Shah's Men: An American Coup and the Roots of Middle East Terror. Hoboken, N.J., J. Wiley & Sons.
With breezy storytelling and diligent research, Kinzer has reconstructed the CIA's 1953 overthrow of the elected leader of Iran, Mohammad Mossadegh, who was wildly popular at home for having nationalized his country's oil industry. The coup ushered in the long and brutal dictatorship of Mohammad Reza Shah, widely seen as a U.S. puppet and himself overthrown by the Islamic revolution of 1979. At its best this work reads like a spy novel, with code names and informants, midnight meetings with the monarch and a last-minute plot twist when the CIA's plan, called Operation Ajax, nearly goes awry. A veteran New York Times foreign correspondent and the author of books on Nicaragua (Blood of Brothers) and Turkey (Crescent and Star), Kinzer has combed memoirs, academic works, government documents and news stories to produce this blow-by-blow account. He shows that until early in 1953, Great Britain and the Anglo-Iranian Oil Company were the imperialist baddies of this tale. Intransigent in the face of Iran's demands for a fairer share of oil profits and better conditions for workers, British Foreign Secretary Herbert Morrison exacerbated tension with his attitude that the challenge from Iran was, in Kinzer's words, "a simple matter of ignorant natives rebelling against the forces of civilization." Before the crisis peaked, a high-ranking employee of Anglo-Iranian wrote to a superior that the company's alliance with the "corrupt ruling classes" and "leech-like bureaucracies" were "disastrous, outdated and impractical." This stands as a textbook lesson in how not to conduct foreign policy.
Kinzer, Stephen (2001). Crescent and Star: Turkey between Two Worlds. New York, Farrar, Straus and Giroux.
Interspersing journalistic essays with personal vignettes, Kinzer discusses Turkey's potential to be a world leader in the 21st century, as it is truly a bridge between East and West, politically and geographically. Kinzer questions Turkey's ability to achieve this potential, however, unless true democracy can be established. Whether it can depends on Turkey's military, which, in order to ensure the continuation of the Kemalist ideal of a paternalistic state, has never allowed real freedom of speech, press, or assembly. Kinzer argues persuasively that if the military refuses this opportunity, the consequences (Islamic fundamentalism, Kurdish terrorism, denial of EU membership) could be catastrophic for the Turkish state and its people.
Kipling, Rudyard and Jerry Pinkney (1995). The Jungle Book: The Mowgli Stories. New York, William Morrow.
Selected stories from Kipling's two "Jungle Books" chronicle the adventures of Mowgli, the boy reared by a pack of wolves in an Indian jungle. Also includes "Rikki-Tikki-Tavi."
Kipling, Rudyard and Edward W. Said (1989). Kim. London, Penguin Books.
One of the particular pleasures of reading Kim is the full range of emotion, knowledge, and experience that Rudyard Kipling gives his complex hero. Kim O'Hara, the orphaned son of an Irish soldier stationed in India, is neither innocent nor victimized. Raised by an opium-addicted half-caste woman since his equally dissolute father's death, the boy has grown up in the streets of Lahore:
"Though he was burned black as any native; though he spoke the vernacular by preference, and his mother-tongue in a clipped uncertain sing-song; though he consorted on terms of perfect equality with the small boys of the bazar; Kim was white--a poor white of the very poorest."
From his father and the woman who raised him, Kim has come to believe that a great destiny awaits him. The details, however, are a bit fuzzy, consisting as they do of the woman's addled prophecies of "'a great Red Bull on a green field, and the Colonel riding on his tall horse, yes, and'--dropping into English--'nine hundred devils.' "
In the meantime, Kim amuses himself with intrigues, executing "commissions by night on the crowded housetops for sleek and shiny young men of fashion." His peculiar heritage as a white child gone native, combined with his "love of the game for its own sake," makes him uniquely suited for a bigger game. And when, at last, the long-awaited colonel comes along, Kim is recruited as a spy in Britain's struggle to maintain its colonial grip on India. Kipling was, first and foremost, a man of his time; born and raised in India in the 19th century, he was a fervid supporter of the Raj. Nevertheless, his portrait of India and its people is remarkably sympathetic. Yes, there is the stereotypical Westernized Indian Babu Huree Chander with his atrocious English, but there is also Kim's friend and mentor, the Afghani horse trader Mahub Ali, and the gentle Tibetan lama with whom Kim travels along the Grand Trunk Road. The humanity of his characters consistently belies Kipling's private prejudices, and raises Kim above the mere ripping good yarn to the level of a timeless classic. -- Alix Wilber
Kirk, Jay (2010). Kingdom under Glass: A Tale of Obsession, Adventure, and One Man's Quest to Preserve the World's Great Animals. New York, N.Y., Henry Holt.
During the golden age of safaris in the early twentieth century, one man set out to preserve Africa's great beasts. In this epic account of an extraordinary life lived during remarkable times, Jay Kirk follows the adventures of the brooding genius who revolutionized taxidermy and created the famed African Hall we visit today at New York's Museum of Natural History. The Gilded Age was drawing to a close, and with it came the realization that men may have hunted certain species into oblivion. Renowned taxidermist Carl Akeley joined the hunters rushing to Africa, where he risked death time and again as he stalked animals for his dioramas and hobnobbed with outsized personalities of the era such as Theodore Roosevelt and P. T. Barnum. In a tale of art, science, courage, and romance, Jay Kirk resurrects a legend and illuminates a fateful turning point when Americans had to decide whether to save nature, to destroy it, or to just stare at it under glass.
Klare, Michael T. (2001). Resource Wars: The New Landscape of Global Conflict. New York, Metropolitan Books.
In this tour d'horizon for prospective wars in the next few decades, Klare identifies the factors and the actors in several contested areas of Africa and Asia. Distancing himself from ruminators like Samuel Huntington, whose Clash of Civilizations and the Remaking of World Order (1996) maintained that cultural differences, such as between Muslim and Christian, will drive post-cold war international politics, Klare contends that power struggles over petroleum, water, gems, and timber will be the engines. Indeed, where oil and water are concentrated in Asia and Africa--the Persian Gulf, the Caspian Sea, and the South China Sea in the former; the Nile, Jordan, Tigris-Euphrates, and Indus River regions in the latter--Klare notes marked increases in military activity. Saber sharpening, rattling, and use have their provocations in increasing worldwide demand, driven by economic and population growth, for oil and clean water. Buttressing the text with tables attesting the finitude of both resources, Klare provides needed clarity on and a needed current-affairs summary of the issue.
Klein, Naomi (2017). No Is Not Enough: Resisting Trump's Shock Politics and Winning the World We Need. Chicago, Haymarket Books.
In No Is Not Enough, Naomi Klein explains that Trump, extreme as he is, is not an aberration but a logical extension of the worst and most dangerous trends of the past half-century. In exposing the malignant forces behind Trump's rise, she puts forward a vision for a mass movement to counter rising militarism, nationalism, and corporatism in the U.S. and around the world.
Klein, Naomi (2000). No Logo: Taking Aim at the Brand Bullies. New York, Picador.
