1. Hungarian Dances (21) for Orchestra, WoO 1 by Johannes Brahms
Conductor: Claudio Abbado
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1868-1880; Austria
2. Quartet for Strings no 7 in F major, Op. 59 no 1 "Razumovsky" by Ludwig van Beethoven
Orchestra/Ensemble: Amadeus String Quartet
Written: 1805-6
3. Quartet for Strings no 14 in C sharp minor, Op. 131 by Ludwig van Beethoven
Conductor: Daniel Barenboim
Orchestra/Ensemble: Orchestre de Paris
Written: 1826
4. Boléro by Maurice Ravel
Conductor: Daniel Barenboim
Orchestra/Ensemble: Orchestre de Paris
Period: 20th Century
Written: 1928; France
5. Pavane pour une infante défunte by Maurice Ravel
Conductor: Daniel Barenboim
Orchestra/Ensemble: Orchestre de Paris
Period: 20th Century
Written: 1899; France
6. La valse by Maurice Ravel
Conductor: Daniel Barenboim
Orchestra/Ensemble: Orchestre de Paris
Period: 20th Century
Written: 1920; France
7. Daphnis et Chloé Suite no 2 by Maurice Ravel
Conductor: Daniel Barenboim
Orchestra/Ensemble: Orchestre de Paris
Period: 20th Century
Written: 1913; France
8. Symphony no 4 in A major, Op. 90 "Italian" by Felix Mendelssohn
Conductor: Lorin Maazel
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1833; Germany
9. Symphony no 5 in D major, Op. 107 "Reformation" by Felix Mendelssohn
Conductor: Lorin Maazel
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1832; Germany
10. Concerto for Violin in D major, Op. 35 by Peter Ilyich Tchaikovsky
Performer: David Oistrakh (Violin)
Conductor: Franz Konwitschny
Period: Romantic
Written: 1878; Russia
11. Etudes-Caprices (8) for 2 Violins, Op. 18: no 2 in E flat major by Henri Wieniawski
Performer: David Oistrakh (Violin), Igor Oistrakh (Violin)
Orchestra/Ensemble: Dresden Staatskapelle
Period: Romantic
Written: 1863; St. Petersburg, Russia
12. Etudes-Caprices (8) for 2 Violins, Op. 18: no 4 in A minor by Henri Wieniawski
Performer: David Oistrakh (Violin), Igor Oistrakh (Violin)
Period: Romantic
Written: 1863; St. Petersburg, Russia
13. Etudes-Caprices (8) for 2 Violins, Op. 18: no 5 in E flat major by Henri Wieniawski
Performer: David Oistrakh (Violin), Igor Oistrakh (Violin)
Period: Romantic
Written: 1863; St. Petersburg, Russia
14. Navarra for 2 Violins and Piano, Op. 33 by Pablo de Sarasate
Performer: David Oistrakh (Violin), Igor Oistrakh (Violin)
Conductor: Franz Konwitschny
Orchestra/Ensemble: Leipzig Gewandhaus Orchestra
Period: Romantic
Written: 1899
15. Concerto for Piano no 2 in C minor, Op. 18 by Sergei Rachmaninov
Performer: Sviatoslav Richter (Piano)
Orchestra/Ensemble: Warsaw National Philharmonic Orchestra
Period: Romantic
Written: Russia
16. Preludes (13) for Piano, Op. 32: no 1 in C major, Allegro vivace by Sergei Rachmaninov
Performer: Sviatoslav Richter (Piano)
Period: Romantic
Written: 1910; Russia
17. Preludes (13) for Piano, Op. 32: no 2 in B flat minor, Allegretto by Sergei Rachmaninov
Performer: Sviatoslav Richter (Piano)
Period: Romantic
Written: 1910; Russia
18. Preludes (10) for Piano, Op. 23: no 2 in B flat major, Maestoso by Sergei Rachmaninov
Performer: Sviatoslav Richter (Piano)
Period: Romantic
Written: 1901-1903; Russia
19. Preludes (10) for Piano, Op. 23: no 4 in D major, Andante cantabile by Sergei Rachmaninov
Performer: Sviatoslav Richter (Piano)
Period: Romantic
Written: 1903; Russia
20. Preludes (10) for Piano, Op. 23: no 5 in G minor, Alla marcia by Sergei Rachmaninov
Performer: Sviatoslav Richter (Piano)
Period: Romantic
Written: 1901; Russia
21. Preludes (10) for Piano, Op. 23: no 7 in C minor, Allegro by Sergei Rachmaninov
Performer: Sviatoslav Richter (Piano)
Period: Romantic
Written: 1901-1903; Russia
22. Preludes (24) for Piano, Op. 28 by Frédéric Chopin
Performer: Martha Argerich (Piano)
Period: Romantic
Written: 1836-1839; Paris, France
23. Prelude for Piano in C sharp minor, B 141/Op. 45 by Frédéric Chopin
Performer: Martha Argerich (Piano)
Period: Romantic
Written: 1841; Paris, France
24. Prelude for Piano in A flat major, B 86 by Frédéric Chopin
Performer: Martha Argerich (Piano)
Period: Romantic
Written: 1834; Paris, France
25. Sonata for Piano no 2 in B flat minor, B 128/Op. 35 "Funeral March" by Frédéric Chopin
Performer: Martha Argerich (Piano)
Period: Romantic
Written: 1837-1839; Paris, France
26. Préludes, Book 1 by Claude Debussy
Performer: Arturo Benedetti Michelangeli (Piano)
Period: 20th Century
Written: 1909-1910; France
27. Images for Piano, Set 1 by Claude Debussy
Performer: Arturo Benedetti Michelangeli (Piano)
Period: 20th Century
Written: 1905; France
28. Images for Piano, Set 2 by Claude Debussy
Performer: Arturo Benedetti Michelangeli (Piano)
Period: 20th Century
Written: 1907; France
29. West Side Story by Leonard Bernstein
Performer: Marilyn Horne (Mezzo Soprano), Louise Edeiken (Soprano), José Carreras (Tenor),
Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Spoken Vocals), Angelina Réaux (Soprano),
Stella Zambalis (Soprano), David Livingston (Voice), Marty Nelson (Voice),
Stephen Bogardus (Voice), Alexander Bernstein (Spoken Vocals), Kurt Ollmann (Baritone),
Tatiana Troyanos (Mezzo Soprano), Peter Thom (Voice), Tod Lester (Voice),
Richard Harrell (Voice)
Conductor: Leonard Bernstein
Orchestra/Ensemble: Orchestra, Chorus
Period: 20th Century
Written: 1957; USA
Date of Recording: 09/1984
Venue: RCA Studio A, New York, NYv
Length: 76 Minutes 36 Secs.
Language: English
30. Requiem in D minor, K 626 by Wolfgang Amadeus Mozart
Performer: Julia Hamari (Alto), Karl Ridderbusch (Bass), Edith Mathis (Soprano),
Wieslaw Ochman (Tenor)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna Philharmonic Orchestra, Vienna State Opera Concert Choir
Period: Classical
Written: 1791; Vienna, Austria
Date of Recording: 1971
Length: 64 Minutes 26 Secs.
Language: Latin
31. Pétrouchka by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: Switzerland
Date of Recording: 03/1991
Venue: Masonic Auditorium, Cleveland
Length: 34 Minutes 58 Secs.
32. Le sacre du printemps by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1911-1913
Date of Recording: 03/1991
Venue: Masonic Auditorium, Cleveland
Length: 33 Minutes 29 Secs.
33. Concerto for Violin in C major, RV 190 by Antonio Vivaldi
Performer: Giuliano Carmignola (Violin)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: Venice, Italy
Date of Recording: 01/2006
Venue: Gustav Mahler Hall, Toblach, Italy
Length: 14 Minutes 3 Secs.
34. Concerto for Violin in D major, RV 217 by Antonio Vivaldi
Performer: Giuliano Carmignola (Violin)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: Venice, Italy
Date of Recording: 01/2006
Venue: Gustav Mahler Hall, Toblach, Italy
Length: 12 Minutes 29 Secs.
35. Concerto for Violin in G minor, RV 331 by Antonio Vivaldi
Performer: Giuliano Carmignola (Violin)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Date of Recording: 01/2006
Venue: Gustav Mahler Hall, Toblach, Italy
Length: 12 Minutes 57 Secs.
36. Concerto for Violin in G minor, RV 325 by Antonio Vivaldi
Performer: Giuliano Carmignola (Violin)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: Venice, Italy
Date of Recording: 01/2006
Venue: Gustav Mahler Hall, Toblach, Italy
Length: 7 Minutes 32 Secs.
37. Concerto for Violin in G major, RV 303 by Antonio Vivaldi
Performer: Giuliano Carmignola (Violin)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: Venice, Italy
Date of Recording: 01/2006
Venue: Gustav Mahler Hall, Toblach, Italy
Length: 12 Minutes 20 Secs.
38. L'Elisir d'Amore: Una furtiva lagrima by Gaetano Donizetti
Performer: Placido Domingo (Tenor)
Conductor: Carlo Maria Giulini
Orchestra/Ensemble: Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1832; Italy
Language: Italian
39. Lucia di Lammermoor: Fra poco a me ricovero by Gaetano Donizetti
Performer: Placido Domingo (Tenor)
Conductor: Carlo Maria Giulini
Orchestra/Ensemble: Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1835; Italy
Language: Italian
40. Ernani: Mercè, diletti amici...Come rugiada al cospite by Giuseppe Verdi
Performer: Placido Domingo (Tenor)
Conductor: Carlo Maria Giulini
Orchestra/Ensemble: Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1844; Italy
Language: Italian
41. Il trovatore: Ah si, ben mio...Di quella pira by Giuseppe Verdi
Performer: Placido Domingo (Tenor)
Conductor: Carlo Maria Giulini
Orchestra/Ensemble: Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1853; Italy
Language: Italian
42. La juive: Rachel, quand du Seigneur by Jacques Halévy
Performer: Placido Domingo (Tenor)
Conductor: Carlo Maria Giulini
Orchestra/Ensemble: Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1835; Paris, France
Language: French
43. L'Africaine: O paradis sorti de l'onde by Giacomo Meyerbeer
Performer: Placido Domingo (Tenor)
Conductor: Carlo Maria Giulini
Orchestra/Ensemble: Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1865; Germany
Language: French
44. Les pêcheurs de perles: Je crois entendre encore by Georges Bizet
Performer: Placido Domingo (Tenor)
Conductor: Carlo Maria Giulini
Orchestra/Ensemble: Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1863; France
Language: French
45. Carmen: La fleur que tu m'avais jetée "Flower song" by Georges Bizet
Performer: Placido Domingo (Tenor)
Conductor: Carlo Maria Giulini
Orchestra/Ensemble: Roger Wagner Chorale, Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1873-1874; France
Language: German
46. Aida: Celeste Aida by Giuseppe Verdi
Performer: Placido Domingo (Tenor)
Conductor: Carlo Maria Giulini
Orchestra/Ensemble: Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1871; Italy
Language: Italian
47. Symphony no 5 in C sharp minor by Gustav Mahler
Conductor: Gustavo Dudamel
Orchestra/Ensemble: Simon Bolivar Youth Orchestra of Venezuela
Period: Romantic
Written: 1901-1902; Vienna, Austria
Date of Recording: 02/2006
Venue: Aula Magna, Caracas, Venezuela
Length: 69 Minutes 25 Secs.
48. Art of the Fugue, BWV 1080 by Johann Sebastian Bach
Performer: Philip Setzer (Violin), Eugene Drucker (Violin), Lawrence Dutton (Viola),
David Finckel (Cello)
Orchestra/Ensemble: Emerson String Quartet
Period: Baroque
Written: circa 1745-1750; Leipzig, Germany
Date of Recording: 2003
Venue: American Academy of Arts & Letters, NYC
Length: 80 Minutes 8 Secs.
49. Winterreise, D 911/Op. 89 by Franz Schubert
Performer: Dietrich Fischer-Dieskau (Baritone), Gerald Moore (Piano)
Period: Romantic
Written: 1827; Vienna, Austria
Language: German
50. Suite for Cello solo no 4 in E flat major, BWV 1010 by Johann Sebastian Bach
Performer: Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 25 Minutes 28 Secs.
51. Suite for Cello solo no 1 in G major, BWV 1007 by Johann Sebastian Bach
Performer: Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 18 Minutes 45 Secs.
52. Suite for Cello solo no 3 in C major, BWV 1009 by Johann Sebastian Bach
Performer: Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 23 Minutes 4 Secs.
53. Suite for Cello solo no 5 in C minor, BWV 1011 by Johann Sebastian Bach
Performer: Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 24 Minutes 51 Secs.
54. Suite for Cello solo no 6 in D major, BWV 1012 by Johann Sebastian Bach
Performer: Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 27 Minutes 3 Secs.
55. Suite for Cello solo no 2 in D minor, BWV 1008 by Johann Sebastian Bach
Performer: Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 19 Minutes 4 Secs.
56. Requiem Mass by Giuseppe Verdi
Performer: Maria Stader (Soprano), Marianna Radev (Alto), Helmut Krebs (Tenor),
Kim Borg (Bass)
Conductor: Ferenc Fricsay
Orchestra/Ensemble: Berlin RIAS Chamber Chorus, St. Hedwig's Cathedral Choir, Berlin RIAS Symphony Orchestra
Period: Romantic
Written: 1874; Italy
Date of Recording: 09/1953
Venue: Jesus Christus Kirche, Berlin
Length: 75 Minutes 28 Secs.
Language: Latin
57. Symphony no 4 in D minor, Op. 120 by Robert Schumann
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1851; Germany
Date of Recording: 05/14/1953
Venue: Live Jesus Christus Kirche, Berlin
Length: 30 Minutes 56 Secs.
58. Symphony no 88 in G major, H 1 no 88 by Franz Joseph Haydn
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Classical
Written: ?1787; Eszterhazá, Hungary
Date of Recording: 12/05/1951
Venue: Live Jesus Christus Kirche, Berlin
Length: 21 Minutes 4 Secs.
59. Vespro della Beata Vergine by Claudio Monteverdi
Performer: Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor),
Bryn Terfel (Bass), Sandro Naglia (Tenor), Nigel Robson (Tenor),
Alastair Miles (Bass), Ann Monoyios (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir, His Majesties Sagbutts and Cornetts
Period: Baroque
Written: by 1610; Mantua, Italy
Date of Recording: 05/1989
Venue: Live St Mark's Basilica, Venice
Length: 89 Minutes 7 Secs.
Language: Latin
60. Vespro della Beata Vergine: Magnificat a 7 by Claudio Monteverdi
Performer: Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor),
Nigel Robson (Tenor), Sandro Naglia (Tenor), Ann Monoyios (Soprano),
Bryn Terfel (Bass), Alastair Miles (Bass)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir, London Oratory Junior Choir
Period: Baroque
Written: by 1610; Mantua, Italy
Date of Recording: 07/1989
Venue: Live All Saints' Church, Tooting, London
Length: 18 Minutes 27 Secs.
Language: Latin
61. Sonata for Piano no 21 in C major, Op. 53 "Waldstein" by Ludwig van Beethoven
Performer: Emil Gilels (Piano)
Period: Classical
Written: 1803-1804; Vienna, Austria
62. Sonata for Piano no 26 in E flat major, Op. 81a "Les Adieux" by Ludwig van Beethoven
Performer: Emil Gilels (Piano)
Period: Classical
Written: 1809-1810; Vienna, Austria
63. Sonata for Piano no 23 in F minor, Op. 57 "Appassionata" by Ludwig van Beethoven
Performer: Emil Gilels (Piano)
Period: Classical
Written: 1804-1805; Vienna, Austria
64. Canon and Gigue for 3 Violins and Basso Continuo in D major by Johann Pachelbel
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: Germany
Date of Recording: 1983
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 4 Minutes 42 Secs.
65. Trio Sonata for 2 Violins and Basso Continuo in D minor, Op. 1 no 12/RV 63 "La Follia" by Antonio Vivaldi
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1705; Venice, Italy
Date of Recording: 1982
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 8 Minutes 45 Secs.
66. Trio Sonatas (7) for 2 Violins and Basso Continuo, Op. 5: no 4 in G major, HWV 399 by George Frideric Handel
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: circa 1737-1738; London, England
Date of Recording: 1983
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 13 Minutes 1 Secs.
67. Suite for Orchestra no 2 in B minor, BWV 1067 by Johann Sebastian Bach
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1738-1739; Leipzig, Germany
Date of Recording: 1982
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 22 Minutes 8 Secs.
68. Fantasia on an Ostinato by John Corigliano
Performer: Hélène Grimaud (Piano)
Period: 20th Century
Written: 1985; USA
Date of Recording: 09/2003
Venue: Sveriges Radio, Stockholm, Sweden
Length: 12 Minutes 4 Secs.
69. Sonata for Piano no 17 in D minor, Op. 31 no 2 "Tempest" by Ludwig van Beethoven
Performer: Hélène Grimaud (Piano)
Period: Classical
Written: 1802; Vienna, Austria
Date of Recording: 09/2003
Venue: Sveriges Radio, Stockholm, Sweden
Length: 21 Minutes 58 Secs.
70. Fantasia in C minor, Op. 80 "Choral Fantasy" by Ludwig van Beethoven
Performer: Hélène Grimaud (Piano)
Conductor: Esa-Pekka Salonen
Orchestra/Ensemble: Swedish Radio Symphony Orchestra, Swedish Radio Chorus
Period: Classical
Written: 1808; Vienna, Austria
Date of Recording: 09/2003
Venue: Sveriges Radio, Stockholm, Sweden
Length: 19 Minutes 3 Secs.
Language: German
71. Credo by Arvo Pärt
Performer: Hélène Grimaud (Piano)
Conductor: Esa-Pekka Salonen
Orchestra/Ensemble: Swedish Radio Symphony Orchestra, Swedish Radio Chorus
Period: 20th Century
Written: 1968; Estonia
Date of Recording: 09/2003
Venue: Live Sveriges Radio, Stockholm, Sweden
Length: 15 Minutes 16 Secs.
Language: Latin
72. Concerto for Violin no 2 in E major, BWV 1042 by Johann Sebastian Bach
Performer: Hilary Hahn (Violin)
Conductor: Jeffrey Kahane
Orchestra/Ensemble: Los Angeles Chamber Orchestra
Period: Baroque
Written: 1717-1723; Cöthen, Germany
Date of Recording: 10/2002
Venue: Colburn School of Performing Arts, CA
Length: 16 Minutes 29 Secs.
73. Concerto for 2 Violins in D minor, BWV 1043 by Johann Sebastian Bach
Performer: Margaret Batjer (Violin), Hilary Hahn (Violin)
Conductor: Jeffrey Kahane
Orchestra/Ensemble: Los Angeles Chamber Orchestra
Period: Baroque
Written: 1717-1723; Cöthen, Germany
Date of Recording: 10/2002
Venue: Colburn School of Performing Arts, CA
Length: 14 Minutes 18 Secs.
74. Concerto for Violin no 1 in A minor, BWV 1041 by Johann Sebastian Bach
Performer: Hilary Hahn (Violin)
Conductor: Jeffrey Kahane
Orchestra/Ensemble: Los Angeles Chamber Orchestra
Period: Baroque
Written: 1717-1723; Cöthen, Germany
Date of Recording: 01/2003
Venue: Colburn School of Performing Arts, CA
Length: 13 Minutes 29 Secs.
75. Concerto for Oboe and Violin in C minor, BWV 1060 by Johann Sebastian Bach
Performer: Allan Vogel (Oboe), Hilary Hahn (Violin)
Conductor: Jeffrey Kahane
Orchestra/Ensemble: Los Angeles Chamber Orchestra
Period: Baroque
Date of Recording: 01/2003
Venue: Colburn School of Performing Arts, CA
Length: 13 Minutes 6 Secs.
76. Sonata for Harpsichord in E major, K 380/L 23 by Domenico Scarlatti
Performer: Vladimir Horowitz (Piano)
Period: Baroque
Written: 18th Century
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 4 Minutes 0 Secs.
77. Sonata for Piano no 10 in C major, K 330 (300h) by Wolfgang Amadeus Mozart
Performer: Vladimir Horowitz (Piano)
Period: Classical
Written: 1781-1783
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 17 Minutes 0 Secs.
78. Preludes (13) for Piano, Op. 32: no 5 in G major, Moderato by Sergei Rachmaninov
Performer: Vladimir Horowitz (Piano)
Period: Romantic
Written: 1910; Russia
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 2 Minutes 49 Secs.
79. Preludes (13) for Piano, Op. 32: no 12 in G sharp minor, Allegro by Sergei Rachmaninov
Performer: Vladimir Horowitz (Piano)
Period: Romantic
Written: 1910; Russia
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 2 Minutes 33 Secs.
80. Etudes (12) for Piano, Op. 8: no 12 in D sharp minor by Alexander Scriabin
Performer: Vladimir Horowitz (Piano)
Period: 20th Century
Written: 1894; Russia
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 2 Minutes 9 Secs.
81. Pieces (3) for Piano, Op. 2: no 1, Etude in C sharp minor by Alexander Scriabin
Performer: Vladimir Horowitz (Piano)
Period: 20th Century
Written: 1887-1889; Russia
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 2 Minutes 39 Secs.
82. Années de pèlerinage, deuxième année, S 161 "Italie": no 5, Sonetto 104 del Petrarca by Franz Liszt
Performer: Vladimir Horowitz (Piano)
Period: Romantic
Written: 1837-1849; Weimar, Germany
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 5 Minutes 33 Secs.
83. Soirées de Vienne (9) after Schubert, S 427: no 6 by Franz Liszt
Performer: Vladimir Horowitz (Piano)
Period: Romantic
Written: 1852; Weimar, Germany
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 6 Minutes 33 Secs.
84. Mazurkas (5) for Piano, B 61/Op. 7: no 3 in F minor by Frédéric Chopin
Performer: Vladimir Horowitz (Piano)
Period: Romantic
Written: 1831; Vienna, Austria
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 2 Minutes 15 Secs.
85. Mazurkas (4) for Piano, B 105/Op. 30: no 4 in C sharp minor by Frédéric Chopin
Performer: Vladimir Horowitz (Piano)
Period: Romantic
Written: 1836-1837; Paris, France
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 3 Minutes 33 Secs.
86. Kinderszenen, Op. 15: no 7, Träumerei by Robert Schumann
Performer: Vladimir Horowitz (Piano)
Period: Romantic
Written: 1838; Germany
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 2 Minutes 24 Secs.
87. Characteristic Pieces (8), Op. 36: no 6, Etincelles by Moritz Moszkowski
Performer: Vladimir Horowitz (Piano)
Period: Romantic
Written: Germany
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 2 Minutes 38 Secs.
88. Lachtäubchen (Behr) "Polka de W.R." by Sergei Rachmaninov
Performer: Vladimir Horowitz (Piano)
Period: Romantic
Written: 1911
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 4 Minutes 4 Secs.
89. Carmina burana by Carl Orff
Performer: Gundula Janowitz (Soprano), Gerhard Stolze (Tenor), Dietrich Fischer-Dieskau (Baritone)
Conductor: Eugen Jochum
Orchestra/Ensemble: Schöneberg Boys Choir, Berlin Deutsche Oper Chorus, Berlin Deutsche Oper Orchestra
Period: 20th Century
Written: 1936; Germany
Date of Recording: 10/1967
Venue: UFA-Studio, Berlin, Germany
Length: 56 Minutes 15 Secs.
Language: Latin
90. Symphony no 9 in D minor, Op. 125 "Choral" by Ludwig van Beethoven
Performer: Walter Berry (Bass Baritone), Gundula Janowitz (Soprano), Hilde Rössl-Majdan (Mezzo Soprano),
Waldemar Kmentt (Tenor)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra, Vienna Singverein
Period: Classical
Written: 1822-1824; Vienna, Austria
Date of Recording: 1962
Venue: Jesus Christus Kirche, Berlin
Length: 66 Minutes 47 Secs.
Language: German
91. Coriolan Overture in C minor, Op. 62 by Ludwig van Beethoven
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Classical
Written: 1807; Vienna, Austria
Date of Recording: 09/1965
Venue: Jesus Christus Kirche, Berlin
Length: 9 Minutes 0 Secs.
92. Concerto for Piano no 4 in G major, Op. 58 by Ludwig van Beethoven
Performer: Wilhelm Kempff (Piano)
Conductor: Ferdinand Leitner
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Classical
Written: 1806; Vienna, Austria
Date of Recording: 07/1961
Venue: UFA-Studio, Berlin, Germany
Length: 32 Minutes 34 Secs.
