| Modernism | Postmodernism |
| Romanticism/Symbolism | Pataphysics/Dadaism |
| Form (conjunctive, closed) | Antiform (disjunctive, open) |
| Purpose | Play |
| Design | Chance |
| Hierarchy | Anarchy |
| Mastery/Logos | Exhaustion/Silence |
| Art Object / Finished Work | Process/Performance/Happening |
| Distance | Participation |
| Creation/Totalization | Decreation/Deconstruction |
| Synthesis | Antithesis |
| Presence | Absence |
| Centering | Dispersal |
| Genre/Boundary | Text/Intertext |
| Semantics | Rhetoric |
| Paradigm | Syntagm |
| Hypotaxis | Parataxis |
| Metaphor | Metonymy |
| Selection | Combination |
| Root/Depth | Rhizome/Surface |
| Interpretation/Reading | Against Interpretation / Misreading |
| Signified | Signifier |
| Lisible (Readerly) | Scriptable (Writerly) |
| Narrative / Grande Histoire | Anti-narrative / Petit Histoire |
| Master Code | Idiolect |
| Symptom | Desire |
| Type | Mutant |
| Genital/Phallic | Polymorphous/Androgynous |
| Paranoia | Schizophrenia |
| Origin / Cause | Difference-Differance / Trace |
| God the Father | The Holy Ghost |
| Metaphysics | Irony |
| Determinacy | Indeterminacy |
| Transcendence | Immanence |