We live in an era where image is nearly everything, where the proliferation of brand-name culture has created, to take one hyperbolic example from Naomi Klein's No Logo, "walking, talking, life-sized Tommy [Hilfiger] dolls, mummified in fully branded Tommy worlds." Brand identities are even flourishing online, she notes--and for some retailers, perhaps best of all online: "Liberated from the real-world burdens of stores and product manufacturing, these brands are free to soar, less as the disseminators of goods or services than as collective hallucinations."
In No Logo, Klein patiently demonstrates, step by step, how brands have become ubiquitous, not just in media and on the street but increasingly in the schools as well. (The controversy over advertiser-sponsored Channel One may be old hat, but many readers will be surprised to learn about ads in school lavatories and exclusive concessions in school cafeterias.) The global companies claim to support diversity, but their version of "corporate multiculturalism" is merely intended to create more buying options for consumers. When Klein talks about how easy it is for retailers like Wal-Mart and Blockbuster to "censor" the contents of videotapes and albums, she also considers the role corporate conglomeration plays in the process. How much would one expect Paramount Pictures, for example, to protest against Blockbuster's policies, given that they're both divisions of Viacom?
Klein also looks at the workers who keep these companies running, most of whom never share in any of the great rewards. The president of Borders, when asked whether the bookstore chain could pay its clerks a "living wage," wrote that "while the concept is romantically appealing, it ignores the practicalities and realities of our business environment." Those clerks should probably just be grateful they're not stuck in an Asian sweatshop, making pennies an hour to produce Nike sneakers or other must-have fashion items. Klein also discusses at some length the tactic of hiring "permatemps" who can do most of the work and receive few, if any, benefits like health care, paid vacations, or stock options. While many workers are glad to be part of the "Free Agent Nation," observers note that, particularly in the high-tech industry, such policies make it increasingly difficult to organize workers and advocate for change.
But resistance is growing, and the backlash against the brands has set in. Street-level education programs have taught kids in the inner cities, for example, not only about Nike's abusive labor practices but about the astronomical markup in their prices. Boycotts have commenced: as one urban teen put it, "Nike, we made you. We can break you." But there's more to the revolution, as Klein optimistically recounts: "Ethical shareholders, culture jammers, street reclaimers, McUnion organizers, human-rights hacktivists, school-logo fighters and Internet corporate watchdogs are at the early stages of demanding a citizen-centered alternative to the international rule of the brands as global, and as capable of coordinated action, as the multinational corporations it seeks to subvert." No Logo is a comprehensive account of what the global economy has wrought and the actions taking place to thwart it. - Ron Hogan
Klein, Naomi (2007). The Shock Doctrine: The Rise of Disaster Capitalism. New York, Metropolitan Books/Henry Holt.
In her groundbreaking reporting over the past few years, Naomi Klein introduced the term disaster capitalism. Whether covering Baghdad after the U.S. occupation, Sri Lanka in the wake of the tsunami, or New Orleans post-Katrina, she witnessed something remarkably similar. People still reeling from catastrophe were being hit again, this time with economic shock treatment, losing their land and homes to rapid-fire corporate makeovers.
The Shock Doctrine retells the story of the most dominant ideology of our time, Milton Friedman s free market economic revolution. In contrast to the popular myth of this movement's peaceful global victory, Klein shows how it has exploited moments of shock and extreme violence in order to implement its economic policies in so many parts of the world from Latin America and Eastern Europe to South Africa, Russia, and Iraq.
At the core of disaster capitalism is the use of cataclysmic events to advance radical privatization combined with the privatization of the disaster response itself. Klein argues that by capitalizing on crises, created by nature or war, the disaster capitalism complex now exists as a booming new economy, and is the violent culmination of a radical economic project that has been incubating for fifty years.
Klein, Naomi (2015). This Changes Everything: Capitalism vs. The Climate. New York, NY, Simon & Schuster.
Powerfully and uncompromisingly written, the impassioned polemic we have come to expect from Klein, mixing first-hand accounts of events around the world and withering political analysis. Her stirring vision is nothing less than a political, economic, social, cultural and moral make-over of the human world. -Mike Hulme, New Scientist
Klein, William and Anthony Lane (2003). William Klein: Paris + Klein. New York, D.A.P./Distributed Art Publishers.
William Klein always dreamed of living in Paris, like Henry Miller, Gertrude Stein, and other like-minded artists and writers. In 1948, stationed by the United States Army in Paris, he stayed--and fled his family and America to become a painter. He quickly found another family and recognition for his talent. Today, one is tempted, like critic Anthony Lane, to say that he is "the American in Paris." Paris + Klein gathers together hundreds of photographs shot by Klein from the time he first picked up a camera in the 1960s until he put it down, momentarily, to put together this book. In his signature color and black-and-white compositions, jostled to the brim with more information than a single camera lens was ever expected to take in, we find: men in the street, celebrities, demonstrations, fashion, the police, politics, races, the metro, soccer, death. The whole life of a capital seen through the lively, acidic, melancholic, humorous, ironical, and moving eyes of William Klein.
It takes a Klein to widen our eyes; if he remains unabashed about his game plan to get in your face, that is because the faces of Parisians are a more reliable guide to the place than any map of the Metro. - Anthony Lane, The New Yorker
Kley, Heinrich (1961). The Drawings of Heinrich Kley. New York, Dover Publications.
Unabridged edition of two sketchbooks by Heinrich Kley, one of the greatest cartoonists and social satirists of modern times. Kley's drawings combine savage humor that cuts to the bone with unbelievably brilliant draughtsmanship. Several of these sketches have been reprinted time and again, and probably everyone has seen at least one. But until now the main body of Kley's work has been almost completely unavailable, and it has been impossible to savor the full richness of his mocking irony.
First published in Munich in 1909 and 1910, Kley's sketches reflected the growing tensions of the twentieth century and the strong undercurrent of disillusionment that Europe was prey to. His frantic, posturing, iconoclastic brainchildren lash mercilessly at bureaucracy, militarism, false Gemütlichkeit, the eccentricities of reformer, the ballast of majesty, and many more facets of a weary civilization. Anyone interested in caustic social satire will find that these vivid, unforgettable cartoons are still among the most enjoyable and pungent examples of this art. Kley's bizarre hybrid and bestial forms (in the long tradition of European visionary fantasy exemplified by Hieronymus Bosch, the elder Breughel, and Goya) give them far more depth and levels of meaning than other works in the genre.
Kley, Heinrich (1962). More Drawings of Heinrich Kley. New York, Dover Publications.
A selection of drawings from Leut' und Viecher, 1912 and Sammel-Album, 1923.
Klimowski, Andrei (2018). Klimowski Poster Book. London, SelfMadeHero.
In the mid-1970s, Klimowski's fearlessly original artwork caught the eye of leading Polish theatre and film companies, for whom he designed some of the period's most influential and iconic posters. The London-born artist, who moved to Poland at a time when many East Europeans dreamed of going West, went on to create posters for works by filmmakers and playwrights from Scorsese to Altman, Beckett to Brecht.
Drawing on folk art, Polish Surrealism and the work of his mentor at the Warsaw Academy, Henryk Tomaszewski, Klimowski uses techniques including photomontage and linocut to create posters that are filled with metaphor, drama and originality. The Klimowski Poster Book compiles the best of his Polish work, while also tracing his career after his return to London, where he remains Emeritus Professor of Illustration at the Royal College of Art.
Klimowski, Andrzej (2002). The Secret. London, Faber.