93. Concerto for Piano no 5 in E flat major, Op. 73 "Emperor" by Ludwig van Beethoven
Performer: Wilhelm Kempff (Piano)
Conductor: Ferdinand Leitner
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Classical
Written: 1809; Vienna, Austria
Date of Recording: 07/1961
Venue: UFA-Studio, Berlin, Germany
Length: 38 Minutes 26 Secs.
94. Symphony no 5 in C minor, Op. 67 by Ludwig van Beethoven
Conductor: Carlos Kleiber
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Classical
Written: 1807-1808; Vienna, Austria
Date of Recording: 1974
Venue: Musikverein, Vienna, Austria
Length: 33 Minutes 22 Secs.
95. Symphony no 7 in A major, Op. 92 by Ludwig van Beethoven
Conductor: Carlos Kleiber
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Classical
Written: 1811-1812; Vienna, Austria
Venue: Musikverein, Vienna, Austria
Length: 38 Minutes 36 Secs.
96. Alcina, HWV 34: Ah! mio cor! schemito sei! by George Frideric Handel
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: 1735; London, England
97. Agrippina, HWV 6: Excerpt(s) by George Frideric Handel
Performer: Magdalena Kozená (Mezzo soprano)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: 1709; Italy
98. Giulio Cesare, HWV 17: Cara speme, questo core by George Frideric Handel
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: 1724; London, England
99. Joshua, HWV 64: O had I Jubal's lyre by George Frideric Handel
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: 1748; London, England
100. Ariodante, HWV 33: Scherza infida, in grembo al drudo by George Frideric Handel
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: 1734-1735; London, England
101. Amadigi di Gaula, HWV 11: Desterò dall' empia Dite by George Frideric Handel
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: by 1715; London, England
102. Ariodante, HWV 33: Dopo notte by George Frideric Handel
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: 1734-1735; London, England
103. Rinaldo, HWV 7: Armida dispietata...Lascia ch'io pianga mia cruda sorte by George Frideric Handel
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: by 1711; London, England
104. Hercules, HWV 60: Where shall I fly? by George Frideric Handel
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: 1744; London, England
105. Agrippina, HWV 6: Pensieri, voi mi tormente by George Frideric Handel
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: 1709; Venice, Italy
106. Theodora, HWV 68: With Darkness deep by George Frideric Handel
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: 1749-1750; London, England
107. Orlando, HWV 31: Ah! Stigie larve!...Vaghe pupille by George Frideric Handel
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Andrea Marcon
Orchestra/Ensemble: Venice Baroque Orchestra
Period: Baroque
Written: by 1733; London, England
108. Symphony no 8 in G major, Op. 88/B 163 by Antonín Dvorák
Conductor: Rafael Kubelik
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1889; Bohemia
Date of Recording: 06/1966
Venue: Jesus Christus Kirche, Berlin
Length: 35 Minutes 44 Secs.
109. Symphony no 9 in E minor, Op. 95/B 178 "From the New World" by Antonín Dvorák
Conductor: Rafael Kubelik
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1893; USA
Date of Recording: 06/1972
Venue: Jesus Christus Kirche, Berlin
Length: 42 Minutes 35 Secs.
110. Concerto for Piano no 1 in B flat minor, Op. 23 by Peter Ilyich Tchaikovsky
Performer: Lang Lang (Piano)
Conductor: Daniel Barenboim
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: Romantic
Written: Russia
Date of Recording: 02/2003
Venue: Orchestra Hall, Chicago, Illinois
Length: 38 Minutes 25 Secs.
111. Concerto for Piano no 1 in G minor, Op. 25 by Felix Mendelssohn
Performer: Lang Lang (Piano)
Conductor: Daniel Barenboim
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: Romantic
Written: 1831; Germany
Date of Recording: 02/2003
Venue: Orchestra Hall, Chicago, Illinois
Length: 20 Minutes 50 Secs.
112. Carnival of the animals: no 13, The swan by Camille Saint-Saëns
Performer: Mischa Maisky (Cello)
Conductor: Semyon Bychkov
Orchestra/Ensemble: Orchestre de Paris
Period: Romantic
Written: 1886; France
Date of Recording: 06/1991
Venue: Salle Wagram, Paris
Length: 3 Minutes 57 Secs.
113. Elégie for Cello and Orchestra, Op. 24 by Gabriel Fauré
Performer: Mischa Maisky (Cello)
Conductor: Semyon Bychkov
Orchestra/Ensemble: Orchestre de Paris
Period: Romantic
Written: 1901; France
Date of Recording: 06/1991
Venue: Salle Wagram, Paris
Length: 6 Minutes 26 Secs.
114. Adagio con variazioni for Cello and Orchestra by Ottorino Respighi
Performer: Mischa Maisky (Cello)
Conductor: Semyon Bychkov
Orchestra/Ensemble: Orchestre de Paris
Period: 20th Century
Written: 1920; Rome, Italy
Date of Recording: 06/1991
Venue: Salle Wagram, Paris
Length: 12 Minutes 54 Secs.
115. From the Bohemian forest, Op. 68/B 133: no 5, Silent Woods by Antonín Dvorák
Performer: Mischa Maisky (Cello)
Conductor: Semyon Bychkov
Orchestra/Ensemble: Orchestre de Paris
Period: Romantic
Written: Bohemia
Date of Recording: 06/1991
Venue: Salle Wagram, Paris
Length: 6 Minutes 8 Secs.
116. Chant du ménestrel for Cello and Orchestra, Op. 71 by Alexander Glazunov
Performer: Mischa Maisky (Cello)
Conductor: Semyon Bychkov
Orchestra/Ensemble: Orchestre de Paris
Period: Romantic
Written: 1900; Russia
Date of Recording: 06/1991
Venue: Salle Wagram, Paris
Length: 4 Minutes 29 Secs.
117. Nocturne for Cello and small Orchestra in D minor, Op. 19 no 4 by Peter Ilyich Tchaikovsky
Performer: Mischa Maisky (Cello)
Conductor: Semyon Bychkov
Orchestra/Ensemble: Orchestre de Paris
Period: Romantic
Written: 1873; Russia
Date of Recording: 06/1991
Venue: Salle Wagram, Paris
Length: 4 Minutes 40 Secs.
118. Kol Nidrei for Cello and Orchestra, Op. 47 by Max Bruch
Performer: Mischa Maisky (Cello)
Conductor: Semyon Bychkov
Orchestra/Ensemble: Orchestre de Paris
Period: Romantic
Written: 1881; Liverpool, England
Date of Recording: 06/1991
Venue: Salle Wagram, Paris
Length: 10 Minutes 49 Secs.
119. Romance for Cello and Orchestra in F major, AV 75 by Richard Strauss
Performer: Mischa Maisky (Cello)
Conductor: Semyon Bychkov
Orchestra/Ensemble: Orchestre de Paris
Period: Romantic
Written: 1883; Germany
Date of Recording: 06/1991
Venue: Salle Wagram, Paris
Length: 12 Minutes 45 Secs.
120. Concerto for Violin no 1 in C major, H 7a no 1: 2nd movement, Adagio by Franz Joseph Haydn
Performer: Mischa Maisky (Cello)
Conductor: Semyon Bychkov
Orchestra/Ensemble: Orchestre de Paris
Period: Classical
Written: by 1769
Date of Recording: 06/1991
Venue: Salle Wagram, Paris
Length: 6 Minutes 11 Secs.
121. Symphonie fantastique, Op. 14 by Hector Berlioz
Conductor: Igor Markevitch
Orchestra/Ensemble: Lamoureux Concerts Association Orchestra
Period: Romantic
Written: 1830; France
Date of Recording: 01/1961
Venue: Salle de la Mutualité, Paris
Length: 52 Minutes 12 Secs.
122. Anacréon: Overture by Luigi Cherubini
Conductor: Igor Markevitch
Orchestra/Ensemble: Lamoureux Concerts Association Orchestra
Period: Classical
Written: 1803; France
Date of Recording: 01/1961
Venue: Salle de la Mutualité, Paris
Length: 9 Minutes 44 Secs.
123. La muette de Portici: Overture by Daniel-François Auber
Conductor: Igor Markevitch
Orchestra/Ensemble: Lamoureux Concerts Association Orchestra
Period: Romantic
Written: 1828; France
Date of Recording: 01/1961
Venue: Salle de la Mutualité, Paris
Length: 8 Minutes 18 Secs.
124. Christum wir sollen loben schon by Martin Luther
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: 16th Century; Germany
Language: German
125. Praeambulum for Organ by Anonymous
Performer: Timothy Roberts (Organ)
126. Wir gläuben all an einen Gott by Martin Luther
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: 16th Century; Germany
127. Resonet in laudibus by Anonymous
Performer: Timothy Roberts (Organ)
Period: Renaissance
Written: circa 1470
128. Wie schön leuchtet der Morgenstern by Samuel Scheidt
Performer: Timothy Roberts (Organ)
Period: Baroque
Written: by 1650; Germany
129. Banchetto musicale: Canzon a 5 in A minor by Johann Hermann Schein
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Players
Period: Baroque
Written: 1609; Leipzig, Germany
130. Puer natus in Bethlehem by Michael Praetorius
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players, Roskilde Cathedral Boys' Choir
Period: Renaissance
Written: by 1619; Germany
Language: Latin
131. Polyhymnia caduceatrix et panegyrica: Missa gantz Teudsch - Kyrie by Michael Praetorius
Performer: Sarah Pendlebury (Soprano), Tessa Bonner (Soprano), Tom Phillips (Tenor),
Angus Smith (Tenor)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: by 1619; Germany
Language: German
132. Polyhymnia caduceatrix et panegyrica: Missa gantz Teudsch - Gloria by Michael Praetorius
Performer: Tessa Bonner (Soprano), Robert Horn (Tenor), Angus Smith (Tenor),
Sarah Pendlebury (Soprano), Tom Phillips (Tenor), Simon Grant (Bass),
Julian Podger (Tenor), Stephen Charlesworth (Bass)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: by 1619; Germany
Language: German
133. Musae Sioniae, Book 8: Der Herr sei mit euch by Michael Praetorius
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: by 1612; Germany
Language: German
134. So schreibt der heilig Propheten Jesajas by Michael Praetorius
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: Germany
Language: German
135. Musae Sioniae, Book 5: Vom Himmel hoch da komm ich her by Michael Praetorius
Performer: Simon Grant (Bass), Donald Greig (Baritone)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players, Roskilde Cathedral Boys' Choir
Period: Renaissance
Written: by 1607; Germany
Language: German
136. So schreibt der heilige Lukas by Michael Praetorius
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: Germany
Language: German
137. Quem pastores by Michael Praetorius
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players, Roskilde Cathedral Boys' Choir
Period: Renaissance
Written: Germany
Language: Latin
138. Vater unser im Himmelreich by Michael Praetorius
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: by 1612; Germany
Language: German
139. Polyhymnia caduceatrix et panegyrica: Jesaja dem Propheten das geschah by Michael Praetorius
Performer: Susan Hemington Jones (Soprano), Angus Smith (Tenor), Constanze Backes (Soprano),
Sarah Pendlebury (Soprano), Donald Greig (Baritone), Mark Le Brocq (Tenor),
Simon Grant (Bass), Tessa Bonner (Soprano)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: by 1619; Germany
Language: German
140. Wie schön leuchtet der Morgenstern by Michael Praetorius
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: by 1619; Germany
Language: German
141. Musae Sioniae, Book 6: Uns ist ein Kindlein heut geborn by Michael Praetorius
Performer: Sarah Pendlebury (Soprano), Hannelore Devaere (Harp)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: by 1609; Germany
Language: German
142. Missodia Sionia: Der Herr segne dich und behüte dich by Michael Praetorius
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: by 1611; Germany
Language: German
143. Musae Sioniae, Book 6: Puer nobis nascitur by Michael Praetorius
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players, Roskilde Cathedral Boys' Choir
Period: Renaissance
Written: by 1609; Germany
Language: Latin
144. Nun lob, mein Seel, den Herren by Michael Praetorius
Performer: Timothy Roberts (Organ)
Period: Renaissance
145. In dulci jubilo by Michael Praetorius
Performer: Susan Hemington Jones (Soprano), Mark Le Brocq (Tenor), Tessa Bonner (Soprano)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players, Roskilde Cathedral Boys' Choir
Period: Renaissance
Written: by 1619; Germany
Language: Latin
146. Zaïs: Overture by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 5 Minutes 47 Secs.
147. Castor et Pollux: Scène funèbre by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1737; Paris, France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 3 Minutes 25 Secs.
148. Les fêtes d'Hébé: Air "Revenez tendre amant" by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1739; Paris, France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 1 Minutes 53 Secs.
149. Dardanus: Tambourins I and II by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1739/1744; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 1 Minutes 51 Secs.
150. Le temple de la gloire: Air tendre pour les Muses by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1745; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 4 Minutes 25 Secs.
151. Les Boréades: Contredanse en rondeau by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1764; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 3 Minutes 6 Secs.
152. La naissance d'Osiris: Air gracieux by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: by 1754; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 2 Minutes 19 Secs.
153. Platée: Orage by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1745; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 2 Minutes 32 Secs.
154. Les Boréades: Prélude by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1764; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 1 Minutes 19 Secs.
155. Nouvelles suites de pièces de clavecin: no 11, La poule by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: circa 1729-1730; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 4 Minutes 31 Secs.
156. Les fêtes d'Hébé: Musette en Rondeau by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1739; Paris, France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 3 Minutes 22 Secs.
157. Hippolyte et Aricie: Ritournelle by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1733; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 2 Minutes 9 Secs.
158. Les Indes galantes: Rondeau, Danse des sauvages by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1735/1761; France
159. Les Boréades: Entrée des Polymnie by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1764; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 6 Minutes 5 Secs.
160. Les Indes galantes: Chaconne by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1735/1761; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 6 Minutes 17 Secs.
161. Les Boréades: Gavotte pour les heures et les zéphirs by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1764; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 2 Minutes 44 Secs.
162. Naïs: Rigaudons I and II by Jean-Philippe Rameau
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: by 1749; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 2 Minutes 22 Secs.
163. Concerto for Violin in D major, Op. 77 by Johannes Brahms
Performer: Anne-Sophie Mutter (Violin)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1878; Austria
Date of Recording: 09/1981
Venue: Philharmonie, Berlin
Length: 40 Minutes 19 Secs.
164. Concerto for Violin and Cello in A minor, Op. 102 "Double" by Johannes Brahms
Performer: Anne-Sophie Mutter (Violin), Antonio Meneses (Cello)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1887; Austria
Date of Recording: 02/1983
Venue: Philharmonie, Berlin
Length: 34 Minutes 45 Secs.
165. Idomeneo, K 366: Padre, germani, addio by Wolfgang Amadeus Mozart
Performer: Anna Netrebko (Soprano)
Conductor: Gianandrea Noseda
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Classical
Written: 1781; Munich, Germany
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 7 Minutes 23 Secs.
Language: Italian
166. Don Giovanni, K 527: Crudele?...Non mi dir, bell' idol mio by Wolfgang Amadeus Mozart
Performer: Anna Netrebko (Soprano)
Conductor: Gianandrea Noseda
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Classical
Written: 1787; Prague, Czech Republic
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 6 Minutes 37 Secs.
Language: Italian
167. Benvenuto Cellini: Entre l'amour et le devoir by Hector Berlioz
Performer: Anna Netrebko (Soprano)
Conductor: Gianandrea Noseda
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1834-1837; France
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 7 Minutes 44 Secs.
Language: French
168. La sonnambula: Come per me sereno...Sovra il sen by Vincenzo Bellini
Performer: Anna Netrebko (Soprano)
Conductor: Gianandrea Noseda
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1831; Italy
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 7 Minutes 44 Secs.
Language: French
169. Manon: Obéissons quand leur voix appelle "Gavotte" by Jules Massenet
Performer: Anna Netrebko (Soprano)
Conductor: Gianandrea Noseda
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1883-1884; France
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 6 Minutes 35 Secs.
Language: French
170. Lucia di Lammermoor: Regnava nel silenzio by Gaetano Donizetti
Performer: Anna Netrebko (Soprano)
Conductor: Gianandrea Noseda
Orchestra/Ensemble: Vienna State Opera Chorus, Vienna Philharmonic Orchestra
Period: Romantic
Written: 1835; Italy
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 12 Minutes 42 Secs.
Language: Italian
171. Faust: Ah! je ris de me voir si belle "Jewel Song" by Charles Gounod
Performer: Anna Netrebko (Soprano)
Conductor: Gianandrea Noseda
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1859; France
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 6 Minutes 28 Secs.
Language: French
172. Rusalka, Op 114/B 203: O moon high up "Song to the moon" by Antonín Dvorák
Performer: Anna Netrebko (Soprano)
Conductor: Gianandrea Noseda
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1900; Bohemia
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 5 Minutes 7 Secs.
Language: Czech
173. La Bohème: Quando m'en vo' soletta "Musetta's Waltz" by Giacomo Puccini
Performer: Anna Netrebko (Soprano)
Conductor: Gianandrea Noseda
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1896; Italy
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 2 Minutes 39 Secs.
Language: Italian
174. Madrigals, Book 7: Con che soavità, labbra odorate by Claudio Monteverdi
Performer: Dane Roberts (Violone), Florian Deuter (Violin), Reinhard Goebel (Violin),
Anne Sofie von Otter (Mezzo Soprano), Christian Rieger (Harpsichord), Michael Dücker (Theorbo),
Michael Freimuth (Theorbo), Joachim Fiedler (Cello), Victoria Gunn (Viola),
Markus Möllenbeck (Cello)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1619; Italy
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 4 Minutes 42 Secs.
Language: Italian
175. Lasciatemi morire "Lamento d'Arianna a 1" by Claudio Monteverdi
Performer: Jakob Lindberg (Theorbo), Anne Sofie von Otter (Mezzo Soprano)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1623; Italy
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 11 Minutes 8 Secs.
Language: Italian
176. Lamento della Regina d'Inghilterra by Antonio Bertali
Performer: Christian Rieger (Harpsichord), Markus Möllenbeck (Cello), Wolfgang von Kessinger (Viola),
Reinhard Goebel (Viola), Victoria Gunn (Viola), Franz-Joseph Selig (Bass),
Anne Sofie von Otter (Mezzo Soprano)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 15 Minutes 24 Secs.
Language: Italian
177. Balletti e correnti a 5, Op. 16: Il Ballo del Gran Duca "Corrente Nona" by Giovanni Legrenzi
Performer: Christian Rieger (Harpsichord), Michael Dücker (Theorbo), Markus Möllenbeck (Cello),
Wolfgang von Kessinger (Viola), Victoria Gunn (Viola), Reinhard Goebel (Violin),
Florian Deuter (Violin)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: Italy
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 3 Minutes 19 Secs.
178. Cessate omai cessate, RV 684 by Antonio Vivaldi
Performer: Ulrike Kunze (Violin), Markus Möllenbeck (Cello), Dane Roberts (Violone),
Christian Rieger (Harpsichord), Wolfgang von Kessinger (Viola), Anne Sofie von Otter (Mezzo Soprano),
Florian Deuter (Violin), Laura Johnson (Violin), Andrea Keller (Violin),
Sebastian Griewisch (Violin), Volker Möller (Violin), Victoria Gunn (Viola),
Gerhard Peters (Violin), Joachim Fiedler (Cello)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: Venice, Italy
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 10 Minutes 52 Secs.
Language: Italian
179. Incassum, Lesbia, rogas, Z 383 "Queen's Epicedium" by Henry Purcell
Performer: Markus Möllenbeck (Cello), Anne Sofie von Otter (Mezzo Soprano), Christian Rieger (Positive)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1695; England
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 7 Minutes 27 Secs.
Language: Latin
180. O solitude, my sweetest choice, Z 406 by Henry Purcell
Performer: Anne Sofie von Otter (Mezzo Soprano), Jakob Lindberg (Theorbo)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1687; England
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 4 Minutes 58 Secs.
Language: English
181. Chaconne by Alessandro Piccinini
Performer: Jakob Lindberg (Theorbo)
Period: Baroque
Written: Italy
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 1 Minutes 52 Secs.
182. Concertos (4) for Violin, Op. 8 no 1-4 "Four seasons" by Antonio Vivaldi
Performer: Simon Standage (Violin)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1725; Venice, Italy
183. Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera" by Antonio Vivaldi
Performer: Simon Standage (Violin)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1725; Venice, Italy
184. Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate" by Antonio Vivaldi
Performer: Simon Standage (Violin)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1725; Venice, Italy
185. Concerto for Violin in F major, Op. 8 no 3/RV 293 "L'autunno" by Antonio Vivaldi
Performer: Simon Standage (Violin)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1725; Venice, Italy
186. Concerto for Violin in F minor, Op. 8 no 4/RV 297 "L'inverno" by Antonio Vivaldi
Performer: Simon Standage (Violin)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1725; Venice, Italy
187. Concerto for Oboe and Violin in B flat major, RV 548 by Antonio Vivaldi
Performer: Simon Standage (Violin), David Reichenberg (Oboe)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: Venice, Italy
188. Concerto for 2 Violins in G major, RV 516 by Antonio Vivaldi
Performer: Simon Standage (Violin), Elizabeth Wilcock (Violin)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: Venice, Italy
189. Nocturnes (3) for Piano, B 54/Op. 9 by Frédéric Chopin
Performer: Maria-Joao Pires (Piano)
Period: Romantic
Written: 1830-1831; Poland
190. Nocturnes (3) for Piano, Op. 15 by Frédéric Chopin
Performer: Maria-Joao Pires (Piano)
Period: Romantic
Written: 1830-1833
191. Nocturnes (2) for Piano, Op. 27 by Frédéric Chopin
Performer: Maria-Joao Pires (Piano)
Period: Romantic
Written: 1835; Paris, France
192. Nocturnes (2) for Piano, B 106/Op. 32 by Frédéric Chopin
Performer: Maria-Joao Pires (Piano)
Period: Romantic
Written: 1836-1837; Paris, France
193. Nocturnes (2) for Piano, Op. 37 by Frédéric Chopin
Performer: Maria-Joao Pires (Piano)
Period: Romantic
Written: 1838-1849; Paris, France
194. Nocturnes (2) for Piano, B 142/Op. 48 by Frédéric Chopin
Performer: Maria-Joao Pires (Piano)
Period: Romantic
Written: 1841; Paris, France
195. Nocturnes (2) for Piano, B 152/Op. 55 by Frédéric Chopin
Performer: Maria-Joao Pires (Piano)
Period: Romantic
Written: 1843; Paris, France
196. Nocturnes (2) for Piano, B 161/Op. 62 by Frédéric Chopin
Performer: Maria-Joao Pires (Piano)
Period: Romantic
Written: 1846; Paris, France
197. Nocturne for Piano in E minor, B 19/Op. 72 no 1 by Frédéric Chopin
Performer: Maria-Joao Pires (Piano)
Period: Romantic
Written: 1827; Poland
198. Nocturne for Piano in C sharp minor, B 49 by Frédéric Chopin
Performer: Maria-Joao Pires (Piano)
Period: Romantic
Written: 1830; Poland
199. Nocturne for Piano in C minor, B 108 by Frédéric Chopin
Performer: Maria-Joao Pires (Piano)
Period: Romantic
Written: 1837; Paris, France
200. Sonata for Harpsichord in E major, K 20/L 375 by Domenico Scarlatti
Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: by 1738
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 3 Minutes 31 Secs.
201. Sonata for Harpsichord in D minor, K 9/L 413 by Domenico Scarlatti
Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: by 1738
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 4 Minutes 14 Secs.
202. Sonata for Harpsichord in D major, K 119/L 415 by Domenico Scarlatti
Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: 18th Century
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 5 Minutes 14 Secs.
203. Sonata for Harpsichord in D minor, K 1/L 366 by Domenico Scarlatti
Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: by 1738
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 2 Minutes 30 Secs.
204. Sonata for Harpsichord in B minor, K 87/L 33 by Domenico Scarlatti
Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: 18th Century
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 6 Minutes 21 Secs.
205. Sonata for Harpsichord in E minor, K 98/L 325 by Domenico Scarlatti
Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: 18th Century
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 3 Minutes 18 Secs.
206. Sonata for Harpsichord in G major, K 13/L 486 by Domenico Scarlatti
Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: by 1738
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 4 Minutes 24 Secs.
207. Sonata for Harpsichord in G minor, K 8/L 488 by Domenico Scarlatti
Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: by 1738
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 5 Minutes 55 Secs.
208. Sonata for Harpsichord in G minor, K 450/L 338 by Domenico Scarlatti
Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: 18th Century
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 3 Minutes 32 Secs.
209. Sonata for Harpsichord in C major, K 159/L 104 by Domenico Scarlatti
Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: 18th Century
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 2 Minutes 31 Secs.
210. Sonata for Harpsichord in C major, K 487/L 205 by Domenico Scarlatti
Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: 18th Century
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 3 Minutes 52 Secs.
211. Sonata for Harpsichord in B flat major, K 529/L 327 by Domenico Scarlatti
Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: 18th Century
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 2 Minutes 30 Secs.
212. Sonata for Harpsichord in E major, K 380/L 23 by Domenico Scarlatti
Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: 18th Century
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 4 Minutes 59 Secs.
213. Sonata for Harpsichord in C minor, K 11/L 352 by Domenico Scarlatti
Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: by 1738
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 2 Minutes 53 Secs.
214. Sonata for Harpsichord in E major, K 135/L 224 by Domenico Scarlatti
Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: 18th Century
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 4 Minutes 16 Secs.
215. Etudes (12) for Piano, Op. 10 by Frédéric Chopin
Performer: Maurizio Pollini (Piano)
Period: Romantic
Written: 1829-1833; Poland
216. Etudes (12) for Piano, Op. 25 by Frédéric Chopin
Performer: Maurizio Pollini (Piano)
Period: Romantic
Written: 1832-1836; Paris, France
217. Zar und Zimmermann: O sancta justitia! by Albert Lortzing
Performer: Thomas Quasthoff (Bass Baritone)
Conductor: Christian Thielemann
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1837; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 6 Minutes 32 Secs.
Language: German
218. Zar und Zimmermann: Den Hohen Herrscher...Heil sei dem Tag by Albert Lortzing
Performer: Thomas Quasthoff (Bass Baritone)
Conductor: Christian Thielemann
Orchestra/Ensemble: Berlin Deutsche Oper Chorus, Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1837; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 9 Minutes 37 Secs.
Language: German
219. Zar und Zimmermann: Sonst spielt ich mit Szepter by Albert Lortzing
Performer: Thomas Quasthoff (Bass Baritone)
Conductor: Christian Thielemann
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1837; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 5 Minutes 18 Secs.
Language: German
220. Der Wildschütz: Fünftausend Taler by Albert Lortzing
Performer: Thomas Quasthoff (Bass Baritone)
Conductor: Christian Thielemann
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1842; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 5 Minutes 17 Secs.
Language: German
221. Der Wildschütz: Lass Er doch hören...Bei diesem schliemmen Fall by Albert Lortzing
Performer: Christiane Oelze (Soprano), Thomas Quasthoff (Bass Baritone)
Conductor: Christian Thielemann
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1842; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 8 Minutes 6 Secs.
Language: German
222. Der Wildschütz: Wie freundlich strahlt die holde Morgensonne by Albert Lortzing
Performer: Thomas Quasthoff (Bass Baritone)
Conductor: Christian Thielemann
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1842; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 4 Minutes 49 Secs.
Language: German
223. Tannhäuser: Gar viel und schön by Richard Wagner
Performer: Thomas Quasthoff (Bass Baritone)
Conductor: Christian Thielemann
Orchestra/Ensemble: Berlin Deutsche Oper Chorus, Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1845/1861; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 6 Minutes 59 Secs.
Language: German
224. Tannhäuser: O, du mein holder Abendstern by Richard Wagner
Performer: Thomas Quasthoff (Bass Baritone)
Conductor: Christian Thielemann
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1845/1861; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 5 Minutes 29 Secs.
Language: German
225. Die schweigsame Frau, Op. 80: Wie schön ist doch die Musik by Richard Strauss
Performer: Thomas Quasthoff (Bass Baritone)
Conductor: Christian Thielemann
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1933-1934; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 4 Minutes 2 Secs.
Language: German
226. Euryanthe, J 291/Op. 81: Wo berg'ich mich?...Und er soll by Carl Maria von Weber
Performer: Thomas Quasthoff (Bass Baritone)
Conductor: Christian Thielemann
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1822-1823; Dresden, Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 9 Minutes 9 Secs.
Language: German
227. Mass in B minor, BWV 232 by Johann Sebastian Bach
Performer: Dietrich Fischer-Dieskau (Baritone), Kieth Engen (Bass), Maria Stader (Soprano),
Hertha Töpper (Alto)
Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra
Period: Baroque
Written: 1747-49; Leipzig, Germany
Date of Recording: 1961
Venue: Munich, Germany
Language: Latin
228. Concerto for Cello in B minor, Op. 104/B 191 by Antonín Dvorák
Performer: Mstislav Rostropovich (Cello)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1894-1895; USA
Date of Recording: 09/1968
Venue: Jesus Christus Kirche, Berlin
Length: 41 Minutes 21 Secs.
229. Variations for Cello and Orchestra on a Rococo theme, Op. 33 by Peter Ilyich Tchaikovsky
Performer: Mstislav Rostropovich (Cello)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1876; Russia
Date of Recording: 09/1968
Venue: Jesus Christus Kirche, Berlin
Length: 18 Minutes 53 Secs.
230. Songs of travel by Ralph Vaughan Williams
Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century
Written: 1901-1904; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 3 Minutes 14 Secs.
Language: English
231. Sea fever by John Ireland
Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century
Written: 1913; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 2 Minutes 20 Secs.
Language: English
232. The vagabond by John Ireland
Performer: Malcolm Martineau (Piano), Bryn Terfel (Bass Baritone)
Period: 20th Century
Written: England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 1 Minutes 57 Secs.
Language: English
233. Bells of San Marie by John Ireland
Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century
Written: 1919; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 2 Minutes 40 Secs.
Language: English
234. Let us garlands bring, Op. 18 by Gerald Finzi
Performer: Malcolm Martineau (Piano), Bryn Terfel (Bass Baritone)
Period: 20th Century
Written: England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 3 Minutes 58 Secs.
Language: English
235. Songs (6) from A Shropshire Lad by George Butterworth
Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century
Written: 1911; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 2 Minutes 40 Secs.
Language: English
236. Bredon Hill and Other Songs: Bredon Hill by George Butterworth
Performer: Malcolm Martineau (Piano), Bryn Terfel (Bass Baritone)
Period: 20th Century
Written: 1912; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 4 Minutes 44 Secs.
Language: English
237. Bredon Hill and Other Songs: Oh fair enough are sky and plain by George Butterworth
Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century
Written: 1912; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 3 Minutes 17 Secs.
Language: English
238. Bredon Hill and Other Songs: When the lad for longing sighs by George Butterworth
Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century
Written: 1912; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 1 Minutes 44 Secs.
Language: English
239. Bredon Hill and Other Songs: On the idle hill of summer by George Butterworth
Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century
Written: 1912; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 3 Minutes 8 Secs.
Language: English
240. Bredon Hill and Other Songs: With rue my heart is laden by George Butterworth
Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century
Written: 1912; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 1 Minutes 54 Secs.
Language: English
241. La Gioconda: Cielo e mar by Amilcare Ponchielli
Performer: Rolando Villazón (Tenor)
Conductor: Daniele Callegari
Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan
Written: 1876
Length: 5 Minutes 14 Secs.
242. Adriana Lecouvreur: La dolcissima effigie by Francesco Cilèa
Performer: Rolando Villazón (Tenor)
Conductor: Daniele Callegari
Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1902; Italy
Length: 2 Minutes 9 Secs.
243. Il giuramento: Bella adorata incognita by Saverio Mercadante
Performer: Rolando Villazón (Tenor)
Conductor: Daniele Callegari
Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1837; Italy
Length: 4 Minutes 12 Secs.
244. Mefistofele: Dai campi, dai prati by Arrigo Boito
Performer: Rolando Villazón (Tenor)
Conductor: Daniele Callegari
Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1868; Italy
Length: 2 Minutes 33 Secs.
245. Maristella: Io conosco un giardino by Giuseppe Pietri
Performer: Rolando Villazón (Tenor)
Conductor: Daniele Callegari
Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1934; Italy
Length: 2 Minutes 1 Secs.
246. Fosca: Intenditi con Dio..Ah, se tu sei fra gli angeli by Antonio Carlos Gomes
Performer: Rolando Villazón (Tenor)
Conductor: Daniele Callegari
Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1873/1878; Milan, Italy
Length: 5 Minutes 1 Secs.
247. Simon Boccanegra: O inferno! Amelia qui!...Sento avvampar... by Giuseppe Verdi
Performer: Rolando Villazón (Tenor)
Conductor: Daniele Callegari
Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1857; Italy
Length: 5 Minutes 22 Secs.
248. Poliuto: Veleno è l'aura ch'io respiro!/Sfolgorò divino raggio by Gaetano Donizetti
Performer: Rolando Villazón (Tenor), Gianluca Alfano (Baritone)
Conductor: Daniele Callegari
Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Length: 8 Minutes 24 Secs.
249. Il giuramento: Compita è omai..Fu celeste quel contento by Saverio Mercadante
Performer: Rolando Villazón (Tenor)
Conductor: Daniele Callegari
Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1837; Italy
Length: 3 Minutes 40 Secs.
250. Adriana Lecouvreur: L'anima ho stanca by Francesco Cilèa
Performer: Rolando Villazón (Tenor)
Conductor: Daniele Callegari
Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1902; Italy
Length: 1 Minutes 48 Secs.
251. Il figliuol prodigo: Il padre mio...Tenda natal by Amilcare Ponchielli
Performer: Rolando Villazón (Tenor)
Conductor: Daniele Callegari
Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Length: 4 Minutes 40 Secs.
252. Mefistofele: Giunto sul passo estremo by Arrigo Boito
Performer: Rolando Villazón (Tenor)
Conductor: Daniele Callegari
Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1868; Italy
Length: 2 Minutes 37 Secs.
253. Luisa Miller: Quando le sere al placido by Giuseppe Verdi
Performer: Rolando Villazón (Tenor)
Conductor: Daniele Callegari
Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1849; Italy
Length: 5 Minutes 35 Secs.
254. Luisa Miller: L'ara o l'avello apprestami by Giuseppe Verdi
Performer: Rolando Villazón (Tenor), Gianluca Alfano (Baritone)
Conductor: Daniele Callegari
Orchestra/Ensemble: Verdi Chorus Milan, Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1849; Italy
Length: 3 Minutes 17 Secs.
255. Trio Sonata for Organ no 1 in E flat major, BWV 525 by Johann Sebastian Bach
Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1727; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands
256. Partite sopra Sei gegrüsset, Jesu gütig, BWV 768 by Johann Sebastian Bach
Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1700; Lüneburg, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands
257. Chorale Preludes (6) BWV 645-650 "Schübler": no 1, Wachet auf, ruft uns die Stimme, BWV 645 by Johann Sebastian Bach
Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands
258. Chorale Preludes (6) BWV 645-650 "Schübler": no 2, Wo soll ich fliehen hin?, BWV 646 by Johann Sebastian Bach
Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands
259. Chorale Preludes (6) BWV 645-650 "Schübler": no 3, Wer nur den lieben Gott lässt walten, BWV 647 by Johann Sebastian Bach
Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands
260. Chorale Preludes (6) BWV 645-650 "Schübler": no 4, Meine Seele erhebet den Herren, BWV 648 by Johann Sebastian Bach
Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands
261. Chorale Preludes (6) BWV 645-650 "Schübler": no 5, Ach bleib' bei uns, BWV 649 by Johann Sebastian Bach
Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands
262. Chorale Preludes (6) BWV 645-650 "Schübler": no 6, Kommst du nun, Jesu, BWV 650 by Johann Sebastian Bach
Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands
263. Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach
Performer: Helmut Walcha (Organ)
Period: Baroque
Written: by 1708; Germany
Venue: St. Laurens Church, Alkmaar, Netherlands
264. Prelude and Fugue in E flat major, BWV 552 "St Anne" by Johann Sebastian Bach
Performer: Helmut Walcha (Organ)
Period: Baroque
Written: by 1739; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands
265. Dichterliebe, Op. 48 by Robert Schumann
Performer: Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic
Written: 1840; Germany
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
266. Zärtliche Liebe, WoO 123 "Ich liebe dich" by Ludwig van Beethoven
Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Classical
Written: 1794-1795; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
267. Adelaide, Op. 46 by Ludwig van Beethoven
Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Classical
Written: 1794-1795; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
268. Resignation, WoO 149 by Ludwig van Beethoven
Performer: Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Classical
Written: 1817; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
269. Der Kuss, Op. 128 by Ludwig van Beethoven
Performer: Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Classical
Written: ?1822; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
270. An Sylvia, D 891/Op. 106 no 4 by Franz Schubert
Performer: Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic
Written: 1826; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
271. Lied eines Schiffers an die Dioskuren, D 360/Op. 65 no 1 by Franz Schubert
Performer: Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic
Written: 1816; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
272. Liebhaber in allen Gestalten, D 558 by Franz Schubert
Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Romantic
Written: 1817; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
273. Der Einsame, D 800 by Franz Schubert
Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Romantic
Written: 1825; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
274. Im Abendrot, D 799 by Franz Schubert
Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Romantic
Written: 1824-1825; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
275. Schwanengesang, D 957: no 4, Ständchen by Franz Schubert
Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Romantic
Written: 1828; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
276. An die Laute, D 905/Op. 81 no 2 by Franz Schubert
Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Romantic
Written: 1827; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
277. Der Musensohn, D 764/Op. 92 no 1 by Franz Schubert
Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Romantic
Written: 1822; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
278. An die Musik, D 547 by Franz Schubert
Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Romantic
Written: 1817; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
279. Concerto for Piano no 1 in E flat major, S 124 by Franz Liszt
Performer: Krystian Zimerman (Piano)
Conductor: Seiji Ozawa
Orchestra/Ensemble: Boston Symphony Orchestra
Period: Romantic
Written: 1849/1856; Weimar, Germany
280. Concerto for Piano no 2 in A major, S 125 by Franz Liszt
Performer: Krystian Zimerman (Piano)
Conductor: Seiji Ozawa
Orchestra/Ensemble: Boston Symphony Orchestra
Period: Romantic
Written: 1839/1861; Weimar, Germany
281. Totentanz, S 126 by Franz Liszt
Performer: Krystian Zimerman (Piano)
Conductor: Seiji Ozawa
Orchestra/Ensemble: Boston Symphony Orchestra
Period: Romantic
Written: 1849/1859; Weimar, Germany
1. Carmen by Georges Bizet
Performer: Stuart Harling (Baritone), Robert Lloyd (Bass), Sherrill Milnes (Baritone),
Placido Domingo (Tenor), Ileana Cotrubas (Soprano), Alicia Nafé (Mezzo Soprano),
Yvonne Kenny (Soprano), Geoffrey Pogson (Tenor), Gordon Sandison (Baritone),
Leslie Fyson (Bass Baritone), Shirley Minty (Mezzo Soprano), Teresa Berganza (Mezzo Soprano),
Jean Lainé (Tenor), Richard Amner (Bass), George Main (Spoken Vocals)
Conductor: Claudio Abbado
Orchestra/Ensemble: London Symphony Orchestra, Ambrosian Singers, George Watson's College Boys' Chorus
Period: Romantic
Written: 1873-1874; France
Length: 157 Minutes 33 Secs.
Language: French
2. Concerto for Piano no 3 in C major, Op. 26 by Sergei Prokofiev
Performer: Martha Argerich (Piano)
Conductor: Claudio Abbado
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1917-1921; USA
Date of Recording: 1967
Venue: Jesus Christ Church, Berlin, Germany
Length: 27 Minutes 4 Secs.
3. Concerto for Piano in G major by Maurice Ravel
Performer: Martha Argerich (Piano)
Conductor: Claudio Abbado
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1929-1931; France
Date of Recording: 1967
Venue: Jesus Christ Church, Berlin, Germany
Length: 21 Minutes 5 Secs.
4. Gaspard de la nuit by Maurice Ravel
Performer: Martha Argerich (Piano)
Period: 20th Century
Written: 1908; France
Date of Recording: 11/1974
Venue: Lankwitz Studio, Berlin, Germany
Length: 22 Minutes 21 Secs.
5. Sonata for Piano no 14 in C sharp minor, Op. 27 no 2 "Moonlight" by Ludwig van Beethoven
Performer: Daniel Barenboim (Piano)
Period: Classical
Written: 1801; Vienna, Austria
6. Sonata for Piano no 8 in C minor, Op. 13 "Pathétique" by Ludwig van Beethoven
Performer: Daniel Barenboim (Piano)
Period: Classical v
Written: 1797-1798; Vienna, Austria
7. Sonata for Piano no 23 in F minor, Op. 57 "Appassionata" by Ludwig van Beethoven
Performer: Daniel Barenboim (Piano)
Period: Classical
Written: 1804-1805; Vienna, Austria
8. Mache dich, mein Geist, bereit, BWV 115: Bete aber auch... by Johann Sebastian Bach
Performer: Daire Fitzgerald (Cello), Fred Sherry (Cello), Itzhak Perlman (Violin),
Kathleen Battle (Soprano), Lewis Paer (Double Bass), Anthony Newman (Organ)
Period: Baroque
Written: 1724; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 7 Minutes 7 Secs.
Language: German
9. Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: Jesus soll mein erstes wort in dem neuen Jahre by Johann Sebastian Bach
Performer: Lewis Paer (Double Bass), Kathleen Battle (Soprano), Myron Lutzke (Cello),
Itzhak Perlman (Violin), Anthony Newman (Harpsichord)
Period: Baroque
Written: ?1729; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 4 Minutes 12 Secs.
Language: German
10. Mass in B minor, BWV 232: Benedictus by Johann Sebastian Bach
Performer: Kathleen Battle (Soprano), Anthony Newman (Organ), Itzhak Perlman (Violin),
Myron Lutzke (Cello), Lewis Paer (Double Bass)
Period: Baroque
Written: 1747-1749; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 4 Minutes 15 Secs.
Language: Latin
11. Mass in B minor, BWV 232: Laudamus te by Johann Sebastian Bach
Performer: Itzhak Perlman (Violin), Anthony Newman (Organ), Lewis Paer (Double Bass),
Daire Fitzgerald (Cello), Kathleen Battle (Soprano)
Conductor: John Nelson
Orchestra/Ensemble: Orchestra of St. Luke's
Period: Baroque
Written: 1747-1749; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 4 Minutes 42 Secs.
Language: Latin
12. Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: Kann ich nur Jesum mir zum Freunde machen by Johann Sebastian Bach
Performer: Anthony Newman (Harpsichord), Kathleen Battle (Soprano), Lewis Paer (Double Bass),
Daire Fitzgerald (Cello), Marc Goldberg (Bassoon), Itzhak Perlman (Violin),
Carl Albach (Trumpet)
Conductor: John Nelson
Orchestra/Ensemble: Orchestra of St. Luke's
Period: Baroque
Written: 1723; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 5 Minutes 30 Secs.
Language: German
13. Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": Wenn die Frühlingslüfte streichen by Johann Sebastian Bach
Performer: Itzhak Perlman (Violin), Anthony Newman (Harpsichord), Lewis Paer (Double Bass),
Fred Sherry (Cello), Kathleen Battle (Soprano)
Period: Baroque
Written: circa 1718-1723; Cöthen, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
14. Schwingt freudig euch empor, BWV 36: no 7, Auch mit gedämpften by Johann Sebastian Bach
Performer: Itzhak Perlman (Violin), Kathleen Battle (Soprano), Lewis Paer (Double Bass),
Fred Sherry (Cello), Anthony Newman (Organ)
Period: Baroque
Written: 1731; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 6 Minutes 46 Secs.
Language: German
15. Es wartet alles auf dich, dass du ihnen Speise, BWV 187: no 5, Gott versorget alles Leben by Johann Sebastian Bach
Performer: Anthony Newman (Organ), Kathleen Battle (Soprano), Lewis Paer (Double Bass),
Itzhak Perlman (Violin), Fred Sherry (Cello)
Period: Baroque
Written: 1726; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 3 Minutes 24 Secs.
Language: German
16. Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert, BWV 84: Ich esse mit Freuden... by Johann Sebastian Bach
Performer: Stephen Taylor (Oboe), Anthony Newman (Harpsichord), Lewis Paer (Double Bass),
Itzhak Perlman (Violin), Daire Fitzgerald (Cello), Kathleen Battle (Soprano)
Period: Baroque
Written: 1727; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 4 Minutes 59 Secs.
Language: German
17. In allen meinen Taten, BWV 97: no 4, Ich traue seiner Gnaden by Johann Sebastian Bach
Performer: Kathleen Battle (Soprano), Anthony Newman (Harpsichord), Itzhak Perlman (Violin),
Myron Lutzke (Cello), Lewis Paer (Double Bass)
Period: Baroque
Written: 1734; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 5 Minutes 21 Secs.
Language: German
18. Gott ist unser Zuversicht, BWV 197: no 8, Vergnügen und Lust, Gedeihen und Heil by Johann Sebastian Bach
Performer: Kathleen Battle (Soprano), Fred Sherry (Cello), Stephen Taylor (Oboe d'amore),
Anthony Newman (Harpsichord), Melanie Feld (Oboe d'amore), Lewis Paer (Double Bass),
Itzhak Perlman (Violin)
Period: Baroque
Written: 1739-1742; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 3 Minutes 16 Secs.
Language: German
19. Ich bin in mir vergnügt, BWV 204: no 4, Die Schätzbarkeit der weiten Erden by Johann Sebastian Bach
Performer: Kathleen Battle (Soprano), Fred Sherry (Cello), Anthony Newman (Organ),
Lewis Paer (Double Bass), Itzhak Perlman (Violin)
Period: Baroque
Written: 1726-1727; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 4 Minutes 6 Secs.
Language: German
20. Ach Gott, wie manches Herzeleid, BWV 58 by Johann Sebastian Bach
Performer: Anthony Newman (Organ), Kathleen Battle (Soprano), Itzhak Perlman (Violin),
Fred Sherry (Cello), Lewis Paer (Double Bass)
Period: Baroque
Written: 1727; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 3 Minutes 46 Secs.
Language: German
21. Symphony no 1 in D major "Titan" by Gustav Mahler
Conductor: Leonard Bernstein
Orchestra/Ensemble: Royal Concertgebouw Orchestra
Period: Romantic
Written: 1888/1896
Date of Recording: 10/1987
Venue: Live Amsterdam Concertgebouw
Length: 57 Minutes 0 Secs.
22. Concerto for Piano no 1 in E minor, B 53/Op. 11 by Frédéric Chopin
Performer: Rafal Blechacz (Piano)
Conductor: Jerzy Semkow
Orchestra/Ensemble: Royal Concertgebouw Orchestra
Period: Romantic
Written: 1830; Poland
23. Concerto for Piano no 2 in F minor, B 43/Op. 21 by Frédéric Chopin
Performer: Rafal Blechacz (Piano)
Conductor: Jerzy Semkow
Orchestra/Ensemble: Royal Concertgebouw Orchestra
Period: Romantic
Written: 1829-1830; Poland
24. Concerto for Clarinet in A major, K 622 by Wolfgang Amadeus Mozart
Performer: Alfred Prinz (Clarinet)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Classical
Written: 1791; Vienna, Austria
Date of Recording: 09/1972
Venue: Great Hall, Musikverein, Vienna, Austria
25. Concerto for Flute no 1 in G major, K 313 (285c) by Wolfgang Amadeus Mozart
Performer: Werner Tripp (Flute)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Classical
Written: 1778; Mannheim, Germany
Date of Recording: 1973-74
Venue: Great Hall, Musikverein, Vienna, Austria
26. Concerto for Bassoon in B flat major, K 191 (186e) by Wolfgang Amadeus Mozart
Performer: Dietmar Zeman (Bassoon)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Classical
Written: 1774; Salzburg, Austria
Date of Recording: 05/1973
Venue: Great Hall, Musikverein, Vienna, Austria
27. Nocturnes (3) for Orchestra: no 1, Nuages by Claude Debussy
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1897-1899; France
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland
Length: 6 Minutes 15 Secs.
28. Jeux by Claude Debussy
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1912-1913; France
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland
Length: 16 Minutes 3 Secs.
29. La mer by Claude Debussy
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1903-1905; France
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland
Length: 23 Minutes 32 Secs.
30. Nocturnes (3) for Orchestra: no 2, Fêtes by Claude Debussy
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: French Impressionist
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland
Length: 6 Minutes 31 Secs.
31. Nocturnes (3) for Orchestra: no 3, Sirènes by Claude Debussy
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra, Cleveland Orchestra Chorus
Period: 20th Century
Written: 1897-1899; France
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland
Length: 9 Minutes 40 Secs.
32. Première Rhapsodie for Clarinet and Orchestra by Claude Debussy
Performer: Franklin Cohen (Clarinet)
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1911; France
Date of Recording: 03/1991
Venue: Masonic Auditorium, Cleveland
Length: 8 Minutes 33 Secs.