This is another disturbing novel without words by the Polish artist-illustrator of The Depository. The narrative is rendered entirely as a sequence of 300 pages of compelling drawings and photo-montages. The Secret projects an unsettling story about a young woman and her two children who vanish from their apartment one evening, leaving a distraught husband to follow a trail of sinister signs and traces left by their abductors. There is something alarming and almost occult in the forces at work in the background, and a turning point in the mystery is a giant camera obscura which ultimately envelops everything. The Secret, in its metamorphosis of daily reality into a dark and frightening dream world, leaves a stream of surreal images and ideas in the visual memory and the mind.
Kline, Morris (1985). Mathematics for the Nonmathematician. New York, Dover.
Erudite and entertaining overview follows development of mathematics from ancient Greeks, through Middle Ages and Renaissance to the present. Chapters focus on Logic and Mathematics, the Number, the Fundamental Concept, Differential Calculus, the Theory of Probability and much more. Exercises and problems.
Klingberg, Torkel (2009). The Overflowing Brain: Information Overload and the Limits of Working Memory. Oxford; New York, Oxford University Press.
As the technological environment speeds up to a maddening degree, Klingberg, a professor of developmental cognitive neuroscience at Sweden's Karolinska Institute, warns that the huge burden of information overload and multitasking can exceed the limits of our slowly evolving stone-age brain. Using data showing the subtle increase in IQ scores during the last century and its link to educational improvements, Klingberg notes a gap between the rapidity of electronic high-tech devices and the brain's relatively slower capacity to process information, leading to memory malfunctions. The text can be somewhat academic, but the amount of scientific fact translated to something the reader can use is still sizable, including keen writing on the impact on working memory of problem solving, meditation, computer games, caffeine and the existence of attention deficit disorder. Klingberg also reviews the evidence that mental exercise can increase the capacity of working memory. A highly sane look at the increasingly insane demands of the information age, this book discusses with precision a subject worthy of attention.
Klonsky, Milton and Ted Solotaroff (1991). A Discourse on Hip: Selected Writings of Milton Klonsky. Detroit, Wayne State University Press.
Ted Soltaroff has collected the best published writings of Milton Klonsky who belonged to the small, influential literary circle that included Delmore Schwartz, Anatole Broyard, and Isaac Rosenfeld.
Kluver, Billy (1997). A Day with Picasso: Twenty-Four Photographs by Jean Cocteau. Cambridge, Mass., MIT Press.
In 1978, while collecting documentary photographs of the artists' community in Montparnasse from the first decades of the century, Billy Kluver discovered that some previously unassociated photographs fell into significant groupings. One group in particular, showing Picasso, Max Jacob, Moïse Kisling, Modigliani, and others at the Cafe de la Rotonde and on Boulevard du Montparnasse, all seemed to have been taken on the same day. Biographical research led Kluver to focus on the summer of 1916 as the likely time the photos were taken. Further investigation eventually allowed him to identify the photographer as Jean Cocteau and to determine the day that Cocteau had taken the photographs: August 12, 1916. In a tour de force of art historical research, Kluver then reconstructed a scenario of the events of the four hours depicted in the photographs--and re-created a single afternoon in the lives of Picasso and friends, a group of remarkable people in early-twentieth-century Paris.
Kluger, Rivkah Scharf and H. Yehezkel Kluger (1967). The Archetypal Significance of Gilgamesh: A Modern Ancient Hero. Daimon Verlag.
It was at the instigation of C.G. Jung that Dr. Kluger undertook the interpretation of the Gilgamesh Epic, the oldest known epic-myth. A classic in world literature, it originated in the Sumero-Babylonian culture, a vital root of modern Western civilization. Rich in poetic imagery and archetypal content, it has not lost its meaning for modern man. In this book, based primarily on her seminars at the Zurich Jung Institute, Dr. Kluger deals with the psychological significance of the hero-king's fateful adventures, from his building of the city walls to his travel to the "Babylonian Noah" in search of immortality, for which her expertise in the fields of comparative religion and Jungian psychology uniquely fit her. In her vivid yet scholarly presentation, she brings alive the implications of the fascinating episodes of this myth both on a personal and on a collective level; the changes of individual consciousness, and its reactions to unconscious (archetypal) contents, the evolving process of individuation, and the development of religion. Using modern dreams and examples from analytic practice, she shows the relevance of this ancient myth for today's world and its concerns, from sexuality and homosexuality, the role of the feminine and the still living goddess Ishtar, to the current spiritual search of contemporary mankind.
Knight, Austin Melvin and John Vavasour Noel (1989). Knight's Modern Seamanship. New York, Van Nostrand Reinhold.
Revised by John V. Noel, Jr., Captain, U.S. Navy [Ret.] Associate Editors: Commander Frank E. Bassett, U.S. Navy [Ret.] Dr. Carvel Blair and Prof. Dee Fitch Steer by this venerable guide to shiphandling and safety and you'll easily see why, since publication of the first edition 83 years ago, it has been the single-most trusted "beacon" for millions of pleasure boaters and professional seamen alike. Now in its eighteenth edition, Knight's Modern Seamanship continues the salty tradition of its predecessors. It supplies all the navigation techniques, safety laws and procedures, and maintenance practices you need to make each ocean-going trip safe and enjoyable. Typhoon up ahead? Knight's explains the effects of weather on ocean travel and spells out exactly what you have to do to avoid dangerous weather systems. What kind of communication equipment should you have on board? A new section on ship communications tells you how to select and operate modern communication devices. This eighteenth edition also provides you with new sections on channel marking, towing and salvage, and the maritime buoyage system. Updated guidance is given on:
the rules of the road - you get clear explanations of right of way, the use of radar to avoid collisions, and the law in fog; included is the complete text of the Inland Navigational Rules Act of 1980. Every vessel over 12 meters in length is required by law to have a copy of these rules on board.
shiphandling - you'll find expert discussions on docking, mooring, and anchoring; helicopter operations; and ice seamanship
ship and boat operation - you get concise explanations of ship structure and stability, propulsion and steering, ground tackle, and cargo handling and underway replenishment
You'll even learn the art of knotting and splicing. Without a doubt, Knight's Modern Seamanship, Eighteenth Edition, is your foremost guide to mastering the lore of the sea. It is an indispensable reference source for pleasure boaters, merchant marine personnel, and anyone who needs expert seagoing advice.
Knight, Arthur Winfield and Kit Knight (1987). The Beat Vision: A Primary Sourcebook. New York, Paragon House Publishers.
Knowles, Elizabeth (1999). The Oxford Dictionary of Quotations. Oxford ; New York, Oxford University Press.
Oxford last published this work, which is the largest of its many collections of quotations, in 1996. It has added more than 2,000 new entries, bringing the total to 20,000. Approximately 2,500 authors are represented.
The book is arranged alphabetically by author. Page layout is clear, with name ranges in the header, entry names in bold type, and numbered quotations, which makes for easy lookups from the index and cross-references. Birth and death dates and a career brief (e.g., "British Whig politician") are given. Cross-references between entries, including page and quotation number, lead the reader to all related quotations. New authors in the fifth edition include Spice Girl Melanie Chisholm, Bill Clinton ("I did not have sexual relations with that woman"), Hillary Rodham Clinton, Helen Fielding ("I will not sulk about having no boyfriend," from Bridget Jones's Diary), Bill Gates, actress Helen Mirren, and Fay Weldon.
Twenty special categories, interfiled among authors and set off in boxes, group selected quotations by type. Examples are advertising slogans, misquotations, newspaper headlines and leaders ("Dewey defeats Truman"), political slogans and songs, film lines ("Here's looking at you, kid"), catchphrases, epitaphs, opening lines, and toasts. The editorial origins of the book are particularly evident here, with many ads for British products and lines from ad campaigns in England and Ireland. Quotes from sources not attributable to an author can be found under headings such as Ballads, The Book of Common Prayer, Nursery rhymes, Proverbs, and The Talmud.
Quotes in foreign languages are followed by English translations, but many from foreign-language speakers are only presented in English, with a note about the source and translator. For instance, of 14 quotes from Flaubert, only one is given first in French. Character names are included for dialogue lines from a play or opera. Information on context is provided if it is needed to appreciate the words. Following the quote from Malvina Reynolds' song "Little Boxes," for example, we learn that it described the tract houses in the hills to the south of San Francisco. Source information for each quotation includes title or type of work (e.g., letter, speech) and date. Apocryphal and attributed statements are so noted.
An eight-page thematic index aids in identifying a dozen or more sayings in each of 44 categories, such as marriage, politics, and television. This section is a nod at the many references (including several from Oxford) that arrange quotations entirely by subject or theme, rather than by author. Such a scheme is particularly useful when a quotation does not contain a keyword directly related to its meaning and thus cannot be identified by means of a keyword index. However, unless the reader is looking for something in one of the few categories on offer here, this index won't be terribly useful. For example, if one wanted to find quotations on mathematics, which is not a category in the thematic index, the only option is to use the volume's keyword index, which means that relevant quotations that do not contain the word mathematics will not be found. A voracious quotation consumer will want to have alternative titles on hand that fully utilize the topical approach.
Kobel, Peter (2007). Silent Movies: The Birth of Film and the Triumph of Movie Culture. New York, Little, Brown and Co.
Drawing on the extraordinary collection of The Library of Congress, one of the greatest repositories for silent film and memorabilia, Peter Kobel has created the definitive visual history of silent film. From its birth in the 1890s, with the earliest narrative shorts, through the brilliant full-length features of the 1920s, Silent Movies captures the greatest directors and actors and their immortal films. Silent Movies also looks at the technology of early film, the use of color photography, and the restoration work being spearheaded by some of Hollywood 's most important directors, such as Martin Scorsese and Francis Ford Coppola.
Koehler, Jack H. (1989). The Science of Pocket Billiards. Laguna Hills, CA, Sportology Publications. The Science of Pocket Billiards covers the entire spectrum from basics to the most advanced concepts of pool. There are 262 pages (81/2 X 11) crammed with information along with 33 photographs and 277 illustrations to help clarify the material presented. The occasional player can skim through the book and learn enough for a lifetime of casual play while a serious student of pool can study this book for months or even years and continue to gain valuable knowledge.
Koetzle, Hans-Michael (2011)). Photographers A-Z. Koln, DE, Taschen.
A comprehensive overview of the most influential photographers of the last century and their finest monographs: Arranged alphabetically, this biographical encyclopedia features every major photographer and photographic artist of the 20th century, from the earliest representatives of classical Modernism right up to the immediate present.
Richly illustrated with facsimiles from books and magazines, this book includes all the major photographers of the last hundred years - especially those who have distinguished themselves with important publications or exhibitions, or who have made a significant contribution to the culture of the photographic image. While most of the 400-plus entries feature North American or European photographers, the scope is worldwide, with significant emphasis on the photography of Japan and Latin America, Africa and China.
Photographers A-Z focuses on photographic images and culture, but also features photographers working in "applied" areas, whose work goes beyond the merely illustrative, and is regarded as photographic art or is conserved by major museums, such as Julius Shulman, Terry Richardson, Cindy Sherman, and David LaChapelle, etc.
Featured photographers include:
Ansel Adams, Diane Arbus, Richard Avedon, David Bailey, Elmer Batters, Peter Beard, Cecil Beaton, Harry Benson, Werner Bischof, Guy Bourdin, Bill Brandt, Robert Capa, Larry Clark, William Claxton, Anton Corbijn, Louise Dahl-Wolfe, Robert Doisneau, William Eggleston, Ron Galella, Nan Goldin, Jean-Paul Goude, John Heartfield, George Hoyningen-Huene, William Klein, Nick Knight, Eric Kroll, Neil Leifer, Peter Lindbergh, Dora Maar, Man Ray, Robert Mapplethorpe, Mary Ellen Mark, Don McCullin, Steven Meisel, Jean-Baptiste Mondino, Helmut Newton, Martin Parr, Irving Penn, Pierre et Gilles, Bettina Rheims, Leni Riefenstahl, Sebastiao Salgado, Larry Schiller, Andres Serrano, Cindy Sherman, Jeanloup Sieff, Lord Snowdon, Bert Stern, Larry Sultan, Mario Testino, Wolfgang Tillmans, Ellen von Unwerth, Andy Warhol, Albert Watson, Bruce Weber, Weegee, and Gary Winogrand, among many others.
Kolbert, Elizabeth (2014). The Sixth Extinction: An Unnatural History. New York, NY, Henry Holt and Co.
Ms. Kolbert shows in these pages that she can write with elegiac poetry about the vanishing creatures of this planet, but the real power of her book resides in the hard science and historical context she delivers here, documenting the mounting losses that human beings are leaving in their wake.
Kominsky-Crumb, Alice (2018). Love That Bunch. Montreal, Drawn and Quarterly.
Aline Kominsky-Crumb immediately made her mark in the Bay Area’s underground comix scene with unabashedly raw, dirty, unfiltered comics chronicling the thoughts and desires of a woman coming of age in the 1960s. Kominsky-Crumb didn’t worry about self-flattery. In fact, her darkest secrets and deepest insecurities were all the more fodder for groundbreaking stories. Her exaggerated comix alter ego, Bunch, is self-destructive and grotesque but crackles with the self-deprecating humor and honesty of a cartoonist confident in the story she wants to tell.
Collecting comics from the 1970s through today, Love That Bunch is shockingly prescient while still being an authentic story of its era. Kominsky-Crumb was ahead of her time in juxtaposing the contradictory nature of female sexuality with a proud, complicated feminism. Most important, she does so without apology.
One of the most famous and idiosyncratic cartoonists of our time, Kominsky-Crumb traces her steps from a Beatles-loving fangirl, an East Village groupie, an adult grappling with her childhood, and a 1980s housewife and mother, to a new thirty-page story, Dream House, that looks back on her childhood forty years later. Love That Bunch will be Kominsky-Crumb’s only solo-authored book in print. Originally published as a book in 1990, this new expanded edition follows her to the present, including an afterword penned by the noted comics scholar Hillary Chute.
Konigsberg, Ira (1997). The Complete Film Dictionary. New York, Penguin Reference.
Since the publication of the first edition in 1987, The Complete Film Dictionary has been an indispensable guide to the art, technology, and industry of filmmaking. Ira Konigsberg, a professor of film at the University of Michigan, has now presented us with a newly revised and updated second edition, taking into account the advances in movie technology in the intervening years.