33. Nocturnes (3) for Orchestra by Claude Debussy
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra, Cleveland Orchestra Chorus
Period: 20th Century
Written: 1897-1899; France
34. Symphony no 4 in E minor, Op. 98 by Johannes Brahms
Conductor: Victor De Sabata
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1884-1885; Austria
Date of Recording: 1939
35. Tod und Verklärung, Op. 24 by Richard Strauss
Conductor: Victor De Sabata
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1888-1889; Germany
Date of Recording: 1939
36. Falsa moneda by Juan Mostazo Morales
Performer: Placido Domingo (Tenor), J. M Gallardo Del Rey (Guitar)
Conductor: Miguel Roa
Orchestra/Ensemble: Madrid Community Orchestra
Period: 20th Century
Length: 3 Minutes 58 Secs.
37. El día que nací yo by Juan Mostazo Morales
Performer: Placido Domingo (Tenor)
Conductor: Miguel Roa
Orchestra/Ensemble: Madrid Community Orchestra
Period: 20th Century
Length: 4 Minutes 37 Secs.
38. Antonio Vargas Heredia by Juan Mostazo Morales
Performer: Placido Domingo (Tenor)
Conductor: Miguel Roa
Orchestra/Ensemble: Madrid Community Orchestra
Period: 20th Century
Length: 5 Minutes 26 Secs.
39. La cruz de mayo by Manuel Font de Anta
Performer: Placido Domingo (Tenor)
Conductor: Miguel Roa
Orchestra/Ensemble: Madrid Community Orchestra
Period: 20th Century
Length: 2 Minutes 50 Secs.
40. La bien pagá by Juan Mostazo Morales
Performer: Placido Domingo (Tenor)
Conductor: Miguel Roa
Orchestra/Ensemble: Madrid Community Orchestra
Period: 20th Century
Length: 4 Minutes 6 Secs.
41. Porque te quiero by Genaro Monreal Lacosta
Performer: Placido Domingo (Tenor)
Conductor: Miguel Roa
Orchestra/Ensemble: Madrid Community Orchestra
Period: 20th Century
Length: 2 Minutes 59 Secs.
42. Ay Maricruz! by Manuel L. y Miquel
Performer: Placido Domingo (Tenor)
Conductor: Miguel Roa
Orchestra/Ensemble: Madrid Community Orchestra
Period: 20th Century
Length: 3 Minutes 17 Secs.
43. Me embrujaste by Manuel L. y Miquel
Performer: Placido Domingo (Tenor)
Conductor: Miguel Roa
Orchestra/Ensemble: Madrid Community Orchestra
Period: 20th Century
Length: 4 Minutes 44 Secs.
44. Cariño verdá by Genaro Monreal Lacosta
Performer: Placido Domingo (Tenor)
Conductor: Miguel Roa
Orchestra/Ensemble: Madrid Community Orchestra
Period: 20th Century
Length: 4 Minutes 22 Secs.
45. Te lo juro yo by Manuel L. y Miquel
Performer: Placido Domingo (Tenor), J. M Gallardo Del Rey (Guitar)
Conductor: Miguel Roa
Orchestra/Ensemble: Madrid Community Orchestra
Period: 20th Century
Length: 2 Minutes 39 Secs.
46. No me quieras tanto! by Manuel L. y Miquel
Performer: Placido Domingo (Tenor)
Conductor: Miguel Roa
Orchestra/Ensemble: Madrid Community Orchestra
Period: 20th Century
Length: 4 Minutes 54 Secs.
47. Ojos verdes by Manuel L. y Miquel
Performer: Placido Domingo (Tenor), J. M Gallardo Del Rey (Guitar)
Conductor: Miguel Roa
Orchestra/Ensemble: Madrid Community Orchestra
Period: 20th Century
Length: 5 Minutes 52 Secs.
48. Suspiros de España by Antonio Alvarez Alonso
Performer: Placido Domingo (Tenor)
Conductor: Miguel Roa
Orchestra/Ensemble: Madrid Community Orchestra
Period: 20th Century
Length: 3 Minutes 57 Secs.
49. Sensemayá by Silvestre Revueltas
Conductor: Gustavo Dudamel
Orchestra/Ensemble: Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1938; Mexico
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 6 Minutes 38 Secs.
50. Margariteña by Inocente Carreño
Conductor: Gustavo Dudamel
Orchestra/Ensemble: Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1954; Venezuela
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 13 Minutes 29 Secs.
51. Melodia en el Llano by Antonio Estévez
Conductor: Gustavo Dudamel
Orchestra/Ensemble: Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: Venezuela
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 8 Minutes 1 Secs.
52. Danzón no 2 by Arturo Márquez
Conductor: Gustavo Dudamel
Orchestra/Ensemble: Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1994; Mexico
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 9 Minutes 46 Secs.
53. Suite for Strings No. 1: Fuga con Pajarillo by Aldemaro Romero
Conductor: Gustavo Dudamel
Orchestra/Ensemble: Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: Venezuela
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 7 Minutes 8 Secs.
54. Estancia, Op. 8: Los trabajadores agricolas by Alberto Ginastera
Conductor: Gustavo Dudamel
Orchestra/Ensemble: Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1941; Argentina
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 2 Minutes 56 Secs.
55. Estancia, Op. 8: Danza del trigo by Alberto Ginastera
Conductor: Gustavo Dudamel
Orchestra/Ensemble: Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1941; Argentina
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 3 Minutes 43 Secs.
56. Estancia, Op. 8: Los peones de hacienda by Alberto Ginastera
Conductor: Gustavo Dudamel
Orchestra/Ensemble: Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1941; Argentina
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 1 Minutes 58 Secs.
57. Estancia, Op. 8: Malambo "Danza final" by Alberto Ginastera
Conductor: Gustavo Dudamel
Orchestra/Ensemble: Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1941; Argentina
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 3 Minutes 23 Secs.
58. Santa Cruz de Pacairigua by Evencio Castellanos
Conductor: Gustavo Dudamel
Orchestra/Ensemble: Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1954; Venezuela
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 16 Minutes 19 Secs.
59. West Side Story: Mambo by Leonard Bernstein
Conductor: Gustavo Dudamel
Orchestra/Ensemble: Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1957; USA
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 2 Minutes 29 Secs.
60. Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach
Performer: Dietrich Fischer-Dieskau (Baritone)
Conductor: Karl Ristenpart
Orchestra/Ensemble: Karl Ristenpart Chamber Orchestra
Period: Baroque
Written: 1726; Leipzig, Germany
Language: German
61. Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer: Dietrich Fischer-Dieskau (Baritone), Hermann Töttcher (Oboe)
Conductor: Karl Ristenpart
Orchestra/Ensemble: Karl Ristenpart Chamber Orchestra
Period: Baroque
Written: 1727; Cöthen, Germany
Language: German
62. Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach
Performer: Dietrich Fischer-Dieskau (Baritone), Maria Jung (Organ), Helmut Krebs (Tenor)
Conductor: Fritz Lehmann
Orchestra/Ensemble: Bach Festival Orchestra, Frankfurt Music School Chorus
Period: Baroque
Written: 1708; Weimar, Germany
Language: German
63. Die Fledermaus: Overture by Johann Strauss Jr.
Conductor: Ferenc Fricsay
Orchestra/Ensemble: Bratislava Radio Symphony Orchestra
Period: Romantic
Written: 1874; Vienna, Austria
64. Kaiser-Walzer, Op. 437 by Johann Strauss Jr.
Conductor: Ferenc Fricsay
Orchestra/Ensemble: Bratislava Radio Symphony Orchestra
Period: Romantic
Written: 1889; Vienna, Austria
65. Tritsch-Tratsch-Polka, Op. 214 by Johann Strauss Jr.
Conductor: Ferenc Fricsay
Orchestra/Ensemble: Bratislava Radio Symphony Orchestra
Period: Romantic
Written: 1858; Vienna, Austria
66. Annen-Polka, Op. 117 by Johann Strauss Jr.
Conductor: Ferenc Fricsay
Orchestra/Ensemble: Bratislava Radio Symphony Orchestra
Period: Romantic
Written: 1852; Vienna, Austria
67. Geschichten aus dem Wienerwald, Op. 325 by Johann Strauss Jr.
Conductor: Ferenc Fricsay
Orchestra/Ensemble: Bratislava Radio Symphony Orchestra
Period: Romantic
Written: 1868; Vienna, Austria
68. Eljen a Magyar, Op. 332 by Johann Strauss Jr.
Conductor: Ferenc Fricsay
Orchestra/Ensemble: Bratislava Radio Symphony Orchestra
Period: Romantic
Written: 1869; Vienna, Austria
69. An der schönen, blauen Donau, Op. 314 by Johann Strauss Jr.
Conductor: Ferenc Fricsay
Orchestra/Ensemble: Bratislava Radio Symphony Orchestra
Period: Romantic
Written: 1867; Vienna, Austria
70. Radetzky March, Op. 228 by Johann Strauss Sr.
Conductor: Ferenc Fricsay
Orchestra/Ensemble: Bratislava Radio Symphony Orchestra
Period: Romantic
Written: 1848; Vienna, Austria
71. Bachianas brasileiras no 5 for Soprano and 8 Cellos: Aria "Cantilena" by Heitor Villa-Lobos
Performer: Elina Garanca (Mezzo Soprano)
Conductor: Fabio Luisi
Orchestra/Ensemble: Dresden Staatskapelle
Period: 20th Century
Written: 1938-1945; Brazil
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 6 Minutes 23 Secs.
Language: Portuguese
72. Las hijas del Zebedeo: Al pensar by Ruperto Chapi
Performer: Elina Garanca (Mezzo Soprano)
Conductor: Fabio Luisi
Orchestra/Ensemble: Dresden Staatskapelle
Period: Romantic
Written: 1889; Madrid, Spain
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 4 Minutes 56 Secs.
Language: Spanish
73. Werther: Werther! Qui m'aurait dit...Des cris joyeux "Letter scene" by Jules Massenet
Performer: Elina Garanca (Mezzo Soprano)
Conductor: Fabio Luisi
Orchestra/Ensemble: Dresden Staatskapelle
Period: Romantic
Written: 1892; France
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 7 Minutes 15 Secs.
Language: French
74. Les contes d'Hoffmann: Vois sous L'archet fremissant by Jacques Offenbach
Performer: Elina Garanca (Mezzo Soprano)
Conductor: Fabio Luisi
Orchestra/Ensemble: Dresden Staatskapelle
Period: Romantic
Written: 1881; Paris, France
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 3 Minutes 50 Secs.
Language: French
75. La Grande-Duchesse de Gérolstein: Ah! que j'aime les militaires by Jacques Offenbach
Performer: Mirko Tuma (Bass), Dominik Licht (Baritone), Rafael Harnisch (Tenor),
Elina Garanca (Mezzo Soprano), Thomas Müller (Bass)
Conductor: Fabio Luisi
Orchestra/Ensemble: Dresden Staatskapelle, Dresden State Opera Chorus
Period: Romantic
Written: 1867; Paris, France
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 5 Minutes 14 Secs.
Language: French
76. Madrigal sobre un tema popular "El cant dels ocells" by Xavier Montsalvatge
Performer: Elina Garanca (Mezzo Soprano), Peter Bruns (Cello)
Conductor: Fabio Luisi
Orchestra/Ensemble: Dresden Staatskapelle
Period: 20th Century
Written: Spain
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 5 Minutes 13 Secs.
Language: Catalan
77. Der Rosenkavalier, Op. 59: Marie Theres'...Hab' mir's gelobt by Richard Strauss
Performer: Diana Damrau (Soprano), Dominik Licht (Baritone), Elina Garanca (Mezzo Soprano),
Adrianne Pieczonka (Soprano)
Conductor: Fabio Luisi
Orchestra/Ensemble: Dresden Staatskapelle
Period: Romantic
Written: 1909-1910; Germany
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 5 Minutes 50 Secs.
Language: German
78. Der Rosenkavalier, Op. 59: Ist ein Traum by Richard Strauss
Performer: Elina Garanca (Mezzo Soprano), Adrianne Pieczonka (Soprano), Dominik Licht (Baritone),
Diana Damrau (Soprano)
Conductor: Fabio Luisi
Orchestra/Ensemble: Dresden Staatskapelle
Period: Romantic
Written: 1909-1910; Germany
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 6 Minutes 26 Secs.
Language: German
79. La Grande-Duchesse de Gérolstein: Portez armes by Jacques Offenbach
Performer: Elina Garanca (Mezzo Soprano), Rafael Harnisch (Tenor), Thomas Müller (Bass),
Mirko Tuma (Bass), Dominik Licht (Baritone)
Conductor: Fabio Luisi
Orchestra/Ensemble: Dresden Staatskapelle, Dresden State Opera Chorus
Period: Romantic
Written: 1867; Paris, France
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 5 Minutes 14 Secs.
Language: French
80. La Grande-Duchesse de Gérolstein: Vous aimez le danger by Jacques Offenbach
Performer: Dominik Licht (Baritone), Elina Garanca (Mezzo Soprano), Mirko Tuma (Bass),
Thomas Müller (Bass), Rafael Harnisch (Tenor)
Conductor: Fabio Luisi
Orchestra/Ensemble: Dresden Staatskapelle, Dresden State Opera Chorus
Period: Romantic
Written: 1867; Paris, France
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 5 Minutes 14 Secs.
Language: French
81. La Cenerentola: Nacqui all' affano by Gioachino Rossini
Performer: Heike Liebmann (Mezzo Soprano), Dominik Licht (Baritone), Mirko Tuma (Bass),
Katharina Flade (Soprano), Elina Garanca (Soprano)
Conductor: Fabio Luisi
Orchestra/Ensemble: Dresden Staatskapelle, Dresden State Opera Chorus
Period: Romantic
Written: 1817; Italy
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 7 Minutes 35 Secs.
Language: Italian
82. L'italiana in Algeri: Per lui che adoro by Gioachino Rossini
Performer: Elina Garanca (Mezzo Soprano), Rafael Harnisch (Tenor), Dominik Licht (Baritone),
Matthias Beutlich (Bass)
Conductor: Fabio Luisi
Orchestra/Ensemble: Dresden Staatskapelle
Period: Romantic
Written: 1813; Italy
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 5 Minutes 40 Secs.
Language: Italian
83. Concerto for Piano no 1 in D minor, Op. 15 by Johannes Brahms
Performer: Emil Gilels (Piano)
Conductor: Eugen Jochum
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1854-1858; Germany
Date of Recording: 06/1972
Venue: Jesus Christ Church, Berlin, Germany
Length: 51 Minutes 43 Secs.
84. Requiem, Op. 48 by Gabriel Fauré
Performer: Kathleen Battle (Soprano), Andreas Schmidt (Baritone), Timothy Farrell (Organ)
Conductor: Carlo Maria Giulini
Orchestra/Ensemble: Philharmonia Orchestra, Philharmonia Chorus
Period: Romantic
Written: 1887-1890; France
Language: Latin
85. Pavane pour une infante défunte by Maurice Ravel
Conductor: Carlo Maria Giulini
Orchestra/Ensemble: Philharmonia Orchestra
Period: 20th Century
Written: 1899; France
86. Ayre by Osvaldo Golijov
Performer: Jeremy Flower (Sound Effects), Tara Helen O'Connor (Flute), David Krakauer (Clarinet),
Dawn Upshaw (Soprano), Erik Friedlander (Cello), James Sommerville (French Horn),
Michael Ward-Bergeman (Accordion), Jeremy Flower (Laptop), Jamey Haddad (Percussion),
Ljova (Viola), Mark Dresser (Double Bass), Gustavo Santaolalla (Guitar),
Gustavo Santaolalla (Ron Roco), Bridget Kibbey (Harp)
Orchestra/Ensemble: Andalucian Dogs
Period: 20th Century
Written: 2004; USA
Date of Recording: 08/2004
Venue: The Hit Factory, New York City
Length: 38 Minutes 57 Secs.
87. Folk Songs for Mezzo Soprano, Flute, Clarinet, Viola, Cello, Harp and Percussion by Luciano Berio
Performer: Ljova (Viola), Dawn Upshaw (Soprano), Tara Helen O'Connor (Flute),
Erik Friedlander (Cello), Todd Palmer (Clarinet), Gordon Gottlieb (Percussion),
Bridget Kibbey (Harp), Eric Poland (Percussion)
Orchestra/Ensemble: Andalucian Dogs
Period: 20th Century
Written: 1964/1973
Date of Recording: 08/2004
Venue: The Hit Factory, New York City
Length: 22 Minutes 52 Secs.
88. Sonata for Cello and Piano no 1 in E minor, Op. 38 by Johannes Brahms
Performer: Hélène Grimaud (Piano), Truls Otterbech Mork (Cello)
Period: Romantic
Written: 1862-1865; Austria
Date of Recording: 05/2005
Venue: Lukas Church, Dresden, Germany
Length: 25 Minutes 19 Secs.
89. Am Strande by Clara Wieck Schumann
Performer: Anne Sofie von Otter (Mezzo Soprano), Hélène Grimaud (Piano)
Period: Romantic
Written: 1840; Germany
Date of Recording: 09/2005
Venue: Scoring Stage, Berlin, Germany
Length: 2 Minutes 16 Secs.
90. Concerto for Piano in A minor, Op. 54 by Robert Schumann
Performer: Hélène Grimaud (Piano)
Conductor: Esa-Pekka Salonen
Orchestra/Ensemble: Dresden Staatskapelle
Period: Romantic
Written: 1841-1845; Germany
Date of Recording: 05/2005
Venue: Lukas Church, Dresden, Germany
Length: 31 Minutes 6 Secs.
91. Lieder (3), Op. 12: no 1, Er ist gekommen by Clara Wieck Schumann
Performer: Anne Sofie von Otter (Mezzo Soprano), Hélène Grimaud (Piano)
Period: Romantic
Written: 1840; Germany
Date of Recording: 09/2005
Venue: Scoring Stage, Berlin, Germany
Length: 2 Minutes 19 Secs.
92. Lieder (3), Op. 12: no 3, Warum willst du andre fragen? by Clara Wieck Schumann
Performer: Hélène Grimaud (Piano), Anne Sofie von Otter (Mezzo Soprano)
Period: Romantic
Written: 1840; Germany
Date of Recording: 09/2005
Venue: Scoring Stage, Berlin, Germany
Length: 2 Minutes 11 Secs.
93. Rhapsodies (2) for Piano, Op. 79: no 1 in B minor by Johannes Brahms
Performer: Hélène Grimaud (Piano)
Period: Romantic
Written: 1879; Austria
Date of Recording: 06/2000
Venue: Teldex Studios, Berlin, Germany
Length: 8 Minutes 56 Secs.
94. Rhapsodies (2) for Piano, Op. 79: no 2 in G minor by Johannes Brahms
Performer: Hélène Grimaud (Piano)
Period: Romantic
Written: 1879; Austria
Date of Recording: 06/2000
Venue: Teldex Studios, Berlin, Germany
Length: 7 Minutes 6 Secs.
95. Quartet for Strings no 14 in D minor, D 810 "Death and the Maiden" by Franz Schubert
Performer: Clemens Hagen (Cello), Veronika Hagen (Viola), Rainer Schmidt (Violin),
Lukas Hagen (Violin)
Orchestra/Ensemble: Hagen String Quartet
Period: Romantic
Written: 1824; Vienna, Austria
Date of Recording: 10/1990
Venue: Akademie der Wissenschaft, Munich
Length: 41 Minutes 46 Secs.
96. Quartet for Strings no 16 in F major, Op. 135 by Ludwig van Beethoven
Performer: Lukas Hagen (Violin), Rainer Schmidt (Violin), Clemens Hagen (Cello),
Veronika Hagen (Viola)
Orchestra/Ensemble: Hagen String Quartet
Written: 1826
Date of Recording: 10/1990
Venue: Akademie der Wissenschaft, Munich
Length: 25 Minutes 54 Secs.
97. Concerto for Violin in D minor, Op. 47 by Jean Sibelius
Performer: Hilary Hahn (Violin)
Conductor: Esa-Pekka Salonen
Orchestra/Ensemble: Swedish Radio Symphony Orchestra
Period: Romantic
Written: 1903-1905; Finland
98. Concerto for Violin, Op. 36 by Arnold Schoenberg
Performer: Hilary Hahn (Violin)
Conductor: Esa-Pekka Salonen
Orchestra/Ensemble: Swedish Radio Symphony Orchestra
Period: 20th Century
Written: 1935-1936; USA
99. Chaconne in G major by Andrea Falconieri
Performer: Stephan Rath (Chitarrone), Kristian Bezuidenhout (Piano), Lorenza Borrani (Violin),
Daniel Hope (Violin), Jonathan Cohen (Cello), Stefan Maass (Lute),
Hans-Kristian Kjos Sorensen (Percussion)
Period: Baroque
Written: Italy
100. Suite for Harpsichord in D minor, HWV 447: Sarabande by George Frideric Handel
Performer: Enno Senft (Double Bass), Stewart Eaton (Viola), William Conway (Cello),
Jonathan Cohen (Cello), Stefan Maass (Lute), Daniel Hope (Violin),
Kristian Bezuidenhout (Piano), Lorenza Borrani (Violin), Stephan Rath (Chitarrone),
Lucy Gould (Violin)
Period: Baroque
Written: 1739; London, England
101. Recercada no 2 by Diego Ortiz
Performer: Lucy Gould (Violin), Hans-Kristian Kjos Sorensen (Percussion), Stefan Maass (Lute),
Jonathan Cohen (Cello), Daniel Hope (Violin), Lorenza Borrani (Violin),
Stephan Rath (Chitarrone), Stewart Eaton (Viola)
Period: Renaissance
Written: 16th Century; Spain
102. La suave melodia y su corrente by Andrea Falconieri
Performer: Stefan Maass (Lute), Jonathan Cohen (Cello), Daniel Hope (Violin),
Stephan Rath (Chitarrone)
Period: Renaissance
103. Passacalio by Biagio Marini
Performer: Stewart Eaton (Viola), Lorenza Borrani (Violin), Kristian Bezuidenhout (Piano),
Daniel Hope (Violin), Jonathan Cohen (Cello)
Period: Baroque
Written: 17th Century
104. Ayres for the Violin: Diverse bizzarie sopra la Vecchia Sarabanda o pur Ciaccona by Nicola Matteis
Performer: Jonathan Cohen (Cello), Stefan Maass (Lute), Daniel Hope (Violin),
Lorenza Borrani (Violin), Kristian Bezuidenhout (Piano), Stephan Rath (Chitarrone)
Period: Baroque
Written: England
105. Canon and Gigue for 3 Violins and Basso Continuo in D major by Johann Pachelbel
Performer: Stephan Rath (Chitarrone), Lorenza Borrani (Violin), Kristian Bezuidenhout (Piano),
Daniel Hope (Violin), Jonathan Cohen (Cello), Stefan Maass (Lute),
Lucy Gould (Violin)
Period: Baroque
Written: Germany
106. Concerto for Violin and Basso continuo in A minor, TV 51 no a 1 by Georg Philipp Telemann
Performer: Stephan Rath (Chitarrone), Lorenza Borrani (Violin), Kristian Bezuidenhout (Piano),
Daniel Hope (Violin), Stefan Maass (Lute), William Conway (Cello),
Stewart Eaton (Viola), Enno Senft (Double Bass), Lucy Gould (Violin)
Period: Baroque
Written: circa 1708-1716; Germany
107. Sonatas (6) for Violin and Basso Continuo: no 3 in D minor: Imitazione delle Campane by Johann Paul von Westhoff
Performer: Daniel Hope (Violin), Jonathan Cohen (Cello)
Period: Baroque
Written: by 1694; Germany
108. Ground after the Scotch Humour by Nicola Matteis
Performer: Hans-Kristian Kjos Sorensen (Percussion), Stefan Maass (Lute), Jonathan Cohen (Cello),
Daniel Hope (Violin), Kristian Bezuidenhout (Piano), Stephan Rath (Chitarrone)
Period: Baroque
Written: England
109. Concerti grossi (12) after Op. 5 of Arcangelo Corelli: no 5 in G minor by Francesco Geminiani
Performer: Stephan Rath (Chitarrone), Lorenza Borrani (Violin), Kristian Bezuidenhout (Piano),
Daniel Hope (Violin), Stefan Maass (Lute), William Conway (Cello),
Stewart Eaton (Viola), Enno Senft (Double Bass), Lucy Gould (Violin)
Period: Baroque
Written: by 1726; London, England
110. Galliarda napolitana by Antonio Valente
Performer: Kristian Bezuidenhout (Piano), Hans-Kristian Kjos Sorensen (Percussion), Jonathan Cohen (Cello),
Stefan Maass (Lute), Daniel Hope (Violin), Stephan Rath (Chitarrone)
Period: Renaissance
Written: by 1576; Naples, Italy
111. Passacalle by Andrea Falconieri
Performer: Jonathan Cohen (Cello), Hans-Kristian Kjos Sorensen (Percussion), Lorenza Borrani (Violin),
Kristian Bezuidenhout (Piano), Daniel Hope (Violin)
Period: Renaissance
112. Sonatas (12) for Violin/Flute and Basso Continuo, Op. 9: no 3 in D major - 4th movement, Tambourin by Jean Marie Leclair
Performer: Kristian Bezuidenhout (Piano), Hans-Kristian Kjos Sorensen (Percussion), Jonathan Cohen (Cello),
Stefan Maass (Lute), Daniel Hope (Violin), Stephan Rath (Chitarrone)
Period: Baroque
Written: by 1743; France
113. Greensleeves by Traditional
Performer: Stephan Rath (Chitarrone), Daniel Hope (Violin), Stefan Maass (Lute)
Period: Renaissance
Written: 16th Century; England
114. Sonata for Violin and Basso Continuo in A major "La Guerra" by Johann Paul von Westhoff
Performer: Kristian Bezuidenhout (Piano), Hans-Kristian Kjos Sorensen (Percussion), Jonathan Cohen (Cello),
Stefan Maass (Lute), Daniel Hope (Violin), Stephan Rath (Chitarrone)
Period: Baroque
Written: by 1682; Germany
115. Sonatas (6) for Violin and Basso Continuo: no 2 in A minor: Presto by Johann Paul von Westhoff
Performer: Stephan Rath (Chitarrone), Daniel Hope (Violin), Stefan Maass (Lute)
Period: Baroque
Written: Germany
116. Suite for Orchestra no 3 in D major, BWV 1068: Air by Johann Sebastian Bachv
Performer: Enno Senft (Double Bass), Stewart Eaton (Viola), William Conway (Cello),
Stefan Maass (Lute), Daniel Hope (Violin), Lorenza Borrani (Violin),
Stephan Rath (Chitarrone), Lucy Gould (Violin)
Period: Baroque
Written: circa 1729-1731; Leipzig, Germany
117. Sonata for Piano no 3 in B flat major, K 281 (189f) by Wolfgang Amadeus Mozart
Performer: Vladimir Horowitz (Piano)
Period: Classical
Written: 1775; Munich, Germany
118. Adagio for Piano in B minor, K 540 by Wolfgang Amadeus Mozart
Performer: Vladimir Horowitz (Piano)
Period: Classical
Written: 1788; Vienna, Austria
119. Rondo for Piano no 1 in D major, K 485 by Wolfgang Amadeus Mozart
Performer: Vladimir Horowitz (Piano)
Period: Classical
Written: 1786; Vienna, Austria
120. Moments musicaux (6) for Piano, D 780/Op. 94: no 3 in F minor by Franz Schubert
Performer: Vladimir Horowitz (Piano)
Period: Romantic
Written: 1823-1828; Vienna, Austria
121. Schwanengesang (Schubert), S 560: no 7, Ständchen "Leise flehen" by Franz Liszt
Performer: Vladimir Horowitz (Piano)
Period: Romantic
Written: 1838-1839; Geneva, Switzerland
122. Soirées de Vienne (9) after Schubert, S 427: no 7 by Franz Liszt
Performer: Vladimir Horowitz (Piano)
Period: Romantic
Written: 1852; Weimar, Germany
123. Soirées de Vienne (9) after Schubert, S 427: no 8 by Franz Liszt
Performer: Vladimir Horowitz (Piano)
Period: Romantic
Written: 1852; Weimar, Germany
124. Symphony no 4 in E flat major, WAB 104 "Romantic" by Anton Bruckner
Conductor: Eugen Jochum
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1874; Vienna, Austria
Date of Recording: 1965
125. German Requiem, Op. 45 by Johannes Brahms
Performer: Gundula Janowitz (Soprano), Franz Waechter (Baritone)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Vienna Singverein, Berlin Philharmonic Orchestra
Period: Romantic
Written: 1854-1868; Austria
126. La traviata by Giuseppe Verdi
Performer: Sherrill Milnes (Baritone), Placido Domingo (Tenor), Paul Friess (Bass),
Ileana Cotrubas (Soprano), Giovanni Foiani (Bass), Bruno Grella (Bass),
Alfredo Giacomotti (Bass), Walter Gullino (Tenor), Helena Jungwirth (Mezzo Soprano),
Stefania Malagú (Mezzo Soprano), Paul Winter (Bass)
Conductor: Carlos Kleiber
Orchestra/Ensemble: Bavarian State Opera Orchestra, Bavarian State Opera Chorus
Period: Romantic
Written: 1853; Italy
Date of Recording: 1977
Venue: Bayerischen Staatsoper
Language: Italian
127. Le nozze di Figaro, K 492: Voi che sapete che cosa è amor by Wolfgang Amadeus Mozart
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Simon Rattle
Orchestra/Ensemble: Orchestra of the Age of Enlightenment
Period: Classical
Written: 1786; Vienna, Austria
128. Le nozze di Figaro, K 492: Giunse alfin il momento...Deh vieni, non tardar by Wolfgang Amadeus Mozart
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Simon Rattle
Orchestra/Ensemble: Orchestra of the Age of Enlightenment
Period: Classical
Written: 1786; Vienna, Austria
129. Non più, tutto ascoltai...Non temer, amato bene, K 490 by Wolfgang Amadeus Mozart
Performer: Jos van Immerseel (Fortepiano), Magdalena Kozená (Mezzo soprano)
Conductor: Simon Rattle
Orchestra/Ensemble: Orchestra of the Age of Enlightenment
Period: Classical
Written: 1786; Vienna, Austria
130. Così fan tutte, K 588: In uomini, in soldati by Wolfgang Amadeus Mozart
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Simon Rattle
Orchestra/Ensemble: Orchestra of the Age of Enlightenment
Period: Classical
Written: 1790; Vienna, Austria
131. Così fan tutte, K 588: Ei parte...Per pietà ben mio by Wolfgang Amadeus Mozart
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Simon Rattle
Orchestra/Ensemble: Orchestra of the Age of Enlightenment
Period: Classical
Written: 1790; Vienna, Austria
132. Così fan tutte, K 588: Per pietà, ben mio by Wolfgang Amadeus Mozart
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Simon Rattle
Orchestra/Ensemble: Orchestra of the Age of Enlightenment
Written: 1790
133. Così fan tutte, K 588: E amore un ladroncello by Wolfgang Amadeus Mozart
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Simon Rattle
Orchestra/Ensemble: Orchestra of the Age of Enlightenment
Period: Classical
Written: 1790; Vienna, Austria
134. La clemenza di Tito, K 621: Ecco il punto...Non più di fiori by Wolfgang Amadeus Mozart
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Simon Rattle
Orchestra/Ensemble: Orchestra of the Age of Enlightenment
Period: Classical
Written: 1791; Prague, Czech Republic
135. Vado, ma dove?, K 583 by Wolfgang Amadeus Mozart
Performer: Jos van Immerseel (Fortepiano), Magdalena Kozená (Mezzo soprano)
Conductor: Simon Rattle
Orchestra/Ensemble: Orchestra of the Age of Enlightenment
Period: Classical
Written: 1789; Vienna, Austria
136. Le nozze di Figaro, K 492: Non so più cosa son, cosa faccio by Wolfgang Amadeus Mozart
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Simon Rattle
Orchestra/Ensemble: Orchestra of the Age of Enlightenment
Period: Classical
Written: 1786; Vienna, Austria
137. Alma grande e nobil core, K 578 by Wolfgang Amadeus Mozart
Performer: Jos van Immerseel (Fortepiano), Magdalena Kozená (Mezzo soprano)
Conductor: Simon Rattle
Orchestra/Ensemble: Orchestra of the Age of Enlightenment
Period: Classical
Written: 1789; Vienna, Austria
138. Le nozze di Figaro, K 492: Al desio di chi t'adora by Wolfgang Amadeus Mozart
Performer: Magdalena Kozená (Mezzo Soprano)
Conductor: Simon Rattle
Orchestra/Ensemble: Orchestra of the Age of Enlightenment
Written: 1786
139. Concerto for Violin by Philip Glass
Performer: Gidon Kremer (Violin)
Conductor: Christoph von Dohnányi
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: 20th Century
Written: 1987; USA
Date of Recording: 02/1992
Venue: Live Grosser Saal, Musikverein, Vienna
Length: 24 Minutes 54 Secs.
140. Concerto Grosso no 5 by Alfred Schnittke
Performer: Rainer Keuschnig (Piano), Gidon Kremer (Violin)
Conductor: Christoph von Dohnányi
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: 20th Century
Written: 1990-1991; Russia
Date of Recording: 11/1991
Venue: Live Grosser Saal, Musikverein, Vienna
Length: 27 Minutes 35 Secs.
141. Sonata for Piano no 10 in C major, K 330 (300h) by Wolfgang Amadeus Mozart
Performer: Lang Lang (Piano)
Period: Classical
Written: 1781-1783
Date of Recording: 08/2005
Venue: Friedrich-Ebert-Halle, Hamburg, Germany
Length: 19 Minutes 42 Secs.
142. Sonata for Piano no 3 in B minor, B 155/Op. 58 by Frédéric Chopin
Performer: Lang Lang (Piano)
Period: Romantic
Written: 1844; Paris, France
Date of Recording: 08/2005
Venue: Friedrich-Ebert-Halle, Hamburg, Germany
Length: 38 Minutes 13 Secs.
143. Kinderszenen, Op. 15 by Robert Schumann
Performer: Lang Lang (Piano)
Period: Romantic
Written: 1838; Germany
Date of Recording: 08/2005
Venue: Friedrich-Ebert-Halle, Hamburg, Germany
Length: 21 Minutes 32 Secs.
144. Hungarian Rhapsodies (19) for Piano, S 244: no 2 in C sharp minor by Franz Liszt
Performer: Lang Lang (Piano)
Period: Romantic
Written: 1847; Hungary
Date of Recording: 08/2005
Venue: Friedrich-Ebert-Halle, Hamburg, Germany
Length: 9 Minutes 5 Secs.
145. An American in Paris by George Gershwin
Conductor: James Levine
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1928; USA
Date of Recording: 07/1990
Venue: Orchestra Hall, Chicago
Length: 17 Minutes 33 Secs.
146. Cuban Overture by George Gershwin
Conductor: James Levine
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1932; USA
Date of Recording: 07/1990
Venue: Orchestra Hall, Chicago
Length: 9 Minutes 47 Secs.
147. Porgy and Bess: Suite "Catfish Row" by George Gershwin
Conductor: James Levine
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1936; USA
Date of Recording: 07/1990
Venue: Orchestra Hall, Chicago
Length: 23 Minutes 21 Secs.
148. Rhapsody in Blue by George Gershwin
Performer: James Levine (Piano)
Conductor: James Levine
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1924; USA
Date of Recording: 07/1990
Venue: Orchestra Hall, Chicago
Length: 16 Minutes 4 Secs.
149. Mass in C minor, K 427 (417a) "Great" by Wolfgang Amadeus Mozart
Performer: Katy Bircher (Flute), Katharina Spreckelsen (Oboe), Timothy Robinson (Tenor),
Sally Jackson (Bassoon), Sarah Connolly (Soprano), Camilla Tilling (Soprano),
Neal Davies (Baritone)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Classical
Written: 1782-1783; Vienna, Austria
Date of Recording: 10/2004
Venue: Walthamstow Town Hall, England
Length: 48 Minutes 54 Secs.
150. Berenice, che fai, H 24a no 10 by Franz Joseph Haydn
Performer: Sarah Connolly (Soprano)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Players
Period: Classical
Written: 1795; London, England
Date of Recording: 10/2004
Venue: Walthamstow Town Hall, England
Length: 12 Minutes 25 Secs.
Language: Italian
151. Ah, Perfido!, Op. 65 by Ludwig van Beethoven
Performer: Camilla Tilling (Soprano)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Players
Period: Classical
Written: 1795-1796; Vienna, Austria
Date of Recording: 10/2004
Venue: Walthamstow Town Hall, England
Length: 12 Minutes 30 Secs.
Language: Italian
152. Viderunt omnes by Léonin
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 12th Century; France
Date of Recording: 04/1975
Venue: Chapel, Charter House, Godalming, Surrey
Length: 9 Minutes 14 Secs.
Language: Latin
153. Viderunt omnes by Pérotin
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: circa 1200; France
Date of Recording: 04/1975
Venue: Chapel, Charter House, Godalming, Surrey
Length: 11 Minutes 55 Secs.
Language: Latin
154. Alle psallite cum luya by Anonymous
Performer: David Corkhill (Tabor)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 13th Century
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 9 Secs.
Language: Latin
155. Amor potest/Ad amorem by Anonymous
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 13th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 1 Secs.
Language: Latin
156. S'on me regarde by Anonymous
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 2 Minutes 23 Secs.
Language: French
157. In mari miserie by Anonymous
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 52 Secs.
Language: Latin
158. O mitissima by Anonymous
Performer: David Corkhill (Tabor)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 29 Secs.
159. In seculum d'Amiens longum by Anonymous
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 13th Century
Date of Recording: 10/1975
Venue: Conway Hall, London, England
160. Aucun ont trouvé by Petrus de Cruce
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 13th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 3 Minutes 14 Secs.
Language: French
161. De ma dame vient by Adam de la Halle
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 13th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 2 Minutes 26 Secs.
Language: French
162. J'os bien a m'amie parler by Adam de la Halle
Performer: David Munrow (Recorder)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 13th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 50 Secs.
Language: French
163. La mesnie fauveline/J'ai fait nouveletement/Grant despit by Anonymous
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 17 Secs.
Language: French
164. Impudenter circumivi by Philippe De Vitry
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: circa 1330; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 3 Minutes 10 Secs.
Language: Latin
165. Cum statua by Philippe De Vitry
Performer: David Munrow (Shawm)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: circa 1330; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 2 Minutes 27 Secs.
Language: Latin
166. Clap, par un matin by Anonymous
Performer: Gillian Reid (Psaltery), James Tyler (Mandore), Christopher Hogwood (Harp)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 29 Secs.
Language: French
167. Febus mundo Oriens-Lanista vipereus-Cornibus by Anonymous
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 3 Minutes 31 Secs.
Language: Latin
168. Qui es promesses de Fortune/Ha, Fortune! trop suis mis loing/Et non est qui adjuvet by Guillaume de Machaut
Performer: David Munrow (Shawm)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 14th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 56 Secs.
169. Lasse! comment oublieray/Se j'aim mon loyal/Pour quoy me bat mes maris? by Guillaume de Machaut
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 14th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 4 Minutes 6 Secs.
Language: Latin
170. Inter densas - Imbribus irriguis by Anonymous
Performer: James Tyler (Lute)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 3 Minutes 17 Secs.
Language: Latin
171. Hoquetus David by Guillaume de Machaut
Performer: David Munrow (Shawm)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 14th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 3 Minutes 18 Secs.
172. Carmen Fantasy for Violin and Orchestra, Op. 25 by Pablo de Sarasate
Performer: Anne-Sophie Mutter (Violin)
Conductor: James Levine
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: ?1883
Date of Recording: 11/1992
Venue: Grosser Saal, Musikverein, Vienna
Length: 12 Minutes 38 Secs.
173. Berceuse for Violin and Orchestra in D major, Op. 16 by Gabriel Fauré
Performer: Anne-Sophie Mutter (Violin)
Conductor: James Levine
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1880; France
Date of Recording: 11/1992
Venue: Grosser Saal, Musikverein, Vienna
Length: 4 Minutes 28 Secs.
174. Thaïs: Meditation by Jules Massenet
Performer: Anne-Sophie Mutter (Violin)
Conductor: James Levine
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1894; France
Date of Recording: 11/1992
Venue: Grosser Saal, Musikverein, Vienna
Length: 6 Minutes 42 Secs.
175. Tzigane for Violin and Orchestra by Maurice Ravel
Performer: Anne-Sophie Mutter (Violin)
Conductor: James Levine
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: 20th Century
Written: 1924; France
Date of Recording: 11/1992
Venue: Grosser Saal, Musikverein, Vienna
Length: 10 Minutes 1 Secs.
176. Sonata for Violin and Basso Continuo in G minor, Op. 1 no 4 "Devil's Trill" by Giuseppe Tartini
Performer: Anne-Sophie Mutter (Violin)
Conductor: James Levine
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Baroque
Written: Italy
Date of Recording: 11/1992
Venue: Grosser Saal, Musikverein, Vienna
Length: 16 Minutes 32 Secs.
177. Zigeunerweisen, Op. 20 by Pablo de Sarasate
Performer: Anne-Sophie Mutter (Violin)
Conductor: James Levine
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1878
Date of Recording: 11/1992
Venue: Grosser Saal, Musikverein, Vienna
Length: 8 Minutes 41 Secs.
178. Légende for Violin and Orchestra in G major, Op. 17 by Henri Wieniawski
Performer: Anne-Sophie Mutter (Violin)
Conductor: James Levine
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: circa 1860; St. Petersburg, Russia
Date of Recording: 11/1992
Venue: Grosser Saal, Musikverein, Vienna
Length: 7 Minutes 41 Secs.
179. La Bohème: O soave fanciulla by Giacomo Puccini
Performer: Rolando Villazón (Tenor), Anna Netrebko (Soprano)
Conductor: Nicola Luisotti
Orchestra/Ensemble: Dresden Staatskapelle
Period: Romantic
Written: 1896; Italy
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 4 Minutes 10 Secs.
180. Lucia di Lammermoor: Sulla tomba che rinserra...Verranno a te by Gaetano Donizetti
Performer: Rolando Villazón (Tenor), Anna Netrebko (Soprano)
Conductor: Nicola Luisotti
Orchestra/Ensemble: Dresden Staatskapelle
Period: Romantic
Written: 1835; Italy
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 12 Minutes 40 Secs.
Language: Italian
181. Rigoletto: E' il sol dell' anima by Giuseppe Verdi
Performer: Anna Netrebko (Soprano), Rolando Villazón (Tenor), Nadine Weissmann (Soprano),
Nicola Luisotti
Conductor: Nicola Luisotti
Orchestra/Ensemble: Dresden Staatskapelle
Period: Romantic
Written: 1851; Italy
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 8 Minutes 19 Secs.
Language: Italian
182. Roméo et Juliette: Nuit d'hyménée by Charles Gounod
Performer: Anna Netrebko (Soprano), Rolando Villazón (Tenor)
Conductor: Nicola Luisotti
Orchestra/Ensemble: Dresden Staatskapelle
Period: Romantic
Written: 1867; France
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 8 Minutes 5 Secs.
Language: French
183. Les pêcheurs de perles: De mon amie, fleur endormie by Georges Bizet
Performer: Anna Netrebko (Soprano), Rolando Villazón (Tenor)
Conductor: Nicola Luisotti
Orchestra/Ensemble: Dresden Staatskapelle
Period: Romantic
Written: 1863; France
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 9 Minutes 0 Secs.
Language: French
184. Manon: Toi! Vous!...N'est ce plus ma main by Jules Massenet
Performer: Anna Netrebko (Soprano), Rolando Villazón (Tenor)
Conductor: Nicola Luisotti
Orchestra/Ensemble: Dresden Staatskapelle
Period: Romantic
Written: 1883-1884; France
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 8 Minutes 5 Secs.
Language: French
185. Iolanta, Op. 69: Wondrous firstling of creation by Peter Ilyich Tchaikovsky
Performer: Anna Netrebko (Soprano), Rolando Villazón (Tenor)
Conductor: Nicola Luisotti
Orchestra/Ensemble: Dresden Staatskapelle
Period: Romantic
Written: 1891; Russia
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 10 Minutes 3 Secs.
Language: Russian
186. Luisa Fernanda: Cállate corazón by Federico Moreno-Torroba
Performer: Anna Netrebko (Soprano), Rolando Villazón (Tenor)
Conductor: Nicola Luisotti
Orchestra/Ensemble: Dresden Staatskapelle
Period: 20th Century
Written: 1932; Spain
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 5 Minutes 28 Secs.
Language: Spanish
187. Transcendental Etudes (12) for Piano, S 139 by Franz Liszt
Performer: Alice Sara Ott (Piano)
Period: Romantic
Written: 1851; Weimar, Germany
188. Die sieben Todsünden der Kleinbürger by Kurt Weill
Performer: Christfried Biebrach (Baritone), Frédéric Martin (Bass), Karl-Heinz Lampe (Tenor),
James Sims (Tenor), Anne Sofie von Otter (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: North German Radio Symphony Orchestra
Period: 20th Century
Written: 1933; Germany
Date of Recording: 09/1973
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 34 Minutes 12 Secs.
Language: German
189. Lady in the Dark: My ship by Kurt Weill
Performer: Anne Sofie von Otter (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: North German Radio Symphony Orchestra
Period: 20th Century
Written: 1940; USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 2 Minutes 42 Secs.
Language: English
190. Lady in the Dark: One life to live by Kurt Weill
Performer: Anne Sofie von Otter (Soprano), Bengt Forsberg (Piano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: North German Radio Symphony Orchestra
Period: 20th Century
Written: 1940; USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 3 Minutes 1 Secs.
Language: English
191. Propaganda Songs (9): Buddy on the Nightshift by Kurt Weill
Performer: Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
Period: 20th Century
Written: 1942; USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 2 Minutes 9 Secs.
Language: English
192. Nanna's Lied by Kurt Weill
Performer: Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
Period: 20th Century
Written: 1939; New York, USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 4 Minutes 2 Secs.
Language: German
193. Happy End: Bilbao Song by Kurt Weill
Performer: Anne Sofie von Otter (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: North German Radio Symphony Orchestra
Period: 20th Century
Written: 1929; Berlin, Germany
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 4 Minutes 27 Secs.
Language: English
194. Happy End: Surabaya Johnny by Kurt Weill
Performer: Anne Sofie von Otter (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: North German Radio Symphony Orchestra
Period: 20th Century
Written: 1929; Berlin, Germany
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 6 Minutes 1 Secs.
Language: English
195. Happy End: Das Lied von der harten Nuss by Kurt Weill
Performer: Anne Sofie von Otter (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: North German Radio Symphony Orchestra
Period: 20th Century
Written: 1929; Berlin, Germany
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 1 Minutes 6 Secs.
Language: German
196. Je ne t'aime pas by Kurt Weill
Performer: Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
Period: 20th Century
Written: 1934; France
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 4 Minutes 29 Secs.
Language: French
197. Propaganda Songs (9): Schickelgruber by Kurt Weill
Performer: Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
Period: 20th Century
Written: 1942; USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 2 Minutes 51 Secs.
Language: German
198. Der Abschiedsbrief by Kurt Weill
Performer: Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
Period: 20th Century
Written: 1933; Germany
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 3 Minutes 25 Secs.
Language: German
199. One touch of Venus: Foolish heart by Kurt Weill
Performer: Anne Sofie von Otter (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: North German Radio Symphony Orchestra
Period: 20th Century
Written: 1943; New York, USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 2 Minutes 28 Secs.
Language: English
200. One touch of Venus: Speak Low by Kurt Weill
Performer: Anne Sofie von Otter (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: North German Radio Symphony Orchestra
Period: 20th Century
Written: 1943; New York, USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 3 Minutes 59 Secs.
Language: English
201. One touch of Venus: I'm a stranger here myself by Kurt Weill
Performer: Anne Sofie von Otter (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: North German Radio Symphony Orchestra
Period: 20th Century
Written: 1943; New York, USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 3 Minutes 13 Secs.
Language: German
202. Brandenburg Concerto no 1 in F major, BWV 1046 by Johann Sebastian Bach
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1717; ?Cöthen, Germany
203. Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1717-1718; ?Cöthen, German
204. Brandenburg Concerto no 3 in G major, BWV 1048 by Johann Sebastian Bach
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1711-1713; ?Weimar, Germany
205. Concerto for Piano no 14 in E flat major, K 449 by Wolfgang Amadeus Mozart
Performer: Maria-Joao Pires (Piano)
Conductor: Claudio Abbado
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Classical
Written: 1784; Vienna, Austria
Date of Recording: 03/1992
Venue: Grosser Saal, Musikverein, Vienna
Length: 21 Minutes 28 Secs.
206. Concerto for Piano no 26 in D major, K 537 "Coronation" by Wolfgang Amadeus Mozart
Performer: Maria-Joao Pires (Piano)
Conductor: Claudio Abbado
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Classical
Written: 1788; Vienna, Austria
Date of Recording: 04/1990
Venue: Live Grosses Festespielhaus, Salzburg
Length: 30 Minutes 22 Secs.