The author notes that the reader will find this work to be a resource of practical terminology, historical developments, film theory, and criticism. Perhaps because of the proliferation of developments from 1987 to 1997, Konigsberg has added 500 new entries to the original 3,500 of the first edition. Among the new entries are computer animation, Industrial Light and Magic, and HDTV. The majority of the remaining entries have been updated.
Arranged alphabetically, the entries vary in length from short paragraphs to full essays. The book is fully cross-referenced and illustrated, though the habit of giving multiple headings (low-angle shot, low shot) to an entry can be confusing. The entries are highly informative, drawing on examples from the movies themselves. A detailed essay on special effects, for example, tracks their development from the model work of The Lost World (1925) through the computer-animated dinosaurs of Jurassic Park (1993).
This is an essential reference resource for most libraries, and those that currently have the first edition will definitely need this update. It is also wonderful reading for the film buff interested in discovering the real role of a best boy grip (assistant to the grip, or stagehand) or a gaffer (head electrician).
Kornbluh, Joyce L. and Paul Avrich Collection (Library of Congress) (1964). Rebel Voices, an I.W.W. Anthology. Ann Arbor, University of Michigan Press.
Joyce Kornbluh's Rebel Voices: An IWW Anthology, originally published in 1964, makes for a terrific introduction to the Industrial Workers of the World (the Wobblies) and their activities, collecting missives, cartoons, manifestoes, songs, poems, photos, dispatches and other documents. Besides the full text and illustrations of the original, this new and expanded edition includes 32 pages of additional material: a new introduction and updated bibliography by old-time Wobbly organizer and scholar Fred Thompson; an informative essay on Wobbly cartoons and cartoonists by Franklin Rosemont; more than 3 dozen additional cartoons and drawings and a useful index.
Korte, Mary Norbert (1978). Mammals of Delight. Berkeley, CA, Oyez.
First edition, regular issue, one of 500 copies thus from a total edition of 550. Signed copy.
Korten, David C. (2005). The Great Turning: From Empire to Earth Community. San Francisco, CA, Berrett-Koehler.
In his classic international bestseller, When Corporations Rule the World, David Korten exposed the destructive and oppressive nature of the global corporate economy and helped spark a global resistance movement. Now, he shows that the problem runs deeper than corporate domination - with far greater consequences.
Korten argues that global corporate consolidation of power is but one manifestation of what he calls "Empire" - the organization of society by hierarchies of dominance that have held sway for the past 5,000 years. Empire has always resulted in misery for the many and fortune for the few. Now it threatens the very future of humanity. The Great Turning traces the ancient roots of Empire and charts its long evolution from monarchies to the transnational institutions of the global economy.
Empire is not inevitable, not the natural order of things. Korten draws on evidence from sources as varied as evolutionary theory, developmental psychology, and religious teachings to make the case that "Earth Community" - a life-centered, egalitarian, sustainable way of ordering human society based on democratic principles of partnership - is indeed possible. He details a practical strategy for advancing a turning toward a future of as-yet-unrealized human potential.
Kosinski, Jerzy (1999). Being There. New York, Grove Press.
A modern classic now available from Grove Press, Being There is one of the most popular and significant works from a writer of international stature. It is the story of Chauncey Gardiner - Chance, an enigmatic but distinguished man who emerges from nowhere to become an heir to the throne of a Wall Street tycoon, a presidential policy adviser, and a media icon. Truly "a man without qualities," Chance's straightforward responses to popular concerns are heralded as visionary. But though everyone is quoting him, no one is sure what he's really saying. And filling in the blanks in his background proves impossible. Being There is a brilliantly satiric look at the unreality of American media culture that is, if anything, more trenchant now than ever.
Kosinski, Jerzy (1997). Blind Date. New York, Grove Press. Blind Date is a spectacular and erotically charged psychological novel that shows Jerzy Kosinski, author of Being There and The Painted Bird, at the height of his power. George Levanter is an idea man, a small investor, an international playboy, and a ruthless deal-maker whose life is delivered in a series of scorching encounters, each more incredible than the last. From Moscow to Paris, from a Manhattan skyscraper to a California mass murder, Blind Date is a dizzying vision of life among the beautiful people and the thrill-seekers.
Kosinski, Jerzy (1998). Cockpit. New York, Grove Press.
An agent known only as Tarden is a former operative of the mysterious security agency "the Service." He has erased himself from all dossiers and transcripts. Now a fugitive, he moves across the landscape free of identity, in search of adventure and intrigue. But Tarden is a man of many disguises, and he is alternately avenger and savior, judge and trickster, as he enters the lives of others, forcing them into the arena of his judgement. In Cockpit, Kosinski is at his most startling and powerful, stripping away pretension and illusions of security to reveal the source of real strength within.
Kosinski, Jerzy (1995). The Painted Bird. New York, Grove Press.
Originally published in 1965, The Painted Bird established Jerzy Kosinski as a major literary figure. Kosinski's story follows a dark-haired, olive-skinned boy, abandoned by his parents during World War II, as he wanders alone from one village to another, sometimes hounded and tortured, only rarely sheltered and cared for. Through the juxtaposition of adolescence and the most brutal of adult experiences, Kosinski sums up a Bosch-like world of harrowing excess where senseless violence and untempered hatred are the norm. Through sparse prose and vivid imagery, Kosinski's novel is a story of mythic proportion, even more relevant to today's society than it was upon its original publication.
Kostelanetz, Richard (1982). The Avant-Garde Tradition in Literature. Buffalo, N.Y., Prometheus Books.
Kostof, Spiro and Greg Castillo (1995). A History of Architecture: Settings and Rituals. New York, Oxford University Press.
When the late Spiro Kostof's A History of Architecture appeared in 1985, it was universally hailed as a masterpiece--one of the finest books on architecture ever written. The New York Times Book Review, in a front cover review, called it "a magnificent guided tour through mankind's architecture," and The San Francisco Chronicle wrote that "Kostof has enthralled a generation of students. Now he has done the same thing for the public at large, in an extraordinary book that is a new kind of architectural history."
This magisterial work has now been revised and expanded by Greg Castillo, Kostof's colleague and literary executor. Insightful, engagingly written, and graced with almost a thousand superb illustrations, the Second Edition of this classic volume offers a sweeping narrative that examines architecture as it reflects the social, economic, and technological systems of human history. The scope of the book is astonishing. No mere survey of famous buildings, Kostof's History examines a surprisingly wide variety of manmade structures: prehistoric huts and the TVA, the pyramids at Giza and the Rome railway station, the ziggurat and the department store. Indeed, Kostof considered every building worthy of attention, every structure or shelter a potential source of insight, whether it be the prehistoric hunting camps at Terra Amata, or the caves at Lascaux with their magnificent paintings, or a twenty-story hotel on the Las Vegas strip. The Second Edition features a new concluding chapter, "Designing the Fin de Siecle," based on Kostof's last lecture notes and prepared by Castillo, as well as an all-new 16-page color section. Many of the original line drawings by Richard Tobias, as well as some 50 photographs, have also been updated or replaced, for improved clarity.
Visually and intellectually stimulating, this book is at once a compelling history and an indispensable reference on all aspects of our built environment. It achieves for architecture what Janson's history accomplished for visual art.
Kotlikoff, Laurence J. and Scott Burns (2004). The Coming Generational Storm: What You Need to Know About America's Economic Future. Cambridge, Mass., MIT Press.