207. Pétrouchka: Three movements for Piano by Igor Stravinsky
Performer: Maurizio Pollini (Piano)
Period: 20th Century
Written: 1921; France
Date of Recording: 09/1971
Venue: Herkules Saal, Residenz, Munich
Length: 15 Minutes 19 Secs.
208. Sonata for Piano no 7 in B flat major, Op. 83 by Sergei Prokofiev
Performer: Maurizio Pollini (Piano)
Period: 20th Century
Written: 1939-1942; USSR
Date of Recording: 09/1971
Venue: Herkules Saal, Residenz, Munich
Length: 17 Minutes 1 Secs.
209. Variations for Piano, Op. 27 by Anton von Webern
Performer: Maurizio Pollini (Piano)
Period: 20th Century
Written: 1935-1936; Austria
Date of Recording: 07/1976
Venue: Herkules Saal, Residenz, Munich
Length: 6 Minutes 2 Secs.
210. Sonata for Piano no 2 by Pierre Boulez
Performer: Maurizio Pollini (Piano)
Written: 1948
Date of Recording: 07/1976
Venue: Herkules Saal, Residenz, Munich
Length: 29 Minutes 35 Secs.
211. Die schöne Müllerin, D 795/Op. 25 by Franz Schubert
Performer: Justus Zeyen (Piano), Thomas Quasthoff (Bass Baritone)
Period: Romantic
Written: 1823; Vienna, Austria
Date of Recording: 07/2005
Venue: Teldex Studio, Berlin, Germany
Length: 61 Minutes 24 Secs.
Language: German
212. Drumming by Steve Reich
Conductor: Steve Reich
Orchestra/Ensemble: Steve Reich and Musicians Ensemble
Period: 20th Century
Written: 1970-1971; USA
213. Six Pianos by Steve Reich
Orchestra/Ensemble: Steve Reich and Musicians Ensemble
Period: 20th Century
Written: 1973; USA
214. Music for Mallet Instruments, Voices and Electric Organ by Steve Reich
Orchestra/Ensemble: Steve Reich and Musicians Ensemble
Period: 20th Century
Written: 1973; USA
215. Sleeping Beauty Suite, Op. 66a by Peter Ilyich Tchaikovsky
Conductor: Mstislav Rostropovich
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1889; Russia
Date of Recording: 06/1978
216. Swan Lake Suite, Op. 20a by Peter Ilyich Tchaikovsky
Performer: Leon Spierer (Violin), Eberhard Finke (Cello)
Conductor: Mstislav Rostropovich
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1875-1876; Russia
Date of Recording: 06/1978
217. Nutcracker Suite, Op. 71a by Peter Ilyich Tchaikovsky
Conductor: Mstislav Rostropovich
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1892; Russia
Date of Recording: 06/1978
218. Sonata concertata in A major, Op. 61/MS 2 by Niccolò Paganini
Performer: Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic
Written: 1804; Italy
Date of Recording: 11/1992
Venue: Jesus Christus Kirche, Berlin
Length: 14 Minutes 14 Secs.
219. Sonatas (6) for Violin and Guitar, Op. 3: no 1 in A major by Niccolò Paganini
Performer: Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic
Written: circa 1805
Date of Recording: 11/1992
Venue: Jesus Christus Kirche, Berlin
Length: 3 Minutes 18 Secs.
220. Sonatas (6) for Violin and Guitar, Op. 3: no 4 in A minor by Niccolò Paganini
Performer: Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic
Written: circa 1805
Date of Recording: 11/1992
Venue: Jesus Christus Kirche, Berlin
Length: 4 Minutes 29 Secs.
221. Sonatas (6) for Violin and Guitar, Op. 3: no 6 in E minor by Niccolò Paganini
Performer: Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic
Written: circa 1805
Date of Recording: 11/1992
Venue: Jesus Christus Kirche, Berlin
Length: 4 Minutes 24 Secs.
222. Sonata for Guitar in A major, MS 3 "Grande" by Niccolò Paganini
Performer: Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic
Date of Recording: 11/1992
Venue: Jesus Christus Kirche, Berlin
Length: 4 Minutes 28 Secs.
223. Centone di Sonate (18) for Violin and Guitar, Op. 64: no 2 in D major by Niccolò Paganini
Performer: Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic
Written: after 1828
Date of Recording: 11/1992
Venue: Jesus Christus Kirche, Berlin
Length: 6 Minutes 57 Secs.
224. Centone di Sonate (18) for Violin and Guitar, Op. 64: no 4 in A major by Niccolò Paganini
Performer: Gil Shaham (Violin), Göran Söllscher (Guitar)
Period: Romantic
Written: after 1828
Date of Recording: 11/1992
Venue: Jesus Christus Kirche, Berlin
Length: 8 Minutes 30 Secs.
225. Cantabile for Violin and Guitar in D major, Op. 17/MS 109 by Niccolò Paganini
Performer: Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic
Date of Recording: 11/1992
Venue: Jesus Christus Kirche, Berlin
Length: 3 Minutes 43 Secs.
226. Sonata a preghiera, MS 23 by Niccolò Paganini
Performer: Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic
Date of Recording: 11/1992
Venue: Jesus Christus Kirche, Berlin
Length: 7 Minutes 12 Secs.
227. Moto perpetuo for Violin and Orchestra in C major, Op. 11 by Niccolò Paganini
Performer: Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic
Written: 1835
Date of Recording: 11/1992
Venue: Jesus Christus Kirche, Berlin
Length: 3 Minutes 17 Secs.
228. Die Zauberflöte, K 620: Chorus(es) by Wolfgang Amadeus Mozart
Conductor: Giuseppe Sinopoli
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra, Berlin Deutsche Oper Chorus
Period: Classical
229. Der Freischütz, J 277: Chorus(es) by Carl Maria von Weber
Conductor: Giuseppe Sinopoli
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra, Berlin Deutsche Oper Chorus
Period: Romantic
Written: 1817-1821; Dresden, Germany
230. Fidelio, Op. 72: Chorus(es) by Ludwig van Beethoven
Conductor: Giuseppe Sinopoli
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra, Berlin Deutsche Oper Chorus
Period: Romantic
231. Tannhäuser: Chorus(es) by Richard Wagner
Conductor: Giuseppe Sinopoli
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra, Berlin Deutsche Oper Chorus
Period: Romantic
Written: 1845/1861; Germany
232. Nabucco: Chorus(es) by Giuseppe Verdi
Conductor: Giuseppe Sinopoli
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra, Berlin Deutsche Oper Chorus
Period: Romantic
Written: 1842; Italy
233. Macbeth: Chorus(es) by Giuseppe Verdi
Conductor: Giuseppe Sinopoli
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra, Berlin Deutsche Oper Chorus
Period: Romantic
Written: 1847/1865; Italy
234. I lombardi: Chorus(es) by Giuseppe Verdi
Conductor: Giuseppe Sinopoli
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra, Berlin Deutsche Oper Chorus
Period: Romantic
Written: 1843; Italy
235. Il trovatore: Chorus(es) by Giuseppe Verdi
Conductor: Giuseppe Sinopoli
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra, Berlin Deutsche Oper Chorus
Period: Romantic
Written: 1853; Italy
236. Aida: Chorus(es) by Giuseppe Verdi
Conductor: Giuseppe Sinopoli
Orchestra/Ensemble: Berlin Deutsche Oper Orchestra, Berlin Deutsche Oper Chorus
Period: Romantic
Written: 1871; Italy
237. Le nozze di Figaro, K 492: Non più andrai farfallone amoroso by Wolfgang Amadeus Mozart
Performer: Bryn Terfel (Bass Baritone)
Conductor: James Levine
Orchestra/Ensemble: Metropolitan Opera Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 3 Minutes 54 Secs.
Language: Italian
238. Don Giovanni, K 527: Deh vieni alla finestra [Serenade] by Wolfgang Amadeus Mozart
Performer: Bryn Terfel (Bass Baritone)
Conductor: James Levine
Orchestra/Ensemble: Metropolitan Opera Orchestra
Period: Classical
Written: 1787; Prague, Czech Republic
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 2 Minutes 7 Secs.
Language: Italian
239. Don Giovanni, K 527: Madamina, il catalogo è questo by Wolfgang Amadeus Mozart
Performer: Bryn Terfel (Bass Baritone)
Conductor: James Levine
Orchestra/Ensemble: Metropolitan Opera Orchestra
Period: Classical
Written: 1787; Prague, Czech Republic
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 5 Minutes 35 Secs.
Language: Italian
240. Così fan tutte, K 588: Rivolgete a lui lo sguardo by Wolfgang Amadeus Mozart
Performer: Bryn Terfel (Bass Baritone)
Conductor: James Levine
Orchestra/Ensemble: Metropolitan Opera Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Date of Recording: 09/1995
Venue: Manhattan Center, New York City
Length: 4 Minutes 52 Secs.
Language: Italian
241. Die Zauberflöte, K 620: Der Vogelfänger bin ich ja by Wolfgang Amadeus Mozart
Performer: Bryn Terfel (Bass Baritone)
Conductor: James Levine
Orchestra/Ensemble: Metropolitan Opera Orchestra
Period: Classical
Written: 1791; Vienna, Austria
Date of Recording: 09/1995
Venue: Manhattan Center, New York City
Length: 2 Minutes 55 Secs.
Language: German
242. Tannhäuser: O, du mein holder Abendstern by Richard Wagner
Performer: Bryn Terfel (Bass Baritone)
Conductor: James Levine
Orchestra/Ensemble: Metropolitan Opera Orchestra
Period: Romantic
Written: 1845/1861; Germany
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 5 Minutes 57 Secs.
Language: German
243. Der fliegende Holländer: Die Frist ist um [Monologue] by Richard Wagner
Performer: Bryn Terfel (Bass Baritone)
Conductor: James Levine
Orchestra/Ensemble: Metropolitan Opera Orchestra
Period: Romantic
Written: 1841/1852; Germany
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 11 Minutes 54 Secs.
Language: German
244. Les contes d'Hoffmann: Scintille diamant by Jacques Offenbach
Performer: Bryn Terfel (Bass Baritone)
Conductor: James Levine
Orchestra/Ensemble: Metropolitan Opera Orchestra
Period: Romantic
Written: 1881; Paris, France
Date of Recording: 09/1995
Venue: Manhattan Center, New York City
Length: 3 Minutes 46 Secs.
Language: French
245. Faust: Vous qui faites l'endormie "Serenade" by Charles Gounod
Performer: Bryn Terfel (Bass Baritone)
Conductor: James Levine
Orchestra/Ensemble: Metropolitan Opera Orchestra
Period: Romantic
Written: 1859; France
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 3 Minutes 4 Secs.
Language: French
246. Prince Igor: No sleep, no rest "Igor's Aria" by Alexander Borodin
Performer: Bryn Terfel (Bass Baritone)
Conductor: James Levine
Orchestra/Ensemble: Metropolitan Opera Orchestra
Period: Romantic
Written: 1869-1887; Russia
Date of Recording: 09/1995
Venue: Manhattan Center, New York City
Length: 8 Minutes 16 Secs.
Language: Russian
247. Don Pasquale: Bella siccome un angelo by Gaetano Donizetti
Performer: Bryn Terfel (Bass Baritone)
Conductor: James Levine
Orchestra/Ensemble: Metropolitan Opera Orchestra
Period: Romantic
Written: 1843; Italy
Date of Recording: 09/1995
Venue: Manhattan Center, New York City
Length: 3 Minutes 0 Secs.
Language: Italian
248. Macbeth: Perfidi! All'anglo...Pietà, rispetto, amore by Giuseppe Verdi
Performer: Bryn Terfel (Bass Baritone)
Conductor: James Levine
Orchestra/Ensemble: Metropolitan Opera Orchestra
Period: Romantic
Written: 1847/1865; Italy
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 5 Minutes 23 Secs.
Language: Italian
249. Falstaff: L'onore! Ladri! "Ford's Monologue" by Giuseppe Verdi
Performer: Bryn Terfel (Bass Baritone)
Conductor: James Levine
Orchestra/Ensemble: Metropolitan Opera Orchestra
Period: Romantic
Written: 1893; Italy
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 4 Minutes 32 Secs.
Language: Italian
250. La Cenerentola: Miei rampolli femminini by Gioachino Rossini
Performer: Bryn Terfel (Bass Baritone)
Conductor: James Levine
Orchestra/Ensemble: Metropolitan Opera Orchestra
Period: Romantic
Written: 1817; Italy
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 5 Minutes 36 Secs.
Language: Italian
251. Etudes (6) for Piano, Book 1: no 4, Fanfares by György Ligeti
Performer: Yuja Wang (Piano)
Period: 20th Century
Written: 1985; Berlin, Germany
252. Etudes (8) for Piano, Book 2: no 10, Dar Zauberlehrling by György Ligeti
Performer: Yuja Wang (Piano)
Period: 20th Century
Written: 1988-1993
253. Sonata for Piano no 2 in B flat minor, B 128/Op. 35 "Funeral March" by Frédéric Chopin
Performer: Yuja Wang (Piano)
Period: Romantic
Written: 1837-1839; Paris, France
254. Sonata for Piano in B minor, S 178 by Franz Liszt
Performer: Yuja Wang (Piano)
Period: Romantic
Written: 1852-1853; Weimar, Germany
255. Sonata for Piano no 2 in G sharp minor, Op. 19 "Sonata fantasy" by Alexander Scriabin
Performer: Yuja Wang (Piano)
Period: 20th Century
Written: 1892-1897; Russia
256. Concierto de Aranjuez for Guitar by Joaquin Rodrigo
Performer: Narciso Yepes (Guitar)
Conductor: Luis Garcia-Navarro
Orchestra/Ensemble: English Chamber Orchestra
Period: 20th Century
Written: 1939; Spain
257. Fantasía para un gentilhombre by Joaquin Rodrigo
Performer: Narciso Yepes (Guitar)
Conductor: Luis Garcia-Navarro
Orchestra/Ensemble: English Chamber Orchestra
Period: 20th Century
Written: 1954; Spain
258. Ballade for Piano no 1 in G minor, B 66/Op. 23 by Frédéric Chopin
Performer: Krystian Zimerman (Piano)
Period: Romantic
Written: 1831-1835
259. Ballade for Piano no 2 in F major/a minor, B 102/Op. 38 by Frédéric Chopin
Performer: Krystian Zimerman (Piano)
Period: Romantic
Written: 1836-1839; Paris, France
260. Ballade for Piano no 3 in A flat major, B 136/Op. 47 by Frédéric Chopin
Performer: Krystian Zimerman (Piano)
Period: Romantic
Written: 1840-1841; Paris, France
261. Ballade for Piano no 4 in F minor, B 146/Op. 52 by Frédéric Chopin
Performer: Krystian Zimerman (Piano)
Period: Romantic
Written: 1842; Paris, France
262. Barcarolle for Piano in F sharp major, B 158/Op. 60 by Frédéric Chopin
Performer: Krystian Zimerman (Piano)
Period: Romantic
Written: 1845-1846; Paris, France
263. Fantasie for Piano in F minor/A flat major, B 137/Op. 49 by Frédéric Chopin
Performer: Krystian Zimerman (Piano)
Period: Romantic
Written: 1841; Paris, France
264. Rosamunde, D 797/Op. 26: no 1, Overture (D 644) by Franz Schubert
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1823; Vienna, Austria
265. Symphony no 9 in C major, D 944 "Great" by Franz Schubert
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: ?1825-28; Vienna, Austria
266. Phantasie for Piano in C major, Op. 17 by Robert Schumann
Performer: Wilhelm Kempff (Piano)
Period: Romantic
Written: 1836-1838; Germany
267. Variations and Fugue for Piano in B flat major on a theme by Handel, Op. 24 by Johannes Brahms
Performer: Wilhelm Kempff (Piano)
Period: Romantic
Written: 1861; Germany
268. Symphony no 6 in B minor, Op. 74 "Pathétique" by Peter Ilyich Tchaikovsky
Conductor: Eugen Mravinsky
Orchestra/Ensemble: Leningrad Philharmonic Orchestra
Period: Romantic
Written: 1893; Russia
269. Sinfonias (4), Wq 183: no 1 in D major, H 663 by Carl Philipp Emmanuel Bach
Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra
Period: Classical
Written: 1775-1776; Hamburg, Germany
270. Sinfonias (4), Wq 183: no 2 in E flat major, H 664 by Carl Philipp Emmanuel Bach
Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra
Period: Classical
Written: 1775-1776; Hamburg, Germany
271. Sinfonias (4), Wq 183: no 3 in F major, H 665 by Carl Philipp Emmanuel Bach
Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra
Period: Classical
Written: 1775-1776; Hamburg, Germany
272. Sinfonias (4), Wq 183: no 4 in G major, H 666 by Carl Philipp Emmanuel Bach
Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra
Period: Classical
Written: 1775-1776; Hamburg, Germany
273. Idomeneo, K 366: Solitudini amiche...Zeffiretti lusinghieri by Wolfgang Amadeus Mozart
Performer: Rita Streich (Soprano)
Conductor: Arthur Rother
Orchestra/Ensemble: Berlin RIAS Symphony Orchestra
Period: Classical
Written: 1781; Munich, Germany
274. Die Zauberflöte, K 620: Der Hölle Rache by Wolfgang Amadeus Mozart
Performer: Rita Streich (Soprano)
Conductor: Arthur Rother
Orchestra/Ensemble: Berlin RIAS Symphony Orchestra
Period: Classical
Written: 1791; Vienna, Austria
275. Semiramide: Bel raggio lusinghier by Gioachino Rossini
Performer: Rita Streich (Soprano)
Conductor: Arthur Rother
Orchestra/Ensemble: Berlin RIAS Symphony Orchestra
Period: Romantic
Written: 1823; Italy
276. Don Pasquale: Quel guardo il cavaliere...So anch'io la virtù by Gaetano Donizetti
Performer: Rita Streich (Soprano)
Conductor: Fritz Lehmann
Orchestra/Ensemble: Bavarian Radio Symphony Orchestra
Period: Romantic
Written: 1843; Italy
277. Der Freischütz, J 277: Kommt ein schlanker Bursch "Polacca" by Carl Maria von Weber
Performer: Rita Streich (Soprano)
Conductor: Arthur Rother
Orchestra/Ensemble: Berlin RIAS Symphony Orchestra
Period: Romantic
Written: 1817-1821; Dresden, Germany
278. Rigoletto: Caro nome by Giuseppe Verdi
Performer: Rita Streich (Soprano)
Conductor: Ferdinand Leitner
Orchestra/Ensemble: Berlin RIAS Symphony Orchestra
Period: Romantic
Written: 1851; Italy
279. Un ballo in maschera: Volta la terrea by Giuseppe Verdi
Performer: Rita Streich (Soprano)
Conductor: Ferdinand Leitner
Orchestra/Ensemble: Berlin RIAS Symphony Orchestra
Period: Romantic
Written: 1859; Italy
280. Un ballo in maschera: Saper vorreste di che si veste by Giuseppe Verdi
Performer: Rita Streich (Soprano)
Conductor: Ferdinand Leitner
Orchestra/Ensemble: Berlin RIAS Symphony Orchestra
Period: Romantic
Written: 1859; Italy
281. I vespri siciliani: Mercè, dilette amiche "Bolero" by Giuseppe Verdi
Performer: Rita Streich (Soprano)
Conductor: Ernst Marzendorfer
Orchestra/Ensemble: Berlin Radio Symphony Orchestra
Period: Romantic
Written: 1855; Italy
282. Les Huguenots: Nobles seigneurs, salut! by Giacomo Meyerbeer
Performer: Rita Streich (Soprano)
Conductor: Ferdinand Leitner
Orchestra/Ensemble: Berlin RIAS Symphony Orchestra
Period: Romantic
Written: 1836; France
283. Mignon: Oui, pour ce soir je suis reine des fées by Ambroise Thomas
Performer: Rita Streich (Soprano)
Conductor: Ferdinand Leitner
Orchestra/Ensemble: Munich Philharmonic Orchestra
Period: Romantic
Written: 1866; France
284. La Bohème: Quando m'en vo' soletta "Musetta's Waltz" by Giacomo Puccini
Performer: Rita Streich (Soprano)
Conductor: Ernst Marzendorfer
Orchestra/Ensemble: Berlin Radio Symphony Orchestra
Period: Romantic
Written: 1896; Italy
285. Marches (4) for Piano, Op. 76: no 2 in G minor by Robert Schumann
Performer: Sviatoslav Richter (Piano)
Period: Romantic
Written: 1849; Germany
286. Waldszenen, Op. 82 by Robert Schumann
Performer: Sviatoslav Richter (Piano)
Period: Romantic
Written: 1848-1849; Germany
287. Phantasiestücke (8) for Piano, Op. 12 by Robert Schumann
Performer: Sviatoslav Richter (Piano)
Period: Romantic
Written: 1837; Germany
Notes: This recording does not include the 4th or 6th phantasiestücke.
1. Air qui produit tant de choses si belles by Antoine Boësset
Performer: Monique Zanetti (Soprano), Claire Antonini (Lute)
Period: Baroque
Written: France
2. Ne délibérons plus by Antoine Boësset
Performer: Monique Zanetti (Soprano), Claire Antonini (Lute)
Period: Baroque
Written: France
3. Jamais n'auray-je le pouvoir by Antoine Boësset
Performer: Monique Zanetti (Soprano), Claire Antonini (Lute)
Period: Baroque
Written: France
4. Ballet du Dauphin: Excerpt(s) by Robert Ballard
Performer: Claire Antonini (Lute)
Period: Renaissance
5. Plaignez la rigueur de mon sort by Antoine Boësset
Performer: Monique Zanetti (Soprano), Claire Antonini (Lute)
Period: Baroque
Written: France
6. Suis-je pas misérable? by Antoine Boësset
Performer: Monique Zanetti (Soprano), Claire Antonini (Lute)
Period: Baroque
Written: France
7. Entrée by Robert Ballard
Performer: Claire Antonini (Lute)
8. Ennuis, désespoirs et douleurs by Antoine Boësset
Performer: Monique Zanetti (Soprano), Claire Antonini (Lute)
Period: Baroque
Written: France
9. Du plus doux de ses traits by Antoine Boësset
Performer: Monique Zanetti (Soprano), Claire Antonini (Lute)
Period: Baroque
Written: France
10. Courante for Lute by Anonymous
Performer: Claire Antonini (Lute)
Period: Renaissance
Written: by 1623; Bohemia
11. Volte by Anonymous
Performer: Claire Antonini (Lute)
Period: Renaissance
12. Me veux-tu voir mourir by Antoine Boësset
Performer: Monique Zanetti (Soprano), Claire Antonini (Lute)
Period: Baroque
Written: 17th Century; France
13. Alors que d'un discours hardy by Antoine Boësset
Performer: Monique Zanetti (Soprano), Claire Antonini (Lute)
Period: Baroque
Written: France
14. Heureux séjour de Partenisse by Antoine Boësset
Performer: Monique Zanetti (Soprano), Claire Antonini (Lute)
Period: Baroque
Written: by 1623; France
15. Pavane by Jacques Chambonnieres
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: France
16. Beauté dont les rigueurs by Antoine Boësset
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: France
17. L'Affligée by Jacques Chambonnieres
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: France
18. Me veux-tu voir mourir by Antoine Boësset
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: 17th Century; France
19. Hélas que je souffre de mal by François Richard
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: France
20. Prélude et Sarabande grave by Jean Lacquemant
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: France
21. Les larmes de Boisset by Ennemond Gaultier
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
22. Je meurs je languis by Antoine Boësset
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: France
23. Cher ami tes amoureux discours by François De Chancy
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: France
24. Je goûte en liberté by François De Chancy
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: France
25. Gigue by Jacques Chambonnieres
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: France
26. L'Entretien des dieux by Jacques Chambonnieres
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: France
27. Respects qui me donnez la loi by Etienne Moulinie
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: France
28. Philis j'arrête enfin mon humeur vagabonde by Michel Lambert
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: France
29. Amour je te suis obligé by Etienne Moulinie
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: France
30. Isis, LWV 54: Excerpt(s) by Jean-Baptiste Lully
Performer: Barbara Kusa (Soprano), Marc Mauillon (Tenor), Jean-François Lombard (Countertenor),
Edwin Crossley-Mercer (Bass)
Conductor: Olivier Schneebeli
Orchestra/Ensemble: Musica Florea, Les Pages et Les Chantres de Versailles
Period: Baroque
Written: by 1677; France
31. Amadis, LWV 63: Excerpt(s) by Jean-Baptiste Lully
Performer: Véronique Gens (Soprano), Benoît Porcherot (Countertenor), David Witczak (Baritone)
Conductor: Olivier Schneebeli
Orchestra/Ensemble: Musica Florea, Les Pages et Les Chantres de Versailles
Period: Baroque
Written: 1683-1684; France
32. Callirhoé: Excerpt(s) by Andre Destouches
Performer: Stéphanie D'Oustrac (Mezzo Soprano)
Conductor: Alice Piérotv
Orchestra/Ensemble: Le Concert Spirituel
Period: Baroque
Written: 1712; France
33. Achille et Polyxène: Overture by Pascal Colasse
Conductor: Alice Piérot
Orchestra/Ensemble: Le Concert Spirituel
Period: Baroque
Written: by 1687; France
34. Achille et Polyxène: Gavotte by Pascal Colasse
Conductor: Alice Piérot
Orchestra/Ensemble: Le Concert Spirituel
Period: Baroque
Written: by 1687; France
35. Persée, LWV 60: Excerpt(s) by Jean-Baptiste Lully
Performer: Stéphanie D'Oustrac (Mezzo Soprano)
Conductor: Alice Piérot
Orchestra/Ensemble: Le Concert Spirituel
Period: Baroque
Written: France
36. Sémélé: Chaconne by Marin Marais
Conductor: Alice Piérot
Orchestra/Ensemble: Le Concert Spirituel
Period: Baroque
Written: France
37. Médée, H 491: Excerpt(s) by Marc-Antoine Charpentier
Performer: Stéphanie D'Oustrac (Mezzo Soprano)
Conductor: Alice Piérot
Orchestra/Ensemble: Le Concert Spirituel
Period: Baroque
Written: 1693; France
38. Concerts royaux: Concert no 1 in G major by François Couperin
Conductor: Patrick Cohën-Akenine
Orchestra/Ensemble: Les Folies Françoises
Period: Baroque
Written: 1722; Paris, France
39. Concerts royaux: Concert no 2 in D major by François Couperin
Conductor: Patrick Cohën-Akenine
Orchestra/Ensemble: Les Folies Françoises
Period: Baroque
Written: 1722; Paris, France
40. Sinfonies pour les soupers du roi by Michel Richard Delalande
Conductor: Marek Stryncl
Orchestra/Ensemble: Musica Florea
Period: Baroque
Written: circa 1690-1700; France
41. Concert donné au soupir du Roy by Jean-Baptiste Lully II
Conductor: Marek Stryncl
Orchestra/Ensemble: Musica Florea
Period: Baroque
Written: France
42. Leçons de ténèbres (3): no 1, 3ème leçon du mercredi, H 141 by Marc-Antoine Charpentier
Performer: Patricia Petitbon (Soprano), Sophie Daneman (Soprano)
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Baroque
Written: by 1689; France
43. Litanies de la vierge, H 83 by Marc-Antoine Charpentier
Performer: Sabine Garrone (Mezzo Soprano), Edwige Parat (Soprano), Anne Magouët (Soprano),
François-Nicolas Geslot (Countertenor), Hervé Lamy (Tenor), Jean-Claude Sarragosse (Bass)
Conductor: Joel Suhubiette
Orchestra/Ensemble: Jacques Moderne Ensemble
Period: Baroque
Written: 1683-1685
44. Miserere des Jésuits, H 193 by Marc-Antoine Charpentier
Performer: Sabine Garrone (Mezzo Soprano), Edwige Parat (Soprano), Anne Magouët (Soprano),
François-Nicolas Geslot (Countertenor), Hervé Lamy (Tenor), Jean-Claude Sarragosse (Bass)
Conductor: Joel Suhubiette
Orchestra/Ensemble: Jacques Moderne Ensemble
Period: Baroque
Written: 1683-1685; France
45. Exultat animus by Henry Dumont
Performer: Céline Scheen (Soprano), Mathias Vidal (Countertenor), Hanna Bayodi (Soprano),
Lluis Vilamajó (Tenor), Stephan Macleod (Bass)
Conductor: Philippe Pierlot
Orchestra/Ensemble: Ghent Collegium Vocale, Ricercar Consort
Period: Baroque
Written: France
46. Magnificat by Henry Dumont
Performer: Stephan Macleod (Bass), Lluis Vilamajó (Tenor), Hanna Bayodi (Soprano),
Mathias Vidal (Countertenor), Céline Scheen (Soprano)
Conductor: Philippe Pierlot
Orchestra/Ensemble: Ghent Collegium Vocale, Ricercar Consort
Period: Baroque
Written: France
47. Miserere, LWV 25 by Jean-Baptiste Lully
Performer: Hervé Lamy (Tenor), Amel Brahim-Djelloul (Soprano), Damien Guillon (Baritone),
Howard Crook (Countertenor), Arnaud Marzoratti (Bass Baritone)
Conductor: Olivier Schneebeli
Orchestra/Ensemble: Musica Florea, Les Pages et Les Chantres de Versailles
Period: Baroque
Written: 1663; France
48. De profundis by Henry Desmarets
Performer: Sébastien Droy (Tenor), Stéphanie Révidat (Soprano), Hanna Bayodi (Soprano),
François-Nicolas Geslot (Countertenor)
Conductor: Hervé Niquet
Orchestra/Ensemble: Le Concert Spirituel
Period: Baroque
Written: by 1704; Lorraine, France
49. Messe des morts, H 10 by Marc-Antoine Charpentier
Performer: Stephan Macleod (Bass), Lluis Vilamajó (Tenor), Hanna Bayodi (Soprano),
Mathias Vidal (Countertenor), Céline Scheen (Soprano)
Conductor: Philippe Pierlot
Orchestra/Ensemble: Ghent Collegium Vocale, Ricercar Consort
Period: Baroque
Written: France
51. Usquequo Domine by Henry Desmarets
Performer: Arnaud Marzoratti (Bass Baritone), Paul Agnew (Tenor), Sophie Daneman (Soprano),
Rebecca Ockenden (Soprano), Laurent Slaars (Baritone)
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Baroque
Written: 1708; Lorraine, France
52. Hippolyte et Aricie: Act 2 by Jean-Philippe Rameau
Performer: Jean-Louis Meunier (Tenor), Luc Coadou (Bass), Russel Smythe (Baritone),
Jean-Paul Fouchécourt (Tenor), Véronique Gens (Soprano), Bernarda Fink (Mezzo Soprano),
Laurent Naouri (Baritone), Jean-Louis Georgel (Baritone), Jacques Des Longchamps (Countertenor)
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1733; Paris, France
53. Hippolyte et Aricie: Act 4 - Excerpt(s) by Jean-Philippe Rameau
Performer: Jacques Des Longchamps (Countertenor), Jean-Louis Georgel (Baritone), Laurent Naouri (Baritone),
Bernarda Fink (Mezzo Soprano), Véronique Gens (Soprano), Jean-Paul Fouchécourt (Tenor),
Russel Smythe (Baritone), Luc Coadou (Bass), Jean-Louis Meunier (Tenor)
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1733; Paris, France
54. Les fêtes d'Hébé: Overture by Jean-Philippe Rameau
Conductor: Christophe Rousset
Orchestra/Ensemble: Les Talens Lyriques
Period: Baroque
Written: 1739; Paris, France
55. Les fêtes d'Hébé: Pour rendre à mon Hymen tour l'Olympe propice by Jean-Philippe Rameau
Performer: Véronique Gens (Soprano)
Conductor: Christophe Rousset
Orchestra/Ensemble: Les Talens Lyriques
Period: Baroque
Written: France
56. Les fêtes d'Hébé: Musette en Rondeau by Jean-Philippe Rameau
Conductor: Christophe Rousset
Orchestra/Ensemble: Les Talens Lyriques
Period: Baroque
Written: 1739; Paris, France
57. Les fêtes d'Hébé: Tambourin en Rondeau by Jean-Philippe Rameau
Conductor: Christophe Rousset
Orchestra/Ensemble: Les Talens Lyriques
Period: Baroque
Written: 1739; Paris, France
58. Hippolyte et Aricie: Overture by Jean-Philippe Rameau
Conductor: Christophe Rousset
Orchestra/Ensemble: Les Talens Lyriques
Period: Baroque
Written: 1733; Paris, France
59. Hippolyte et Aricie: Temple sacré by Jean-Philippe Rameau
Performer: Véronique Gens (Soprano)
Conductor: Christophe Rousset
Orchestra/Ensemble: Les Talens Lyriques
Period: Baroque
Written: 1733; Paris, France
60. Hippolyte et Aricie: Quels doux concerts by Jean-Philippe Rameau
Performer: Véronique Gens (Soprano)
Conductor: Christophe Rousset
Orchestra/Ensemble: Les Talens Lyriques
Period: Baroque
Written: 1733; Paris, France
61. Zoroastre: Reviens c'est l'amour qui t'appelle by Jean-Philippe Rameau
Performer: Véronique Gens (Soprano)
Conductor: Christophe Rousset
Orchestra/Ensemble: Les Talens Lyriques
Period: Baroque
Written: France
62. Zoroastre: Première entrée de peuples différents by Jean-Philippe Rameau
Conductor: Christophe Rousset
Orchestra/Ensemble: Les Talens Lyriques
Period: Baroque
Written: France
63. Zélindor, roi des Sylphes by François Francoeur
Performer: Arnaud Richard (Voice), Bénédicte Tauran (Soprano), Aurore Bucher (Soprano),
Mathias Vidal (Tenor)
Conductor: Frederick Haas, Mira Glodeanu
Orchestra/Ensemble: Ausonia
Period: Baroque
Written: by 1745; France
Notes: This work was composed in collaboration with François Rebel.
64. Egine by Franç. Collin de Blamont
Performer: Arnaud Marzoratti (Bass Baritone), Caroline Mutel (Soprano), Virginie Pochon (Soprano),
Jean-Sébastien Bou (Baritone)
Conductor: Sébastien D'Hérin
Orchestra/Ensemble: Les Nouveaux Caractères
Period: Baroque
Written: France
65. Dominus regnavit by Jean-Joseph Cassanéa de Mondonville
Performer: Maarten Koningsberger (Baritone), François Piolino (Tenor), Sophie Daneman (Soprano),
Paul Agnew (Countertenor), Maryseult Wieczorek (Mezzo Soprano), François Bazola (Bass)
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Baroque
Written: 1734; France
66. In convertendo by Jean-Philippe Rameau
Performer: Sophie Daneman (Soprano), Paul Agnew (Countertenor), Nicolas Rivenq (Baritone)
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Baroque
Written: circa 1718; France
67. Confitebor tibi domine by André Campra
Performer: Isabelle Poulenard (Soprano), Romain Champion (Tenor), Robert Getchell (Countertenor),v
Marc Mauillon (Baritone)
Conductor: Louis Castelain
Orchestra/Ensemble: Le Parnasse Français
Period: Baroque
Written: France
68. Nisi Dominus by Jean-Joseph Cassanéa de Mondonville
Performer: Marc Mauillon (Baritone), Robert Getchell (Countertenor), Romain Champion (Tenor),
Isabelle Poulenard (Soprano), Christophe Grapperon (Baritone)
Conductor: Louis Castelain
Orchestra/Ensemble: Le Parnasse Français
Period: Baroque
Written: France
69. Livre d'orgue de Dijon: Air by Claude-Béninge Balbastre
Performer: Olivier Latry (Organ)
Period: Classical
Written: France
70. Livre d'orgue de Dijon: Duo by Claude-Béninge Balbastre
Performer: Olivier Latry (Organ)
Period: Classical
Written: France
71. Nouveau livre de noëls: Vous qui désirez sans fin by Michel Corrette
Performer: Olivier Latry (Organ)
Period: Baroque
Written: by 1753; France
72. Nouveau livre de noëls (12), Op. 2: no 1, Noël sur les jeux d'anches by Louis-Claude Daquin
Performer: Olivier Latry (Organ)
Period: Baroque
Written: circa 1740; France
73. Les folies de Cardénio: Excerpt(s) by Michel Richard Delalande
Conductor: Christophe Coin
Orchestra/Ensemble: Limoges Baroque Ensemble
Period: Baroque
Written: France
74. Pieces de clavecin en sonates, Op. 3: no 4 in C major by Jean-Joseph Cassanéa de Mondonville
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: by 1734; France
75. Pieces de clavecin en sonates, Op. 3: no 6 by Jean-Joseph Cassanéa de Mondonville
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: by 1734; France
76. Oedipe a Colone: Excerpt(s) by Antonio Sacchini
Performer: Roberta Invernizzi (Soprano)
Conductor: Antonio Florio
Orchestra/Ensemble: Cappella della Pietà de' Turchini
Period: Classical
77. Didon: Excerpt(s) by Niccolò Piccinni
Performer: Roberta Invernizzi (Soprano)
Conductor: Antonio Florio
Orchestra/Ensemble: Cappella della Pietà de' Turchini
Period: Classical
78. Didone abbandonata: Son regina e son amante by Niccolò Piccinni
Performer: Roberta Invernizzi (Soprano)
Conductor: Antonio Florio
Orchestra/Ensemble: Cappella della Pietà de' Turchini
Period: Classical
Written: by 1770
79. Dardanus: Overture by Antonio Sacchini
Conductor: Guy Van Waas
Orchestra/Ensemble: Les Agrémens
Period: Classical
80. La mort d'Abel: L'aurore a dissipé les ombres by Rodolphe Kreutzer
Performer: Pierre-Yves Pruvot (Baritone)
Conductor: Guy Van Waas
Orchestra/Ensemble: Les Agrémens
Period: Classical
81. Le Déserteur: Il m'eut été si doux de t'embrasser by Pierre-Alexandre Monsigny
Performer: Pierre-Yves Pruvot (Baritone)
Conductor: Guy Van Waas
Orchestra/Ensemble: Les Agrémens
Period: Classical
82. La caverne: Dans ce péril certain by Jean-François Lesueur
Performer: Pierre-Yves Pruvot (Baritone)
Conductor: Guy Van Waas
Orchestra/Ensemble: Les Agrémens
Period: Classical
Written: by 1793; France
83. Sabinus: Ballet Suite by François Joseph Gossec
Conductor: Guy Van Waas
Orchestra/Ensemble: Les Agrémens
Period: Classical
Written: by 1773; France
84. Ernelinde, princesse de Norvège: Transports, tourments jaloux by François-André Danican Philidor
Performer: Pierre-Yves Pruvot (Baritone)
Conductor: Guy Van Waas
Orchestra/Ensemble: Les Agrémens
Period: Classical
Written: by 1767
85. Le huron: Overture by André Modeste Grétry
Conductor: Jérôme Corréas
Orchestra/Ensemble: Les Paladins
Period: Classical
Written: by 1768; France
86. La fausse magie: Comme un éclair by André Modeste Grétry
Performer: Isabelle Poulenard (Soprano)
Conductor: Jérôme Corréas
Orchestra/Ensemble: Les Paladins
Period: Classical
Written: France
87. L'amant jaloux: O douce nuit, sous ton ombre paisible by André Modeste Grétry
Performer: Isabelle Poulenard (Soprano)
Conductor: Jérôme Corréas
Orchestra/Ensemble: Les Paladins
Period: Classical
Written: France
88. Symphonie concertante du ballet de Mirza: Allegro by François Joseph Gossec
Conductor: Jérémie Rhorer
Orchestra/Ensemble: Le Cercle de l'Harmonie
Period: Classical
Written: by 1784; France
89. Symphony in E flat major by Simon Leduc
Conductor: Jérémie Rhorer
Orchestra/Ensemble: Le Cercle de l'Harmonie
Period: Classical
Written: France
90. Symphonies (6), Op. 21: no 2 in D minor by Henri-Joseph Rigel
Conductor: Jérémie Rhorer
Orchestra/Ensemble: Le Cercle de l'Harmonie
Period: Classical
Written: by 1786; France
91. Prelude in C major by Claude-Béninge Balbastre
Performer: Andreas Staier (Fortepiano)
Period: Classical
Written: France
92. Sonata for Piano no 8 in A minor, K 310 (300d) by Wolfgang Amadeus Mozart
Performer: Andreas Staier (Fortepiano)
Period: Classical
Written: 1778; Paris, France
93. Sonata for Piano, Op. 5 no 2 by Hyacinthe Jadin
Performer: Andreas Staier (Fortepiano)
Period: Classical
Written: by 1804; France
94. Variations (9) for Piano in C major on "Lison dormait", K 264 (315d) by Wolfgang Amadeus Mozart
Performer: Andreas Staier (Fortepiano)
Period: Classical
Written: 1778; Paris, France
95. Quartets (6) for Flute and Strings, Op. 66: no 1 in A major by François Devienne
Performer: Atsushi Sakai (Cello), Karine Crocquenoy (Violin), Julien Chauvin (Violin),
Cécile Brossard (Viola), Alexis Kossenko (Flute)
Orchestra/Ensemble: Cambini Quartet
Period: Classical
Written: France
96. Quartets (6) for Strings, Op. 5: no 3 in F minor by Pierre Vachon
Performer: Cécile Brossard (Viola), Julien Chauvin (Violin), Karine Crocquenoy (Violin),
Atsushi Sakai (Cello)
Orchestra/Ensemble: Cambini Quartet
Period: Classical
Written: France
97. Quartet for Strings in G minor, Op. 18 no 2 by Giuseppe Maria Cambini
Performer: Cécile Brossard (Viola), Julien Chauvin (Violin), Karine Crocquenoy (Violin),
Atsushi Sakai (Cello)
Orchestra/Ensemble: Cambini Quartet
Period: Classical
98. Quintet for Flute and Strings in B flat major, Op. 21 no 6/G 424 by Luigi Boccherini
Performer: Atsushi Sakai (Cello), Karine Crocquenoy (Violin), Julien Chauvin (Violin),
Cécile Brossard (Viola), Alexis Kossenko (Flute)
Orchestra/Ensemble: Cambini Quartet
Period: Classical
Written: by 1775
99. Terribilis est by François Joseph Gossec
Performer: Alain Buet (Bass), Cyril Auvity (Countertenor), James Oxley (Tenor),
Kareen Durand (Soprano)
Conductor: Jean-Claude Malgoire
Orchestra/Ensemble: Namur Chamber Choir, Les Agrémens
Period: Classical
Written: France
100. Benedic anima mea by François Giroust
Performer: Alain Buet (Bass), Cyril Auvity (Countertenor), James Oxley (Tenor),
Kareen Durand (Soprano)
Conductor: Jean-Claude Malgoire
Orchestra/Ensemble: Namur Chamber Choir, Les Agrémens
Period: Classical
Written: France
101. La sortie d’Egypte by Henri-Joseph Rigel
Performer: Philippe Do (Countertenor), Isabelle Poulenard (Soprano), Alain Buet (Bass)
Conductor: Olivier Schneebeli
Orchestra/Ensemble: Les Folies Françoises, Les Chantres du Centre de Musique Baroque de Versailles
Period: Classical
Written: 1774; France
102. Noël suisse by Nicolas Séjean
Performer: Olivier Latry (Organ)
Period: Classical
Written: France
103. Morceau pour les flûtes by Guillaume Lasceux
Performer: Olivier Latry (Organ)
Period: Classical
Written: France
104. Marche des Marseillois et l'air Ça-Ira by Claude-Béninge Balbastre
Performer: Olivier Latry (Organ)
Period: Classical
Written: France
1. Nabucco, opera (Nabucodonosor) Gli arredi festivi (Act I)
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus
Conducted by Claudio Abbado
2. Nabucco, opera (Nabucodonosor) Va, pensiero, sull'ali dorate (Act III)
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus
Conducted by Claudio Abbado
3. Ernani, opera Si ridesti il Leon di Castiglia (Act III)
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus
Conducted by Claudio Abbado
4. Macbeth, opera Preludio (Act I)
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus
Conducted by Claudio Abbado
5. Macbeth, opera Che faceste? die su!" (Act I)
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus
Conducted by Claudio Abbado
6. Macbeth, opera S'allontanarono!" (Act I)
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus
Conducted by Claudio Abbado
7. Macbeth, opera Patria oppressa (Act IV)
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus
Conducted by Claudio Abbado
8. Simon Boccanegra, opera Maria! Maria! /Viva Simon (Prologo)
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus with Piero Cappuccilli, Nicolai Ghiaurov, Jose Van Dam, Giovanni Foiani
Conducted by Claudio Abbado
9. Aida, opera Possente Fthà/ Tu che dal nulla (Act I)
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus with Nicolai Ghiaurov, Lucia Valentini Terrani
Conducted by Claudio Abbado
10. Aida, opera Danza sacra delle Sacerdotesse "Immenso Fthà" (Act
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus with Nicolai Ghiaurov
Conducted by Claudio Abbado
11. Aida, opera O tu che sei d'Osiride (Act III)
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus with Nicolai Ghiaurov, Yelena Obraztsova
Conducted by Claudio Abbado
12. Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem) Dies Irae
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus
Conducted by Claudio Abbado
13. Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem) Tuba mirum
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus with Nicolai Ghiaurov
Conducted by Claudio Abbado
14. Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem) Liber scriptus
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus with Shirley Verrett
Conducted by Claudio Abbado
15. Un ballo in maschera, opera Preludio
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus
Conducted by Claudio Abbado
16. Un ballo in maschera, opera Posa in pace (Act I)
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus with Giovanni Foiani, Ruggero Raimondi
Conducted by Claudio Abbado
17. Il Trovatore, opera Vedi,le fosche notturne (Act II)
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus
Conducted by Claudio Abbado
18. Don Carlo, opera Charles-Quint, l'auguste Empereur (Act II)
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus with Nikita Storojev
Conducted by Claudio Abbado
19. Don Carlo, opera Prélude (Act III)
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus
Conducted by Claudio Abbado
20. Don Carlo, opera Ce jour heureux est plein d'allégresse! (Act III)
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus
Conducted by Claudio Abbado
21. Symphony No. 5 in C minor ("Fate") Op. 67
Composed by Ludwig van Beethoven
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
22. Leonore Overture No. 2 in C major, Op. 72a
Composed by Ludwig van Beethoven
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
23. Egmont, incidental music, Op. 84 Overture
Composed by Ludwig van Beethoven
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
24. Symphony No. 3 in E flat major ("Eroica"), Op. 55
Composed by Ludwig van Beethoven
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
25. Meeresstille und glückliche Fahrt (Calm Sea and Prosperous Voyage), cantata for chorus & orchestra, Op. 112
Composed by Ludwig van Beethoven
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
26. König Stephan (King Stephen), incidental music, Op. 117 Overture
Composed by Ludwig van Beethoven
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
27. Symphony No. 6 in F major ("Pastoral") Op. 68
Composed by Ludwig van Beethoven
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
28. Die Weihe des Hauses (Consecration of the House), overture for orchestra, Op. 124
Composed by Ludwig van Beethoven
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