In 2030, as 77 million baby boomers hobble into old age, walkers will outnumber strollers; there will be twice as many retirees as there are today but only 18 percent more workers. How will Social Security and Medicare function with fewer working taxpayers to support these programs? According to Laurence Kotlikoff and Scott Burns, if our government continues on the course it has set, we'll see skyrocketing tax rates, drastically lower retirement and health benefits, high inflation, a rapidly depreciating dollar, unemployment, and political instability. The government has lost its compass, say Kotlikoff and Burns, and the Bush administration's spending and tax policies have charted a course straight into the coming generational storm.
Kotlikoff and Burns take us on a guided tour of our generational imbalance: There's the "fiscal child abuse" that will double the taxes paid by the next generation. There's also the "deficit delusion" of the under-reported national debt. And none of this, they say, will be solved by any of the popularly touted remedies: cutting taxes, technological progress, immigration, foreign investment, or the elimination of wasteful government spending. Kotlikoff and Burns propose bold new policies, including meaningful reforms of Social Security and Medicare, that are simple, straightforward, and geared to attract support from both political parties.
Kovalik, Dan (2017). The Plot to Scapegoat Russia: How the CIA and the Deep State Have Conspired to Vilify Putin. New York, NY, Skyhorse Publishing.
Examines the recent proliferation of stories, usually sourced from American state actors, blaming and manipulating the threat of Russia, and the long history of which this episode is but the latest chapter. It will show readers two key things: (1) the ways in which the United States has needlessly provoked Russia, especially after the collapse of the USSR, thereby squandering hopes for peace and cooperation; and (2) how Americans have lost out from this missed opportunity, and from decades of conflicts based upon false premises. A powerful contradiction to the present U.S. narrative of the world.
Kracauer, Siegfried and Leonardo Quaresima (2004). From Caligari to Hitler: A Psychological History of the German Film. Princeton, N.J., Princeton University Press.
A landmark, now classic, study of the rich cinematic history of the Weimar Republic, From Caligari to Hitler was first published by Princeton University Press in 1947. Siegfried Kracauer--a prominent German film critic and member of Walter Benjamin's and Theodor Adorno's intellectual circle--broke new ground in exploring the connections between film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer's pioneering book, which examines German history from 1921 to 1933 in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel, has never gone out of print. Now, over half a century after its first appearance, this beautifully designed and entirely new edition reintroduces Kracauer for the twenty-first century. Film scholar Leonardo Quaresima places Kracauer in context in a critical introduction, and updates the book further with a new bibliography, index, and list of inaccuracies that crept into the first edition. This volume is a must-have for the film historian, film theorist, or cinema enthusiast.
Kramer, Jane (1988). Europeans. New York, Farrar, Straus & Giroux.
In this collection of 30 of her "Letter from Europe" pieces for the New Yorker, Kramer shines as a writer who refuses to oversimplify the complexity of people and events. She notes that Kurt Waldheim consigned to death Serbian partisans and Greek Jews with equal zeal, then goes on to consider how this bureaucrat dressed himself in patriot's clothes and seduced an Austria that wants to believe in him. Kramer can be deceptively casual. Her travel piece on Hamburg broadens into an analysis of Germany confronting its national conscience. Her account of the Paribas bank scandal involving secret Swiss accounts probes French attitudes toward cheating and state authority. Whether she is writing about a Paris-based rock musician from Cameroon, her Portuguese concierge, a Milanese psychoanalyst-cum-con artist, French anti-heroic novelist Emmanuel Bove or a German town's resistance to U.S. nuclear weapons, she has an eye for the telling detail that reveals character. Kramer is an essential guide to the contemporary European scene. - Publishers Weekly
Kramer, Reinhold (2008). Mordecai Richler: Leaving St. Urbain. Montreal; Ithaca N.Y., McGill-Queen's University Press.
Based on never-before published material from the Richler archives as well as interviews with family members, friends, and acquaintances, Mordecai Richler: Leaving St. Urbain shows how Richler consistently mined his remarkable life for material for his novels. Beginning with the early clashes with his grandfather over Orthodox Judaism, and exposing the reasons behind his life-long quarrel with his mother, Kramer follows Richler as he flees to Ibiza and Paris, where he counted himself as one of the avant-garde who ushered in the 1960s. His successes abroad gave him the opportunity to remain in England and leave novel-writing behind - but he did neither. More than a biography, Mordecai Richler: Leaving St. Urbain is the story of a Jewish culture finding its place within a larger stream, a literary culture moving into the colloquial, and a Canada torn between nationalism and cosmopolitanism.
Kramer, Samuel Noah (1981). History Begins at Sumer: Thirty-Nine Firsts in Man's Recorded History. Philadelphia, University of Pennsylvania Press.
This book is a collection of essays written by Samuel Noah Kramer regarding various cultural "firsts" in Western history as discovered on Sumerian cuneiform tablets. Kramer's experience and prolific career as a Sumerologist lend credence to the observations and interpretations that he puts forth. Essay topics range from anecdotal illustrations of the first recorded lullaby and the first written description of an aquarium to more profound subjects such as the first cosmology and the first heroic age.
Krassner, Paul (2014). Patty Hearst & the Twinkie Murders: A Tale of Two Trials. Plus: 'Why Was Michelle Shocked Shell-Schocked?' and 'Reflections of a Realist' Outspoken Interview. Oakland, CA, PM Press. Patty Hearst & The Twinkie Murders is a darkly satiric take on two of the most famous cases of our era: the kidnapping of heiress Patty Hearst and the shocking assassination of San Francisco Mayor George Moscone and gay leader Harvey Milk. As a reporter for the Berkeley Barb, Paul Krassner was ringside at the spectacular California trials, and his deadpan style captures the nightmare reality behind the absurdities of the courtroom circus. Using his satiric pen and investigative chops, Krassner gets to the truth behind the events: the role of the police and FBI, the real deal with Patty and the SLA, and what really happened in Patty's infamous closet. Also included is a merciless expose of the 'Taliban' wing of the Gay Movement and their scandalous attacks on alt-rock star Michelle Shocked and Outspoken Interview featuring an irreverent and fascinating romp through the secret history of America's radical underground.
Kraus, Karl and Frederick Ungar (1974). The Last Days of Mankind; a Tragedy in Five Acts. New York, F. Ungar Pub. Co.
Compiled out of quotations, newspaper articles, different folk songs and own experiences with Austria-Hungary and Germany through World War One Karl Kraus wrote this book to show the people of the time after the War their own absurd behavement. The book is written as a Drama, but without a continuous story it shows the war with examples of Journalists, Politics, Aristocrats, Workers, Soldiers.
Kricher, John C. (1997). A Neotropical Companion: An Introduction to the Animals, Plants, and Ecosystems of the New World Tropics. Princeton, N.J., Princeton University Press. A Neotropical Companion is an extraordinarily readable introduction to the American tropics, the lands of Central and South America, their remarkable rainforests and other ecosystems, and the creatures that live there. It is the most comprehensive one-volume guide to the Neotropics available today. Widely praised in its first edition, it remains a book of unparalleled value to tourists, students, and scientists alike. This second edition has been substantially revised and expanded to incorporate the abundance of new scientific information that has been produced since it was first published in 1989. Major additions have been made to every chapter, and new chapters have been added on Neotropical ecosystems, human ecology, and the effects of deforestation. Biodiversity and its preservation are discussed throughout the book, and Neotropical evolution is described in detail. This new edition offers all new drawings and photographs, many of them in color.