29. Coriolan Overture, Op. 62
Composed by Ludwig van Beethoven
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
30. Symphony No. 7 in A major, Op. 92
Composed by Ludwig van Beethoven
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
31. Leonore Overture No. 3 in C major, Op. 72b
Composed by Ludwig van Beethoven
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
32. Lulu, suite (from the opera), for soprano & orchestra Suite
Composed by Alban Berg
Performed by Friedrich Cerha / London Symphony Orchestra with Margaret Price
Conducted by Claudio Abbado
33. Pieces (3) for orchestra, Op. 6
Composed by Alban Berg
Performed by London Symphony Orchestra with Margaret Price
Conducted by Claudio Abbado
34. Altenberg Lieder, collection of 5 songs for voice & orchestra, Op. 4
Composed by Alban Berg
Performed by London Symphony Orchestra with Margaret Price
Conducted by Claudio Abbado
35. L' Arlésienne, Suite I for orchestra, from the incidental music Suite No.1
Composed by Georges Bizet
Performed by London Symphony Orchestra
Conducted by Claudio Abbado
36. L' Arlésienne, Suite II for orchestra, from the incidental music (arranged by Ernest Guirard) Suite No.2
Composed by Georges Bizet
Performed by London Symphony Orchestra
Conducted by Claudio Abbado
37. Miroirs, for piano (or orchestra) Alborada del gracioso
Composed by Maurice Ravel
Performed by London Symphony Orchestra with Martin Gatt
Conducted by Claudio Abbado
38. Ma mère l'oye, ballet for orchestra
Composed by Maurice Ravel
Performed by London Symphony Orchestra with Michael Davis
Conducted by Claudio Abbado
39. Carmen, opéra-comique in 4 acts
Composed by Georges Bizet
with Ambrosian Singers, Teresa Berganza, Ileana Cotrubas, Placido Domingo, Leslie Fyson, Stuart Harling, Yvonne Kenny
Conducted by Claudio Abbado
40. Symphony No. 2 in D major, Op. 73
Composed by Johannes Brahms
Performed by Berlin Philharmonic Orchestra
Conducted by Claudio Abbado, Michael Steinberg
41. Academic Festival Overture, for orchestra in C minor ("Akademische Festouvertüre"), Op. 80
Composed by Johannes Brahms
Performed by Berlin Philharmonic Orchestra
Conducted by Claudio Abbado, Michael Steinberg
42. Hungarian Dances (21) for piano, 4 hands (or piano solo or orchestra)
Composed by Johannes Brahms
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
43. An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314)
Composed by Johann II Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
44. Furioso-Polka, polka quasi galop for orchestra, Op. 260 (RV 260)
Composed by Johann II Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
45. Brennende Liebe, polka mazurka, for orchestra, Op 129
Composed by Josef Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
46. Perpetuum Mobile (Perpetual Motion), Ein musikalischer Scherz, for orchestra, Op. 257 (RV 257)
Composed by Johann II Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
47. Kaiser-Walzer (Emperor Waltz), for orchestra, Op. 437 (RV 437)
Composed by Johann II Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
48. Die Fledermaus (The Bat), overture to the operetta (RV 503-1)
Composed by Johann II Strauss
Performed by Vienna Philharmonic Orchestra
Conducted by Claudio Abbado
49. Symphony No. 96 in D major ("Miracle"), H. 1/96
Composed by Franz Joseph Haydn
with Chamber Orchestra Europe
Conducted by Claudio Abbado
50. Symphony No. 101 in D major ("Clock"), H. 1/101
Composed by Franz Joseph Haydn
with Chamber Orchestra Europe
Conducted by Claudio Abbado
51. Symphony No. 4 in G major
Composed by Gustav Mahler
Performed by Vienna Philharmonic Orchestra with Frederica Von Stade
Conducted by Claudio Abbado
52. Symphony No. 3 in A minor ("Scottish"), Op. 56
Composed by Felix Mendelssohn
Performed by London Symphony Orchestra
Conducted by Claudio Abbado
53. Symphony No. 5 in D major/D minor ("Reformation"), Op. 107
Composed by Felix Mendelssohn
Performed by London Symphony Orchestra
Conducted by Claudio Abbado
54. Symphony No. 4 in A major ("Italian"), Op. 90
Composed by Felix Mendelssohn
Performed by London Symphony Orchestra
Conducted by Claudio Abbado
55. A Midsummer Night's Dream, overture, Op. 21
Composed by Felix Mendelssohn
Performed by London Symphony Orchestra
Conducted by Claudio Abbado
56. The Hebrides, overture in B minor for orchestra ("Fingal's Cave," 4 versions), Op. 26
Composed by Felix Mendelssohn
Performed by London Symphony Orchestra
Conducted by Claudio Abbado
57. Overture for orchestra in E major ("Fair Melusina"), Op. 32
Composed by Felix Mendelssohn
Performed by London Symphony Orchestra
Conducted by Claudio Abbado
58. Piano Concerto No. 20 in D minor, K. 466
Composed by Wolfgang Amadeus Mozart
Performed by Vienna Philharmonic Orchestra with Friedrich Gulda
Conducted by Claudio Abbado
59. Piano Concerto No. 27 in B flat major, K. 595
Composed by Wolfgang Amadeus Mozart
Performed by Vienna Philharmonic Orchestra with Friedrich Gulda
Conducted by Claudio Abbado
60. Piano Concerto No. 17 in G major, K. 453
Composed by Wolfgang Amadeus Mozart
Performed by London Symphony Orchestra
Conducted by Claudio Abbado
61. Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467
Composed by Wolfgang Amadeus Mozart
Performed by London Symphony Orchestra
Conducted by Claudio Abbado
62. Pictures at an Exhibition (Kartinki s vïstavski), for piano
Composed by Modest Mussorgsky
Performed by Maurice Ravel
Conducted by Claudio Abbado
63. Dawn on the Moscow River, prelude for orchestra (from Khovanshchina), edited by Rimsky-Korsakov
Composed by Modest Mussorgsky
Performed by Dmitry Shostakovich / Vienna State Opera Orchestra
Conducted by Claudio Abbado
64. Lieutenant Kijé, film score and suite for orchestra, Op. 60
Composed by Sergey Prokofiev
Performed by Chicago Symphony Orchestra with Adolph Herseth
Conducted by Claudio Abbado
65. Symphony No. 4 in C major ("Poem of Ecstasy"), Op. 54
Composed by Alexander Nikolayevich Skryabin
Performed by Boston Symphony Orchestra
Conducted by Claudio Abbado
66. Nocturnes, for female chorus & orchestra, L. 91 No 1, Nuages
Composed by Claude Debussy
Performed by Boston Symphony Orchestra
Conducted by Claudio Abbado
67. Nocturnes, for female chorus & orchestra, L. 91 No 2, Fêtes
Composed by Claude Debussy
Performed by Boston Symphony Orchestra
Conducted by Claudio Abbado
68. Nocturnes, for female chorus & orchestra, L. 91 No 3, Sirènes
Composed by Claude Debussy
Performed by Boston Symphony Orchestra
Conducted by Claudio Abbado
69. Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86
Composed by Claude Debussy
Performed by London Symphony Orchestra with Peter Lloyd
Conducted by Claudio Abbado
70. La valse, poème choréographique for orchestra (or piano)
Composed by Maurice Ravel
Performed by London Symphony Orchestra
Conducted by Claudio Abbado
71. Boléro, ballet for orchestra (or piano)
Composed by Maurice Ravel
Performed by London Symphony Orchestra
Conducted by Claudio Abbado
72. Il barbière di Siviglia (The Barber of Seville), opera
Composed by Gioachino Rossini
Performed by Ambrosian Opera Chorus / London Symphony Orchestra with Luigi Alva, Teresa Berganza, Enzo Dara, Stefania Malagu, Paolo Montarsolo
Conducted by Claudio Abbado
73. Symphony No. 8 in B minor ("Unfinished"), D. 759
Composed by Franz Schubert
with Chamber Orchestra Europe
Conducted by Claudio Abbado
74. Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) Overture
Composed by Franz Schubert
with Chamber Orchestra Europe
Conducted by Claudio Abbado
75. Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) No 4 Geisterchor (Chorus of Spirits)
Composed by Franz Schubert
with Chamber Orchestra Europe, Anne-Sofie von Otter
Conducted by Claudio Abbado
76. Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) No 2 Ballett (Ballet)
Composed by Franz Schubert
with Chamber Orchestra Europe, Anne-Sofie von Otter
Conducted by Claudio Abbado
77. Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) No 5 Entr'acte (Intermezzo)
Composed by Franz Schubert
with Chamber Orchestra Europe, Anne-Sofie von Otter
Conducted by Claudio Abbado
78. Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) No 3b Romanze (Romance)
Composed by Franz Schubert
with Chamber Orchestra Europe, Anne-Sofie von Otter
Conducted by Claudio Abbado
79. Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) No 9 Ballett
Composed by Franz Schubert
with Chamber Orchestra Europe, Anne-Sofie von Otter
Conducted by Claudio Abbado
80. Fierabras, opera, D. 796 Overture
Composed by Franz Schubert
with Chamber Orchestra Europe
Conducted by Claudio Abbado
81. Symphony No. 9 in C major ("The Great"), D. 944
Composed by Franz Schubert
with Chamber Orchestra Europe
Conducted by Claudio Abbado
82. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra
Composed by Igor Stravinsky
Performed by London Symphony Orchestra with Ambrosian Singers
Conducted by Claudio Abbado
83. The Miraculous Mandarin, pantomime in 1 act Op. 19, Sz. 73, BB 82
Composed by Bela Bartok
Performed by London Symphony Orchestra with Ambrosian Singers
Conducted by Claudio Abbado
84. Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version)
Composed by Igor Stravinsky
Performed by London Symphony Orchestra with Leslie Howard
Conducted by Claudio Abbado
85. Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra
Composed by Igor Stravinsky
Performed by London Symphony Orchestra with Teresa Berganza, Ryland Davies
Conducted by Claudio Abbado
86. L'oiseau de feu (The Firebird), concert suite for orchestra No. 2
Composed by Igor Stravinsky
Performed by London Symphony Orchestra
Conducted by Claudio Abbado
87. Symphony No. 6 in B Minor, Op. 74 "Pathétique", Op.74
Composed by Pyotr Il'yich Tchaikovsky
Performed by Vienna Philharmonic Orchestra with Nathan Milstein
Conducted by Claudio Abbado
88. Violin Concerto, for violin & orchestra (or violin & piano) in D major, Op. 35
Composed by Pyotr Il'yich Tchaikovsky
Performed by Vienna Philharmonic Orchestra with Nathan Milstein
Conducted by Claudio Abbado
89. Aida, opera
Composed by Giuseppe Verdi
Performed by La Scala Theater Orchestra & Chorus with Nicolai Ghiaurov, Placido Domingo, Leo Nucci
Conducted by Claudio Abbado
Bach (CPE): Magnificat (Philip Ledger: Academy of St. Martin-in-the-Field; Choir of King's College, Cambridge; Felicity Palmer; Helen Watts; Robert Tear; Stephen Roberts)
Berg: Lulu (Pierre Boulez: Orchestre de L'Opera de Paris; Tresa Stratas; Yvonne Minton; Hanna Schwarz; Franz Mazura; Kenneth Riegel; Toni Blankenheim; Robert Tear; Helmut Pampuch)
Disk 1
1. Links on the Chain - Broadside Singers, Ochs
2. Blowin' in the Wind - New World Singers
3. Paths of Victory - Broadside Singers
4. The Ballad of Ira Hayes - LaFarge
5. Ain't That News? - Broadside Singers, Paxton
6. The Times I've Had - Broadside Singers
7. Go Limp - McGinn
8. Ding Dong Dollar - Glasgow Song Guild
9. Mack the Bomb - Seeger
10. The Civil Defense Sign - Spoelstra
11. Let Me Die in My Footsteps - Traum
12. Hiroshima Nagasaki Russian Roulette - Page
13. What Have They Done to the Rain? - Reynolds
14. Ballad of William Worthy - Ochs
15. Train for Auschwitz - Paxton
16. Do as the Doukhobors Do - Seeger
17. Christine - Broadside Singers, Paxton
18. As Long as the Grass Shall Grow - LaFarge
Disc 2
1. John Brown - Dylan
2. Take Me for a Walk (Morning Dew) - Dobson
3. The Willing Conscript - Seeger
4. Kill for Peace - Fugs
5. Plains of Nebrasky-O - Andersen, Ochs
6. Benny Kid Peace - Turner
7. What Did You Learn in SchoolToday? - Paxton
8. Changin' Hands - Ochs
9. Welcome, Welcome Emigrante - Broadside Singers, Sainte-Marie
10. Shady Acres - Ian
11. Lord, Hold Back the Waters - McLean
12. Ballad of Donald White - Dylan
13. Song for Patty - Walker
14. A Very Close Friend of Mine - Black
15. Long Time Troubled Road - Andersen
16. A Hard Rain's A-Gonna Fall - Seeger
Disc 3
1. Mississippi Goddam - Simone
2. We'll Never Turn Back - Freedom Singers
3. Freedom Riders - Ochs
4. Father's Grace - Broadside Singers
5. Society's Child (Baby I've Been Thinking) - Ian
6. I'm Gonna Get My Baby Out ofJail - Chandler
7. The Ballard of Martin Luther King - Millius
8. Carry It On - Broadside Singers, Chandler
9. Birmingham Sunday - Farina
10. The Migrant's Song - Lira, Valdez
11. El Picket Sign - Treato Campesino
12. La Lucha Continuara - Rose-Redwood
13. Cantra la Pro - Padilla
14. Mrs. Clara - Sullivan's Letter
15. If It Wasn't for the Union - McGuinn
16. More Good Men Going Down - Broadside Singers
17. Sundown - Cunningham
18. My Oklahoma Home (It Blowed Away) - Cunningham
19. Drag Lines - New Harmony Sisterhood Band
20. My Father's Mansions - Seeger
Disc 4
1. Pinkville Helicopter - Parrott
2. Hell No, I Ain't Going Go - Jones, Laron
3. We Seek No Wider War - Ochs
4. Waist Deep in the Big Muddy - Seeger
5. Vietman - Kaplan
6. Hole in the Ground - Parrott
7. To Be a Killer - Houston
8. New York J-D Blues - Seeger
9. Little Boxes - Reynolds
10. Not Enough to Live on But Too Much to Die - Strange
11. The Faucets Are Dripping - Reynolds
12. Bizzness Ain't Dead - New World Singers
13. Business - Seeger
14. Legal-Illegal - Seeger
15. Brown Water and Blood - Ampolsk
16. The Aberfan Coal Tio Tragedy - Parrot
17. Lafayette - Williams
18. The Ballard of the Earl Durand - Brown
19. Plastic Jesus - Marrs, The Marrs Family
Disc 5
1. Burn, Baby, Bur - Collier, Kirkpatrick
2. The Cities Are Burning - Collier, Kirkpatrick
3. Nothing But His Blood - Kirkpatrick
4. You're Just a Laughing Fool - Kirkpatrick
5. Time Is Running Out - Smith
6. But If I Ask Them - Cunningham
7. Ragamuffin Minstrel Boy - Walker
8. Changes - Ochs
9. Bound for Glory - Ochs
10. Victor Jara - Guthrie
11. We Will Never Give Up - Lems
12. Inez - Grant, Human Condition
13. I'm Gonna Be an Engineer - Seeger
14. Don't Talk to Strangers - Gaylord
15. Catcher in the Rye - Walker
16. The Time Will Come - White
1. Dance Symphony by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1930; USA
2. Pieces (2) for String Quartet by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1923-1928; USA
3. Symphony for Organ and Orchestra "Organ Symphony" by Aaron Copland
Performer: E. Power Biggs (Organ)
Conductor: Leonard Bernstein
Orchestra/Ensemble: New York Philharmonic
Period: 20th Century
Written: 1924; Paris, France
4. Music for the Theatre by Aaron Copland
Conductor: Leonard Bernstein
Orchestra/Ensemble: New York Philharmonic
Period: 20th Century
Written: 1925; USA
5. Concerto for Piano by Aaron Copland
Performer: Aaron Copland (Piano)
Conductor: Leonard Bernstein
Orchestra/Ensemble: New York Philharmonic
Period: 20th Century
Written: 1926; USA
6. Symphonic Ode by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1927-1929; USA
7. Symphony no 2 "Short Symphony" by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1932-1933; USA
8. Statements by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1932-1935; USA
Copland Collection, The: Orchestral & Ballet Works, 1936-1948 (Leonard Bernstein conducting; Columbia Symphony Orchestra; New England Conservatory Chorus; Columbia Symphony Strings; New Philharmonia Orchestra; London Symphony Orchestra; Philharmonia Orchestra of London)
1. El salón México by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: New Philharmonia Orchestra
Period: 20th Century
Written: 1932-1936; USA
2. An Outdoor Overture by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1938; USA
3. Billy the Kid: Suite by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1938; USA
4. Quiet City by Aaron Copland
Performer: Michael Winfield (English Horn), William Lang (Trumpet)
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1939; USA
5. John Henry by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1940/1952; USA
6. Our Town by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1940; USA
7. Las agachadas by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: New England Conservatory Chorus
Period: 20th Century
Written: 1942; USA
Language: Spanish
8. Fanfare for the common man by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1942; USA
9. Rodeo: Four Dance Episodes by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1942; USA
10. Music for Movies by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: New Philharmonia Orchestra
Period: 20th Century
Written: 1942; USA
11. Appalachian Spring: Suite by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1943-1944; USA
12. Letter from Home by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1944/1962; USA
13. Danzón Cubano by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1942; USA
14. Lincoln Portrait by Aaron Copland
Performer: Henry Fonda (Spoken Vocals)
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1942; USA
Language: English
15. Symphony no 3 by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: Philharmonia Orchestra
Period: 20th Century
Written: 1944-1946; USA
16. Concerto for Clarinet by Aaron Copland
Performer: Benny Goodman (Clarinet)
Conductor: Aaron Copland
Orchestra/Ensemble: Columbia Symphony Orchestra
Period: 20th Century
Written: 1947-1948; USA
1. Red Pony: Suite by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: New Philharmonia Orchestra
Period: 20th Century
Written: 1948; USA
2. Preamble for a Solemn Occasion by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1949; USA
Language: English
3. Orchestral Variations by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1957; USA
4. Dance Panels by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1959/1962; USA
5. Connotations by Aaron Copland
Conductor: Leonard Bernstein
Orchestra/Ensemble: New York Philharmonic
Period: 20th Century
Written: 1962; USA
6. Down a Country Lane by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1962; USA
Notes: Orchestrated: Aaron Copland (1965)
7. Music for a Great City by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1964; USA
8. Inscape by Aaron Copland
Conductor: Leonard Bernstein
Orchestra/Ensemble: New York Philharmonic
Period: 20th Century
Written: 1967; USA
9. Three Latin American Sketches by Aaron Copland
Conductor: Aaron Copland
Orchestra/Ensemble: New Philharmonia Orchestra
Period: 20th Century
Written: 1972; USA
1. Ernest Ansermet - Falla & Debussy
2. Ataúlfo Argenta - Showpieces of Spain & Tchaikovsky Violin Concerto
3. Vladimir Ashkenazy plays Rachmaninov
4. Vladimir Ashkenazy conducts Sibelius & Mussorgsky
5. Cecilia Bartoli - Italian Songs
6. Joshua Bell - Barber, Walton & Bloch
7. Herbert Blomstedt - Richard Strauss
8. Karl Böhm - Bruckner Symphony No 4
9. Willi Boskovsky - New Year's Day Concert in Vienna
10. Benjamin Britten - Britten War Requiem
11. Riccardo Chailly - Messiaen
12. Kyung-Wha Chung - Mendelssohn & Bruch
13. Clifford Curzon - Mozart Piano Concertos
14. Christoph von Dohnányi - Schoenberg, Berg & Webern
15. Antal Doráti - Stravinsky
16. Charles Dutoit - Ravel
17. Renée Fleming - Great Opera Scenes
18. Nelson Freire - Brahms Piano Concerto No 1 & Schumann Carnaval
19. Bernard Haitink - Shostakovich Symphonies No 5 & 9
20. Christopher Hogwood - Purcell Dido & Aeneas
21. Janine Jansen - Beethoven & Britten Violin Concertos
22. Herbert von Karajan - Holst The Planets
23. Julius Katchen - Bartók, Ravel & Prokofiev Piano Concertos
24. István Kertész - Dvorák Symphonies No 8 & 9
25. David Willcocks - Haydn Nelson Mass
26. Alicia de Larrocha - Granados & Falla
27. Ute Lemper - Berlin Cabaret Songs
28. Radu Lupu - Beethoven Piano Sonatas
29. Peter Maag - Mendelssohn
30. Lorin Maazel - Respighi
31. Charles Mackerras - Janácek
32. Neville Marriner - Tchaikovsky & Grieg
33. Jean Martinon - Ibert, Bizet, Saint-Saëns & Borodin
34. Zubin Mehta - Varèse & Ives
35. Pierre Monteux - Ravel Daphnis et Chloé & Elgar Enigma Variations
36. Karl Münchinger - Bach
37. Georg Solti - Wagner The Golden Ring
38. The Three Tenors - Carreras Domingo Pavarotti in Concert
39. Joan Sutherland & Luciano Pavarotti - Puccini Turandot (highlights)
40. Philip Pickett - Susato
41. Pascal Rogé - Saint-Saëns Piano Concertos
42. Christophe Rousset - Pergolesi Stabat Mater
43. András Schiff - Bach Goldberg Variations
44. Georg Solti - Romantic Russia & Suppé
45. Georg Solti - Mahler Symphony No 8
46. Joan Sutherland, Luciano Pavarotti & Marilyn Horne - Live from Lincoln Center
47. Takács Quartet - Beethoven Late String Quartets
48. Renata Tebaldi - Puccini La Fanciulla del West (highlights)
49. Vienna Octet - Mendelssohn Octet & Beethoven Septet
50. Andrew Litton & David Hill - Walton & Parry
1. Welcome to New Orleans - DeClouet, Galactic
2. Drop Me Off in New Orleans - Ruffins
3. I'm Walkin' - Domino -
4. Iko Iko - Doctor John -
5. Potato Head Blues - Armstrong -
6. My Darlin' New Orleans - Lil Queenie, Percolators
7. Para Donde Vas (Where Are You Going) - Iguanas
8. Meet the Boyz on the Battlefront - Boudreaux, Osborne
9. Ain't Got No Home - Henry
10. Feel Like Funkin' It Up - Rebirth Brass Band
11. Zydeco Gris-Gris - Beausoleil
12. Mother-In-Law - K-Doe
13. That's Enough of That Stuff - Ball
14. Confidential - Radiators
15. Hey Pocky A-Way - Meters
16. I Thought I Heard Buddy Bolden Say - Morton
17. Foot of Canal Street - Sanchez
18. Down in Honky Tonk Town - Bagneris
19. Rocking Pneumonia and the Boogie Woogie Flu - Clowns, Smith
20. More Hipper - Cleary
21. Release Me - Adams
22. Preachin' Blues - Bechet
23. Jambalaya (On the Bayou) - Chenier
Disc 2
1. Dog Days - Harris
2. No City Like New Orleans - King
3. Salée Dames, Bon Jour - Creole Jazz Serenaders, Vappie
4. Marshall's Club - Balfa Toujours
5. You Can Have My Husband - Thomas
6. Go Go - Galactic
7. Not Too Eggy - New Orleans Klezmer All Stars
8. St. James Infirmary - Preservation Hall Jazz Band
9. Going Back to New Orleans - Moore
10. Hot Tamale Baby - Buckwheat Zydeco
11. Fear, Hate, Envy, Jealousy - Neville Brothers
12. Poop Ain't Gotta Scuffle No More - Andrews
13. Mardi Gras Mambo - Hawketts
14. Ice Cream - Lewis
15. No Doubt About It - Monque'd
16. Don't You Feel My Leg - Dirty Dozen Brass Band
17. Dog Hill - Chavis
18. Au Bord de Lac Bijou - Richard
19. Mardi Gras in New Orleans - Tuba Fats' Chosen Few Brass Band
Disc 3
1. Shrimp and Gumbo - Bartholomew
2. St. Phillip Street Breakdown - White
3. Going Back to Louisiana - Brown
4. Tell It Like It Is - Neville
5. The Saints - Coolbone
6. Canaille - Delafose, French Rockin' Boogie
7. Carnival Time - Johnson
8. La Negra Tomasa - Omar
9. Let the Good Times Roll - Shirley & Lee
10. The Broken Windmill - Christopher, McDermott
11. Way Down - Dupree
12. Hallelujah - Myles
13. I Hear You Knocking - Lewis
14. La Crève de Faim (Starvation 2-Step) - Riley
15. Main Street Blues - Red Stick Ramblers
16. Sea Cruise - Ford
17. Tee-Nah-Nah - Butler
18. Smoke That Fire - New Birth Brass Band
19. Give Him Cornbread - Jocque, Zydeco Hi Rollers
20. I Like It Like That - Kenner
21. Classified [Version Two] - Booker
22. Southern Nights - Toussaint
Disc 4
1. Tipitina - Professor Longhair
2. Party - Wild Magnolias
3. Dr. Jazz - Marsalis
4. Ooh Poo Pah Doo - Andrews
5. South of I-10 - Landreth
6. Lipstick Traces (On a Cigarette) - Spellman
7. The Right Key but the Wrong Keyhole - Houston, Miller, Neville
8. Rip It Up - Little Richard
9. Royal Garden Blues - Kid Ory's Creole Jazz Band
10. Stoned, Drunk & Naked - Osborne
11. Laissez Faire (Let It Be) - Daigrepont
12. Digga-Digga-Do - New Orleans Jazz Vipers
13. Tailspin - Washington
14. Lawdy Miss Clawdy - Price
15. Havin' Fun in New Orleans - Bo
16. King of the Mardi Gras - Laughlin
17. Red Beans - Eaglin
18. S.U.V. - Membership, Shannon
19. 'Tits Yeux Noirs (Little Black Eyes) - Savoy-Doucet Cajun Band
20. Lazy River - Fountain
21. Do You Know What It Means toMiss New Orleans? - Armstrong
Jesus Christ Superstar [Original London Concept Recording] (Murray Head, Barry Dennen, Andrew Lloyd Webber, Tim Rice, Jesus Christ Superstar (Related Recordings), Yvonne Elliman, Ian Gillan)
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