As enthusiastic readers of the first edition will attest, this is a charming book. Wearing his learning lightly and writing with ease and humor, John Kricher presents the complexities of tropical ecology as accessible and nonintimidating. Kricher is so thoroughly knowledgeable and the book is so complete in its coverage that general readers and ecotourists will not need any other book to help them identify and understand the plants and animals, from birds to bugs, that they will encounter in their travels to the New World tropics. At the same time, it will fascinate armchair travelers and students who may get no closer to the Neotropics than this engagingly written book.
Kreisler, Harry (2010). Political Awakenings: Conversations with History. New York, New Press.
As a kid, Noam Chomsky handed out the Daily Mirror at his uncle's newsstand on 72nd Street, inadvertently finding himself in a buzzing intellectual and political hub for European immigrants in New York. Iranian human rights Nobelist Shirin Ebadi and her husband signed their own legal contract, attempting to restore equality to their marriage after the Iranian Revolution effectively erased the legal rights of women. Elizabeth Warren set out to expose those frauds declaring bankruptcy and taking advantage of the system--only to discover, in her research, a very different story of hard-working middle-class families facing economic collapse in the absence of a social safety net. While studying at Oxford, a young Tariq Ali made a bet with a friend that he could work the Vietnam War into every single answer on his final exams.
In this rousing, thoughtful, often funny, and always inspiring volume, a diverse and impressive group of thinkers reflect on those formative experiences that shaped their own political commitments. A fascinating new window into the revealing links between the personal and the political, Political Awakenings will engage readers across generations.
Kropotkin, Petr Alekseevich and Marshall Shatz (1995). The Conquest of Bread and Other Writings. Cambridge ; New York, Cambridge University Press. The Conquest of Bread is Peter Kropotkin's most detailed description of the ideal society, embodying anarchist communism, and of the social revolution that was to achieve it. Marshall Shatz's introduction to this edition traces Kropotkin's evolution as an anarchist, from his origins in the Russian aristocracy to his disillusionment with the Russian Revolution. The volume also includes a number of his shorter writings, including a hitherto untranslated chapter from his classic Memoirs of a Revolutionist.
Krueger, Myron W. (1991). Artificial Reality II. Reading, Mass., Addison-Wesley.
Krueger, the father of artificial reality, updates the book published in 1983 in which he described basic features of simulation technology and provided a vision of what was to come. Here he relates his odyssey from the origins of artificial reality to current developments, and communicates both an imaginative breadth of possibilities and his excitement in making many of them happen.
Krugman, Paul R. (2003). The Great Unraveling: Losing Our Way in the New Century. New York, W.W. Norton.
This selection of three years of New York Times op-eds by economist and Princeton professor Krugman document his opposition to the governance of George W. Bush and his "bad economics wrapped in the flag." In his introduction, Krugman asserts that Bush is a radical and that America's right wing is "a revolutionary power, a movement whose leaders do not accept the legitimacy of our current political system." The core of the book's 100-plus columns is dedicated to eviscerating Bush's fiscal policies, uncovering the administration's hidden agendas, as well as castigating the media for letting him get away with it. A handful of articles advocate the globalization of free trade. Much of the material will be familiar to Times readers, but reading the items together reveals Krugman's growing anger at the hubris he sees exhibited by the extreme right wing and its seeming defiance of logic. At first, Krugman is a numbers man, methodically parsing the data (demonstrating, for example, how the heartland is not, statistically, more committed to family than people on the coasts), but over time he arrives at the conclusion that "Yes, Virginia, there is a vast right-wing conspiracy" and "it works a lot like a special-interest lobby." Krugman is one of the few commentators able to sound both appalled and reasonable at the same time as he provides an alternate history of the last three years to that penned by conservative pundits. Many readers will find Krugman very persuasive as to how our present government has done us wrong.
Kung, Hans (1981). Does God Exist?: An Answer for Today. New York, Vintage Books.
In "Does God Exist?" Hans Kung argues that faith and reason are not opposite. Reasonable people have faith, and faithful people are called upon to use their reason. But Kung warns believers against the temptation of trying to prove God's existence scientifically. If theology depends on science, Kung, argues, "God will die the death of a thousand qualifications."
Kung, Hans (1983). Infallible? An Inquiry. Garden City, N.Y., Doubleday.
In the late 1960s Kung became the first major Roman Catholic theologian after the late 19th century Old Catholic Church schism to reject the doctrine of papal infallibility, in particular in his book Infallible? An Inquiry (1971). Consequently, on December 18, 1979, he was stripped of his right to teach as a Roman Catholic theologian but carried on teaching as a tenured professor of ecumenical theology at the University of Tubingen until his retirement (Emeritierung) in 1996. To this day he remains a persistent critic of papal authority, which he claims is man-made (and thus reversible) rather than instituted by God. He was not excommunicated and remains a Roman Catholic priest.
Kung, Hans (1984). On Being a Christian. Garden City, N.Y., Image Books.
One of this century's most prominent and outspoken theologians affirms the vitality and uniqueness of Christianity by tracing it back to the reality of the historical Christ.
Kung, Hans (1990). Freud and the Problem of God. New Haven, Yale University Press.
One of the most prominent theologians in the world offers a theological and psychoanalytic assessment of Freud's atheism and of its implications for current psychoanalytic practice.
Kung, Hans (1991). Eternal Life?: Life after Death as a Medical, Philosophical, and Theological Problem. New York, Crossroad.
Hans Kung is arguably the most thoughtful and influential Christian theologian of our time. In this work, Kung explores the mystery of life after death, using insights from the fields of medicine and science, history and archaeology, philosophy and theology. A master of apologetics, Kung examines all sides of the argument and then makes a reasonable case for those who believe in and hope for eternal life. And as always in his writings, Kung astutely demonstrates that belief in the hereafter is not just an academic speculation, but indeed has immense implications for how we live in the "here-and-now."
Kung, Hans (1998). A Global Ethic for Global Politics and Economics. New York, Oxford University Press.
As the twentieth century draws to a close and the rush to globalization gathers momentum, political and economic considerations are crowding out vital ethical questions about the shape of our future. Now, Hans Kung, one of the world's preeminent Christian theologians, explores these issues in a visionary and cautionary look at the coming global society.
How can the new world order of the twenty first century avoid the horrors of the twentieth? Will nations form a real community or continue to aggressively pursue their own interests? Will the Machiavellian approaches of the past prevail over idealism and a more humanitarian politics? What role can religion play in a world increasingly dominated by transnational corporations? Kung tackles these and many other questions with the insight and moral authority that comes from a lifetime's devotion to the search for justice and human dignity. Arguing against both an amoral realpolitik and an immoral resurgence of laissez faire economics, Kung defines a comprehensive ethicfounded on the bedrock of mutual respect and humane treatment of all beingsthat would encompass the ecological, legal, technological, and social patterns that are reshaping civilization. If we are going to have a global economy, a global technology, a global media, Kung argues, we must also have a global ethic to which all nations, and peoples of the most varied backgrounds and beliefs, can commit themselves.
Kung, Hans and Leonard J. Swidler (1981). Kung in Conflict. Garden City, N.Y., Doubleday.
Kuenzli, Rudolf E. and Francis M. Naumann (1989). Marcel Duchamp: Artist of the Century. Cambridge, Mass., MIT Press.
One hundred years after his birth, Marcel Duchamp remains an enigma; no other artist, perhaps, has produced so varied a group of masterpieces in so short a span of time. These eleven illustrated essays explore the structure and meaning of Duchamp's work as part of an ongoing critical enterprise that has just begun. Ranging from the Munich period and the development of the ready-mades to the last work, Etant donnes, they present the latest thinking on Duchamp and his ideas.
Kuhn, Thomas S. (1957). The Copernican Revolution; Planetary Astronomy in the Development of Western Thought. Cambridge, Harvard University Press.
An illuminating account of the intellectual transformation which laid the foundations of modern science and philosophy, and which may therefore be said to have created the modern world. - Scientific American
Kuleshov, L. V. (1974). Kuleshov on Film: Writings. Berkeley, University of California Press.
Kundera, Milan (1992). Immortality. New York, HarperCollins.
Death and immortality are the interlocking themes of the author's first novel since his 1984 bestseller, The Unbearable Lightness of Being. Kundera, himself a prominent character in the circular narrative, here contrasts the troubled, comic relationships among Goethe; his wife, Christiane; and Goethe's much younger friend Bettina von Arnim to the modern-day triangle of three imaginary Parisians: Paul; his wife, Agnes; and Agnes's sister Laura. In response to her father's death, Agnes confronts her own life and discovers that while her marriage has been happy, she has never known passion; Laura, a divorcee, has never experienced the love that goes beyond sex. The object of both sisters' affections is Paul and it becomes clear that their struggle over him will result in a victor and a loser. Kundera offers brilliant meditations on late-20th-century life, but the novel, combining essays, narrative and biographical material, lacks the dramatic tension of his earlier works. Nevertheless his astute observations on topics ranging from the media to Ernest Hemingway in themselves render this work interesting and significant.
Kuper, Peter and Seth Tobocman (2014). World War 3 Illustrated: 1979-2014. Oakland, PM Press.
Founded in 1979 by Seth Tobocman and Peter Kuper, World War 3 Illustrated is a collective of first-time and professional artists who use confrontational comics to shine a little reality on the fantasy world of the American kleptocracy. This full-color retrospective exhibition is arranged thematically, and includes topic of housing rights, feminism, the environment, religion, police brutality, globalization, and depictions of conflicts from the Middle East to the Midwest. World War 3 Illustrated also illuminates the war we wage on each other -- and sometimes the one taking place in our own minds. Contributors include Sue Coe, Eric Drooker, Fly, Sandy Jimenez, Sabrina Jones, Peter Kuper, Mac McGill, Kevin Pyle, Spain Rodriguez, Nicole Schulman, Seth Tobocman, Susan Willmarth, and dozens more.
Kupers, Terry Allen (2017). Solitary: The inside Story of Supermax Isolation and How We Can Abolish It. Oakland, Calif., University of California Press.
Terry Kupers is a genuine hero in the fight to bring an end to the torture of solitary confinement. His work has given him a nearly unparalleled understanding of how solitary confinement operates on the ground and how it destroys the minds and wrecks the lives of those condemned to live in concrete boxes for years or even decades. His book is an impassioned, informed, down-to-earth, and highly readable account of all he has learned over the years, full of the real stories of people in solitary, insights of other experts, and concrete ideas for how prison officials, advocates, and mental health professionals can work together to end this human rights crisis in our midst. —James Ridgeway
Kurzweil, Ray (1990). The Age of Intelligent Machines. Cambridge, Mass., MIT Press.
Raymond Kurzweil probes the past, present, and future of artificial intelligence, from its earliest philosophical and mathematical roots to tantalizing glimpses of 21st-century machines with superior intelligence and truly prodigious speed and memory.
Kushner, Rachel (2013). The Flamethrowers: A Novel. New York, Scribner.
The riveting story of a young artist and the worlds she encounters in New York and Rome in the mid-1970s.
The year is 1975 and Reno-so-called because of the place of her birth-has come to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity in the art world-artists have colonized a deserted and industrial SoHo, are staging actions in the East Village, and are blurring the line between life and art. Reno meets a group of dreamers and raconteurs who submit her to a sentimental education of sorts. Ardent, vulnerable, and bold, she begins an affair with an artist named Sandro Valera, the semi-estranged scion of an Italian tire and motorcycle empire. When they visit Sandro's family home in Italy, Reno falls in with members of the radical movement that overtook Italy in the seventies. Betrayal sends her reeling into a clandestine undertow.
The Flamethrowers is an intensely engaging exploration of the mystique of the feminine, the fake, the terrorist. At its center is Kushner's brilliantly realized protagonist, a young woman on the verge. Thrilling and fearless, this is a major American novel from a writer of spectacular talent and imagination.
Kushner, Rachel (2008). Telex from Cuba: A Novel. New York, Scribner.
Rachel Kushner has written an astonishingly wise, ambitious, and riveting novel set in the American community in Cuba during the years leading up to Castro's revolution -- a place that was a paradise for a time and for a few. The first novel to tell the story of the Americans who were driven out in 1958, this is a masterful debut.
Young Everly Lederer and K. C. Stites come of age in Oriente Province, where the Americans tend their own fiefdom -- three hundred thousand acres of United Fruit Company sugarcane that surround their gated enclave. If the rural tropics are a child's dreamworld, Everly and K.C. nevertheless have keen eyes for the indulgences and betrayals of the grown-ups around them -- the mordant drinking and illicit loves, the race hierarchies and violence.
In Havana, a thousand kilometers and a world away from the American colony, a cabaret dancer meets a French agitator named Christian de La Mazière, whose seductive demeanor can't mask his shameful past. Together they become enmeshed in the brewing political underground. When Fidel and Raúl Castro lead a revolt from the mountains above the cane plantation, torching the sugar and kidnapping a boat full of "yanqui" revelers, K.C. and Everly begin to discover the brutality that keeps the colony humming. Though their parents remain blissfully untouched by the forces of history, the children hear the whispers of what is to come.
Kuzmarov, Jeremy and John Marciano (2018). The Russians Are Coming, Again: The First Cold War as Tragedy, the Second as Farce. New York, Monthly Review Press.
Kuzmarov and Marciano's book is timely and trenchant. The authors argue that the Democrats’ strategy, backed by the corporate media, of demonizing Russia and Putin in order to challenge Trump is not only dangerous, but also, based on the evidence so far, unjustified, misguided, and a major distraction. Grounding their argument in all-but-forgotten U.S.-Russian history, such as the 1918-20 Allied invasion of Soviet Russia, the book delivers a panoramic narrative of the First Cold War, showing it as an all-too-avoidable catastrophe run by the imperatives of class rule and political witch-hunts. The distortion of public memory surrounding the First Cold War has set the groundwork for the New Cold War, which the book explains is a key feature, skewing the nation’s politics yet again. This is an important, necessary book, one that, by including accounts of the wisdom and courage of the First Cold War's victims and dissidents, will inspire a fresh generation of radicals in today's new, dangerously farcical times.
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